Book Festivals and the Pulpwood Queens

homepage_gallery_day_after__large

 

I’m gearing up for an exciting book tour for Cherry Bomb, with thirteen events now scheduled in six states, and more in the making. Several festivals and conventions are on the list, including a few I’d like to mention here today.

At the Mississippi Book Festival, August 19 in Jackson, Mississippi, I’ll be on a fiction panel for Cherry Bomb, and also moderating a panel for women authors. “Her Story,” the panel I’m moderating at 12 p.m., features the following panelists:

Mary Ann Connell, An Unforesen Life: A Memoir

Jessica B. Harris, My Soul Looks Back

Suzanne Marrs, Meanwhile There Are Letters: The Correspondence of Eudora Welty and Ross Macdonald

Norma Watkins, That Woman From Mississippi

At 4 p.m. I’ll be on a panel, “Voices of Home,” moderated by Tracy Carr, director of the Mississippi Center for the Book, for a discussion of Mississippi writing from four current Mississippi writers:

Tracy Carr, Mississippi Center for the Book Director and the Library Services Director at the Mississippi Library Commission, MODERATOR

Julie Cantrell, Perennials

Susan Cushman, Cherry Bomb

John Floyd, Dreamland

Johnnie Bernhard, A Good Girl

I’m already friends with Julie Cantrell and John Floyd, and I’m looking forward to meeting Johnnie Bernhard and Tracy Carr. Book festivals are such a great opportunity to get to know others in the literary world!

 

In September I’ll be on a panel for A Second Blooming: Becoming the Women We Are Meant to Be, at the Decatur Book Festival. The schedule isn’t set yet… stay tuned!

October 13-15 is the Southern Festival of Books in Nashville, where I’ll be on a panel for Cherry Bomb. Again, the schedule isn’t published yet, but you know I’ll keep you in the loop!

CL.PulpwoodQueenLogoAnd my latest news (drum roll, please) is that both Cherry Bomb and A Second Blooming have been chosen as book selections for the Pulpwood Queens Book Clubs (over 700 clubs internationally)! A Second Blooming is the pick for February, 2018, and Cherry Bomb is a bonus book for March of 2018. I’ll be traveling to Nacogdoches, Texas for their annual Girlfriend Weekend, January 11-15, 2018. Several hundred Pulpwood Queens Book Club members will be there, along with several dozen authors. This amazing book club and annual event are organized by Kathy L. Murphy, author of The Pulpwood Queens’ Tiara-Wearing, Book-Sharing Guide to Life.

Four Book Deals in One Year: A Journey in Independent Publishing

Just a quick note to say I’m excited to have a short piece in the July/August issue of Southern Writers’s Magazine:

“Four Book Deals in One Year: A Journey in Independent Publishing”

4 Book Deals teaser

Click here to subscribe and read the full article.

I’m still doing lots of reading, watching movies, and searching for what the muse has in store for me next… please stay tuned!
And thanks always for reading!

SWMag sm ad

 

 

 

Dear Diary,

teenager-diary-50sI kept a diary when I was a little girl. It had a little lock and key and I kept it hidden. I remember once when my brother found it and threatened to read it… not sure how I got out of that one. And here I am many decades later with a very public diary. Most of the time I write things here about books, writing, editing, publishing, art, spirituality, etc. But sometimes I write about more personal things like depression, eating, drinking, addiction, and grief. Today is one of those days.

Today’s post is in place of yesterday’s and tomorrow’s… because I’m feeling pretty empty right now. Just running on zero. My three-month book tour is over (until I start back up for Cherry Bomb in about six weeks) and it will be a few weeks until I get the galleys to proof for the anthology I’m editing, so I’m in a lull. I hate lulls. I tend to get a bit stir-crazy if I don’t have a project. I’m even considering starting to clean out the storage bins in the garage.
As I wrote here a couple of weeks ago, I had originally planned to use these weeks to get started on a new novel. But after one false start, and reconsidering a novel I started a few years ago and put down, I’m just not feeling inspired about either of those. So I’m “researching” a bit… and reading… and even watching some old movies on TV. And I’m thinking, what on earth do people do when they “retire”? At 66, I feel like I’m just getting started, and yet my vehicle seems to run out of gas more easily lately.

A-writer-never-has-a-vacation-for-a-writer-life-consists-of-either-writing-or-thinking-about-writing

So, if you’re reading this and you have a brilliant idea for my next novel, please send it my way. Especially if you know of a historic heroine I could fictionalize. Or something fascinating in the field of art. (One of the two novel ideas I’m considering involves Jackson Pollack and Lee Krasner.) I’m still thinking about Rill, the river gypsy orphan child in Lisa Wingate’s Before We Were Yours, and I’m still wishing I had written that book.  She and Mare (my protagonist in Cherry Bomb) could be such good friends.

Meanwhile I’ll try to exercise more, eat and drink less, and get plenty of sleep. And hope to hear some brilliant ideas from my readers!

I Love Stories

BellesLettersIICov2And essays. Which is why I love anthologies. The first anthology in which I was published was Circling Faith: Southern Women on Spirituality (University of Alabama press 2012). The editors were Jennifer Horne and Wendy Reed. And now Jennifer has just edited (with her husband Don Noble) a collection of short stories (these are all fiction) by 37 Alabama women writers called Belles’ Letters II (Livingston Press: The University of West Alabama).  Belles’ Letters I was published in 1999.

I got a signed copy of Belles’ Letters II this weekend at Ernest & Hadley Books in Tuscaloosa, Alabama. I was there for a reading and signing for A Second Blooming: Becoming the Women We Are Meant to Be. The two Alabama authors who contributed to this book were there to read and sign at the event—Jennifer Horne and Wendy Reed. It felt like we had come full circle, with me as editor and

Susan Cushman, Jennifer Horne, and Wendy Reed in front of Ernest & Hadley Books, Tuscaloosa, Alabama

Susan Cushman, Jennifer Horne, and Wendy Reed in front of Ernest & Hadley Books, Tuscaloosa, Alabama

Jennifer and Wendy as contributors. I couldn’t be more proud of this book, and of them. Or more thankful for our friendship. We spent the weekend talking shop over coffee at Wendy’s kitchen table, another visit around Jennifer’s table, and a stroll in her backyard overlooking a lake in Tuscaloosa, drinks and dinner at local bars and restaurants, and I returned to Memphis on Sunday feeling revived.

Back home today I am diving into this new collection with much appetite and enjoyment. It’s fun to read stories by three of the contributors to A Second Blooming and six contributors to Southern Writers on Writing, the anthology I’m currently editing (coming from University Press of Mississippi in 2018). It’s so encouraging to see all these gifted writers taking time to contribute short pieces to anthologies. As Madeleine L’Engle said, “We all feed the lake.” And these authors are feeding an important lake—one that I believe will become historic. A lake filling regularly with contemporary Southern literature.

Anthologies aren’t just for breakfast any more. They aren’t just something to keep on a table in the living room and pick up when you only have a few minutes to read and don’t want to dive into a longer book. They can be as satisfying as any main course. As I was beginning to read from Belles’ Letters today, I found that it didn’t matter that the stories weren’t connected. That they didn’t have a theme. It only mattered that they were well written, excellent samples of the fine craft readers have come to expect from such authors as Pulitzer Prize winner Shirley Ann Grau, Harper Lee Award winners Fannie Flagg, Carolyn Haines, and Sena Jeter Neslund, and best-selling authors such as Gail Godwin, and Lee Smith. Each story left me wanting more—and scrolling down the table of contents like a kid in a candy store, selecting my next treat.

The-Pen-and-the-Brush-260x381My spring/early summer book tour is over, and I’ve got about six weeks to regroup before events for Cherry Bomb (my novel) start up on August 8. I had initially planned to get lots of words on the page for my new novel during this break from marketing, and maybe I will, but for now I’m content to slow down and read. To refuel. I couldn’t be happier with my “to read” stack in my office. I added another interesting book to the pile, another one I picked up at Ernest & Hadley this weekend: The Pen and the Brush: How Passion for Art Shaped Nineteen-Century French Novels by Anka Muhlstein (translated from French by Adriana Hunter).

 

9781524741723The other treasures I acquired at this wonderful new bookstore in Tuscaloosa, Alabama were two copies of Chelsea Clinton’s children’s book, She Persisted: 13 American Women Who Changed the World. (I’ll be sending those to my four granddaughters in Denver soon.)

Meanwhile, I’ll get back to my stories. And I don’t mean soap operas.

Take Care

clift cover v6b- approved cover.inddSome time last year Elayne Clift invited me to contribute an essay to an anthology she was putting together. It was going to be about women caregivers. Ironically, I was already working on my book, Tangles and Plaques: A Mother and Daughter Face Alzheimer’s. I thought about contributing an excerpt, but I chose something different. I sent her a shorter version of an essay I had published in the Saint Katherine Review (Volume I, Number 2, 2012) about my last days with two people I loved dearly, both dying from cancer. “Watching” now appears as one of twenty-six essays in the collection, Take Care: Tales, Tips, and Love From Women Caregivers, edited by Clift. I’m so pleased to see this essay get new life in this book, and hopefully find many new readers. It’s a story that’s very close to my heart, and as I read it again now—nine years after I wrote it and five years after it was first published—memories of those precious but difficult days with my father, and then with a dear friend, as they were dying, seem as vivid as if they were happening today.

Clift is the perfect editor for this collection, as she learned early in her life what it meant to be a caregiver, as she explains in the preface to Take Care:

My own experience with caregiving began at an early age. My parents had married late, and while my two siblings and I were still young, both our father and mother suffered from chronic and often debilitating conditions: asthma and depression respectively. By the time I was in high school and my older sister had married, I had taken on may of the demanding tasks of caregiving, including carrying out the responsibilities that keep a home going and take care of (and worrying about) my younger brother. After our father’s death, looking out for my mother’s best interests and ensuring her care became paramount tasks that went on for many years until she died at the age of 86.

Clift did all of this while being married, raising two children, completing a graduate degree and doing volunteer work with underprivileged women. A Vermont Humanities Council Scholar, she is an award-winning writer, journalist and workshop leader, a book reviewer for the New York Journal of Books, and a regular columnist for the Keene Sentinel and the Brattleboro Commons. Her work has appeared in The Boston Globe, The Washington Post, The Christian Science Monitor, and The Chronicle of Higher Education, among other publications.

I wasn’t familiar with the other contributors but as I read their bios and essays, I quickly realized what good company I am in. I’m honored to be part of this collection. I especially love Patti See’s “Joyful Mystery.” Her blog, “Our Long Goodbye: One Family’s Experiences with Alzheimer’s,” has been read in over 90 countries. Helen Dening gives us five helpful tips for communicating with someone who has Alzheimer’s in her essay, “Lessons from My Mother: Communicating with Someone You Love Who has Alzheimer’s Disease.” Deborah Marshall, an art therapist who works with grieving hospice families, contributes three wonderful poems. Karen Clark, who received her MFA at the City College of New York once owned a bookshop in New York and now edits, proofreads, is a contributing editor for two anthologies and is at work on a novel. Her essay, “Roar Above the Hum,” made me laugh out loud and clap my hands, as she tells the story of accompanying “Corine” to dialysis and hearing her stories of her life as a civil rights activist in the sixties, founding a school in Africa, and eventually becoming the principal of a failing Harlem school and turning it into a showpiece. I could go on and on, but I hope you will get this book and read these inspirational stories for yourself!

You can purchase Take Care HERE, or on Amazon.

Indexing

IndexesI’m working on my fourth book, another anthology I’m editing: Southern Writers on Writing. The manuscript has been through the peer review process and I’ve responded to their reports. While waiting on the galleys, I’m working on something I’ve never done before. The University Press of Mississippi requires an INDEX for all of their books. You can pay someone else to do this for you, but I decided to tackle it myself. Not just to save money, but to gain the experience. And to search through the book in a different way, looking for important references that readers might look for.

First I asked the good people at the Press for guidance, and they directed me to the Chicago Manual of Style’s Chapter on Indexes. I had recently purchased the Sixteenth Edition of the manual, not realizing that I could access it online. I actually like having a hard copy of it to reference from time to time.
Next, I looked at two other books published by U Press of Mississippi in the past year or two, to get a feel for the types of people, places, and other terms that the authors included in their indexes. Then I started a Word document, with a new paragraph for each letter of the alphabet. Like this:

A
B
C

Etc.

Index Delta RainbowNext I started going through the manuscript, page by page, and selecting words that I felt were significant enough to be included in the index, and placing them under the correct letter, noting that names are listed like this: last name (comma) first name.

It’s actually kind of fun, seeing all the references to important people, places, and things in southern literature, and just in the lives of the authors who contributed the 26 essays that make up the anthology.

Once it’s complete, I’ll wait until I get the galleys to fill in the page numbers. Hopefully that will be easy enough, doing a search for each word. Although this author says he’ll never do it again, although he saved several hundred dollars by not hiring a professional indexer. (My friend who published last year with U Press of Mississippi tells me she had no problem doing her own index.)

This may not sound very creative, but in a way it is, and it’s not a bad way to spend Memorial Day when you don’t have (a) a swimming pool or (b) travel plans. When I need a break from the manuscript and from sitting at my computer, I’m cleaning out my closet. Again, not much fun but one of those tasks that feels great when you’re done. Kind of like creating an index, right?

 

Happy Memorial Day, everyone!

Magical Time in South Carolina

Susan Pat Conroy center signOur visit to Charleston and Beaufort, South Carolina, this past Wednesday-Sunday was nothing short of magical. In five days we ate meals at five amazing restaurants (and dinner at Cassandra Kings home in Beaufort Saturday night); did a walking tour of historic Charleston with Bill’s friend from high school who has lived in Charleston for over forty years; Bill gave two medical lectures; I had two book signings at terrific independent bookstores, Buxton Books in Charleston and Nevermore Books in Beaufort; we visited the Pat Conroy Literary Center (in Beaufort) and met Executive Director Jonathan Haupt; and I had the opportunity to meet several authors and a literary agent I admire greatly.

At Nevermore Books in Beaufort, I was joined for a reading and signing of A Second Blooming: Becoming the Women We Are Meant to Be by contributors Cassandra King, Susan Marquez, and NancyKay Wessman. Owner Lorrie Anderson was a fabulous hostess!

Cassandra Susan Susan NK

My favorite restaurant was Fulton Five, in downtown Charleston. It has won the “Most Romantic Restaurant” award 17 years in a row, and the atmosphere, service, and food were amazing. We were the guests of Dan and Ilene Lackland. Dan invited Bill to Charleston to give two lectures at the Medical University of South Carolina, and they were delightful hosts.

oysters at AmenOutdoor dining on the front porch at Cru Café and the patio at Blossom, both also dowtown Charleston, were both wonderful. At Cru we dined with Bill’s high school friends, Bill and Sally Wallace. At Blossom we were joined by Julien and Polly Buxton, owners of Buxton Books in Charleston.

Lunch at Amen Street (just Bill and I) was another favorite outing, with She Crab Soup and East Coast Oysters on the Halfshell. Breakfast Saturday morning with our friend (from Memphis) Julia Alissandratos was at Café Framboise, a short walk from Julia’s house near downtown Charleston. And I had lunch with author friend Nicole Seitz at Napa in Mount Pleasant, where Nicole lives, on Friday.

The (surprising) good news is that I only gained ½ pound! Maybe the walking helped.

Meeting John Warley at Nevermore Books in Beaufort

Meeting John Warley at Nevermore Books in Beaufort

Among the authors I met in Beaufort was John Warley, who wrote A Southern Girl, which I read last year, and loved. John and his wife adopted a daughter from South Korea, and the book is about some of the events circling around the social milieu in Charleston. Wonderful book and a delightful man. I can’t wait to see what he writes next.

0cc6d8_6728dfa9946a4d518af1d73afe67813dA Southern Girl was published by Story River Books, an imprint of the University of South Carolina Press, which was started by Pat Conroy.

So, why do I say it was “magical”? The trip combined so many of my favorite things in five short days: coastal sunsets, delicious seafood, bookstores, writers, old and new friendships, and several stimulating conversations with people who are very much in tune with their spiritual lives. I came home refreshed and renewed, as though I had been on a retreat. And inspired to get back to work on my next novel (which is in my head but only a few pages are drafted so far).

With my spring book tour winding down this week (17 events in 6 states in 3 months) and only one event scheduled for June/July, my plan is to use those first hot months of summer to stay inside with butt in chair and get a good chunk of this next book written. This is the hard part, but books don’t write themselves while we’re out having fun on tour. Stay tuned….

With Polly Buxton at Buxton Books in Charleston, signing for Tangles and Plaques: A Mother and Daughter Face Alzheimer's

With Polly Buxton at Buxton Books in Charleston, signing for Tangles and Plaques: A Mother and Daughter Face Alzheimer’s AND A Second Blooming: Becoming the Women We Are Meant to Be

Synchronicity at a Book Signing for A Second Blooming

Kathy Susan RiverSo, I was in Nashville (Brentwood, actually) Saturday at a book event for A Second Blooming at Barnes and Noble, with local authors/contributors River Jordan and Kathy Rhodes. We had a good turnout, a great time, and then on Monday A Second Blooming contributor Wendy Reed posted this story on Facebook:

A friend from high school—whom I wish I saw more—texted me: “I have a story for you.”

The last time I saw her was Christmas before last. She’d completed chemo; I was facing an essay deadline. She drank water and listened. I drank a beer and complained. Though I didn’t use her name, I wound up writing that scene into my essay and so sent it to her to make sure I, who don’t perceive straight lines, hadn’t crossed one. True to her generous and kind nature, she thought it was fine.

Her text had piqued my interest, so I immediately dialed her number, and after catching up—she is doing well, feeling strong, and still upbeat and grateful, while I am cursing another deadline—the story she wanted to tell me was about Mother’s Day. In addition to graduating from the same high school, she and I have lost and become mothers, and enjoy reading books, which is what her husband and son went to Barnes and Noble to buy her for Mother’s Day, which good soul that she is, she spent driving to her father’s in Birmingham to go to a jazz concert with him. I think her husband and son had planned to buy her CS Lewis, but in the front of the store two women were signing a book, A SECOND BLOOMING.

“It’s about strong women by strong women,” the women said. Strong women: 1; CS Lewis 0 (okay, not the total all-time sales score, but just wait.) My friend thanked them for her present, vowed to read it when she returned, and headed to her father’s . It had been a year and a half since I’d sent her the essay, but somewhere outside of Nashville a little bell went off.

“Honey,” she said when her husband answered the phone (Actually I’m pretty sure she doesn’t call her husband “honey,” but I am pretty sure she pulls off the road to make calls), “Will you open the book and see if my friend’s listed as one of the authors?”

He found my name.

“I might be in there,” she said, directing him to turn to the last part of the essay. “I was originally, but it might have gotten cut.”

I wanted to tell her how essential she had been to the story, but I was too stunned. Her husband, whom I’ve only met once and who had no idea about the essay, wandered into a store with thousands of other books and walked out with the one book that not only has an essay by his wife’s old friend but also inspired in part by his wife. Is it just me, or is the Twilight Zone theme playing? Some use the word ‘coincidence.’ Others invoke the divine. I call such synchronicity. My grandmother called them signs.

My essay “Woman on a Half Shell” does not trade on faith, hope or coincidences, but it does meander aimlessly, and way more than I’d intended (I dream of writing tight, well-structure prose someday), but maybe, just maybe, there’s something to unstructured winding, to going forward anyway, to losing sight of our destination, to enjoying being lost so that we may find surprise. (Or maybe it’s my idealism showing again.) But I do know that I am delighted to have met Marcella Brehmer Tudeen so many years ago, to hear that her story is going so well, and I especially enjoy the part of her story where she unwraps A SECOND BLOOMING, a gift, and quite the surprise.

ASB CoverI remember the man and his son who purchased the book from us at the bookstore on Saturday. If you have a copy of A Second Blooming: Becoming the Women We Are Meant to Be, look at page 150, where two paragraphs in Wendy’s essay, “Woman On a Half Shell,” are about this man’s wife! How’s that for synchronicity?

And that Wendy can sure tell a good story.

So can the other 19 women who contributed essays to the collection, so if you haven’t read it yet, BUY IT NOW and dive in!

Book Tour Continues: Nashville, Charleston, Beaufort, Memphis, and Oxford

My book tour in May is turning out to be as busy as April, and I’m loving it. Ater a signing for Tangles and Plaques at Barnes and Noble in Collierville last weekend, I just got home from two events in Nashville (actually Thompson’s Square and Brentwood) on Saturday (one for Tangles and Plaques and one for A Second Blooming) and this week I’m off to Charleston and Beaufort, South Carolina for two more readings:

ASB NeverMore flierFriday night (May 19) I’ll be at Buxton Books in Charleston, for Tangles and Plaques: A Mother and Daughter Face Alzheimer’s. I can’t wait to meet Polly and Julien Buxton, the newest independent booksellers in the area. (My husband is speaking at the Medical University of South Carolina while we’re there, so it’s a two-fer! Also looking forward to dinner with friends from his high school days in Marietta, Georgia, a close friend who used to live in Memphis, and lunch with another author friend. I love Charleston!)

On Saturday (May 20) I’ll be at Nevermore Books in Beaufort, South Carolina with local author Cassandra King, and Mississippi contributors NancyKay Wessman and Susan Marquez for a reading/signing for A Second Blooming: Becoming the Women We Are Meant to Be.  Cassandra arranged this event, and I’m looking forward to meeting her friends, the booksellers at Nevermore, Lorrie and David Anderson.

ASB Square Bks flierNext Wednesday (May 24) I’ve been invited to be the monthly author-speaker at Trezevant Manor (senior living) in Memphis for Tangles and Plaques: A Mother and Daughter Face Alzheimer’s.

And my final event for May will be on Thursday, May 25, at Square Books in Oxford, Mississippi, where I’ll join local authors/contributors Beth Ann Fennelly and Julie Cantrell for a reading and signing for A Second Blooming: Becoming the Women We Are Meant to Be.

TidesOn a different note, it’s always fun to see other work by the contributors to A Second Blooming. This week I found a fun piece by Cassandra King in Coastal Living magazine’s June issue: “The Tides That Bind.” A perfect article for Father’s Day, Cassandra “returns to the waters of her childhood, where harvesting oysters made delicious memories for a father and his girls.”

So when does a busy author get to read? I make time to read every day. Not only because I love it, but because the words of other authors feed my soul and my craft. Yesterday I spent a leisurely Mother’s Day afternoon finishing my latest read, Kristin Hannah’s wonderful historic fiction novel from 2015, The Nightingale. Powerful images of World War II in German-occupied France, with characters so real you are tempted to Google them! I especially loved how Hannah brought to life some of the women who fought so bravely for the resistance, and to save children orphaned by the war.

Next up? I’m trying to decide whether to dive into Lewis Nordan’s novel, Wolf Whistle (highly recommended by a couple of friends with excellent literary tastes) or Anything is Possible, Elizabeth Strout’s followup to her book, My Name is Lucy Barton, which I read recently and loved. Which one will I take on my trip to South Carolina this week? Stay tuned….

Southern Writers On Writing: Peer Review

peer-reviewIt’s so much fun editing an anthology. I had a great time last year editing A Second Blooming: Becoming the Women We Are Meant to Be (Mercer University Press). And now I’m in the throes of editing Southern Writers On Writing (University Press of Mississippi, 2018) and the fun never ends! Especially when working with another wonderful university press. So here’s where we are:

A few months ago I invited the contributors and received 26 wonderful essays and a foreword. I worked with each author on edits, grouped the essays into sections by themes, found quotes to head up each section, wrote an introduction, acknowledgements, and table of contents, and sent the manuscript off to the press in March.

Next the press sent the manuscript to “outside readers” for “peer review.” The readers they selected for this work were given specific questions to answer as they reviewed the manuscript. Here are some examples (with excerpts from the readers’ responses):

Does the manuscript make a significant contribution to this field of study and/or the general market for this type of book?

Yes, I believe the manuscript does make a significant contribution to the field of southern literature…. I think this book will appeal to academics, particularly those teaching creative writing, southern and contemporary literature, and it will also appeal to up-and-coming writers who are looking for experienced direction, inspiration, support, and a reason to believe in themselves and keep putting their own words and stories on paper!

Yes! Just what I was hoping for! Here’s another one:

Please evaluate the author’s style of writing and organization of material:

All the essays in this collection are strong and well-written and I enjoyed reading every one of them…. The styles vary, but I consider this variety a huge plus offering would-be writers an opportunity to experience different writing styles and voices, and hopefully find a voice, story, and approach to writing that speaks a little louder to the reader and his/her own unique experience.

Again, I am so happy with these readers’ responses! One reader made very specific suggestions as to the organization of the essays, and even did line editing throughout the entire manuscript, which I’m using now as I make revisions and corrections before returning the manuscript to the press for their editorial work to begin. Here’s another one:

To your knowledge, is the information in this proposal available in published form elsewhere?

I’m not aware of any such book. Some individual southern (and non-southern) authors have published books that talk about their own writing, but there’s not to my knowledge a collection of essays such as this. I find that pretty amazing!

I found it amazing, too, when I researched the topic before starting work on this book.  Another reader said,

… young writers are most interested in learning from writers who aren’t necessarily big names, but who are successful in publishing now… as opposed to writers like Faulkner, Welty, Tennessee Williams, etc. This book is a solid response to that need.

MS Logo 300There are a total of ten questions on the readers’ questionnaires, and I found most of their observations and suggestions extremely helpful. I’m even strongly considering changing the title from So Y’all Think You Can Write: Southern Writers on Writing, to simply Southern Writers on Writing. The original (longer) title was inspired by the TV show, “So You Think You Can Dance,” but not everyone will get that, and as one reader pointed out, some people might think it’s the writers in the book thumbing their noses at the readers, which isn’t the case at all! If you’re reading this and have a different idea for a title, please let me know!

Of course the proof of the pudding was that all readers strongly recommend that the book be published. I did a peer review for another university press a year or so ago, and was sad to have to say “no” to this question in response to the manuscript I reviewed, knowing that the author would be disappointed to be turned down by the press. But that’s what peer review is for.

So now you know more about what goes on “behind the scenes” when a university press publishes a book. The peer review process is an important step in protecting the integrity of the press, and in helping make the books they publish excellent. I’m so thankful to be on this journey! Stay tuned….

© Copyright SusanCushman.com