Book Tour Continues: Nashville, Charleston, Beaufort, Memphis, and Oxford

My book tour in May is turning out to be as busy as April, and I’m loving it. Ater a signing for Tangles and Plaques at Barnes and Noble in Collierville last weekend, I just got home from two events in Nashville (actually Thompson’s Square and Brentwood) on Saturday (one for Tangles and Plaques and one for A Second Blooming) and this week I’m off to Charleston and Beaufort, South Carolina for two more readings:

ASB NeverMore flierFriday night (May 19) I’ll be at Buxton Books in Charleston, for Tangles and Plaques: A Mother and Daughter Face Alzheimer’s. I can’t wait to meet Polly and Julien Buxton, the newest independent booksellers in the area. (My husband is speaking at the Medical University of South Carolina while we’re there, so it’s a two-fer! Also looking forward to dinner with friends from his high school days in Marietta, Georgia, a close friend who used to live in Memphis, and lunch with another author friend. I love Charleston!)

On Saturday (May 20) I’ll be at Nevermore Books in Beaufort, South Carolina with local author Cassandra King, and Mississippi contributors NancyKay Wessman and Susan Marquez for a reading/signing for A Second Blooming: Becoming the Women We Are Meant to Be.  Cassandra arranged this event, and I’m looking forward to meeting her friends, the booksellers at Nevermore, Lorrie and David Anderson.

ASB Square Bks flierNext Wednesday (May 24) I’ve been invited to be the monthly author-speaker at Trezevant Manor (senior living) in Memphis for Tangles and Plaques: A Mother and Daughter Face Alzheimer’s.

And my final event for May will be on Thursday, May 25, at Square Books in Oxford, Mississippi, where I’ll join local authors/contributors Beth Ann Fennelly and Julie Cantrell for a reading and signing for A Second Blooming: Becoming the Women We Are Meant to Be.

TidesOn a different note, it’s always fun to see other work by the contributors to A Second Blooming. This week I found a fun piece by Cassandra King in Coastal Living magazine’s June issue: “The Tides That Bind.” A perfect article for Father’s Day, Cassandra “returns to the waters of her childhood, where harvesting oysters made delicious memories for a father and his girls.”

So when does a busy author get to read? I make time to read every day. Not only because I love it, but because the words of other authors feed my soul and my craft. Yesterday I spent a leisurely Mother’s Day afternoon finishing my latest read, Kristin Hannah’s wonderful historic fiction novel from 2015, The Nightingale. Powerful images of World War II in German-occupied France, with characters so real you are tempted to Google them! I especially loved how Hannah brought to life some of the women who fought so bravely for the resistance, and to save children orphaned by the war.

Next up? I’m trying to decide whether to dive into Lewis Nordan’s novel, Wolf Whistle (highly recommended by a couple of friends with excellent literary tastes) or Anything is Possible, Elizabeth Strout’s followup to her book, My Name is Lucy Barton, which I read recently and loved. Which one will I take on my trip to South Carolina this week? Stay tuned….

Discovering Elizabeth Strout; More From Joan Didion; DeSoto Magazine

static1.squarespace.comI never read Elizabeth Strout’s Pulitzer Prize-winning book, Olive Kitteridge. I did see the movie, and thought it was good, but a little slow or depressing or something I can’t quite put my finger on. I probably should have read the book first, because the movie dissuaded me from reading it.
But then a writer friend encouraged me to read Strout’s book, My Name is Lucy Barton, and I just finished it at the beach. It’s terrific. The prose, the phrasing, the pacing, the style, the voice—all combine in an unusual novel that reads more like a memoir to me. The immediacy of this first-person-narrated novel is what stands out to me the strongest about the book. My friend wanted me to read it, I think, to help me as I’m starting out to draft my second novel. It’s not that the subject matter is similar, because it’s not, but I think this book serves as a mini-MFA course in capturing dysfunctional families without the rage and hatred which often accompanies them. In that way it reminds me a bit of Jeanette Walls’ memoir The Glass Castle. In both cases the narrator—one fictional and one real—were neglected and/or abused as children but remember their parents with great love, and an unending need for that love to be returned. Lucy Barton is definitely worth the read, and I’m inspired to keep working on that second novel. Eventually.

9781524732790My other “beach read” (although I did very little reading at the beach with my four grandchildren there!) is Joan Didion’s South and West—a collection of vignettes from a notebook she kept back in 1970 on a trip through the South (Louisiana, Mississippi, and Alabama) and also from an assignment for Rolling Stone on the Patty Hearst trial of 1976, a piece she never wrote. I love the section on the South. I pictured her staying at the Edgewater Beach Hotel in Biloxi in the summer of 1970,  as my newly-wedded husband and I were just down the street at the Broadwater Beach Hotel on our honeymoon! She captures so many things about “my” South that I can appreciate, even visiting my mother’s hometown of Meridian, Mississippi and mentioning places I recognize. And like Richard Gilbert’s Dispatches From Pluto (about the Mississippi Delta) Didion captures these things as an outsider (Gilbert is from Great Britain; Didion from California) and tries to put aside preconceived ideas as she engages people she meets with questions and records their candid responses. And as she says:

 The isolation of these people from the currents of American life in 1970 was startling and bewildering to behold. All their information was fifth-hand, and mythicized in the handing down.

My favorite of her observations were at the Mississippi Broadcasters’ Convention in Biloxi, and in a private home in the Garden District of New Orleans. I won’t quote them here… it’s much more fun to read them in the book!

Cover DeSoto Mag MayI’m happy to share that I have a short piece in the May issue of DeSoto Magazine, “Tangles and Plaques.” You can read it online, subscribe for a hard copy, or pick one up if you live in Mississippi or Memphis! The article is really a short excerpt from the introduction and one of the posts (“Effie and the M&Ms”) from my memoir, Tangles and Plaques: A Mother and Daughter Face Alzheimer’s.

article DeSoto mag

 

 

 

So, last week was a blog-free week for me (first one in a looooong time) as I was at Seagrove Beach, Florida, with my husband, and our kids and grands. Seagrove is my favorite place on earth, and even though it was a bit windy and almost chilly a couple of days, there was plenty of sunshine, and of course the magic of the waves hitting the shore as four little girls giggles and jumped up and down, returning again and again to the construction of a sand castle on shore by their parents or to help Pops fly a kite. It’s all magical to me. This year we hired a professional photographer (for the first time) to take some pictures, so I’ll share them in a future post once I get them downloaded. Thanks, always, for reading!

 

 

Southern Writers On Writing: Peer Review

peer-reviewIt’s so much fun editing an anthology. I had a great time last year editing A Second Blooming: Becoming the Women We Are Meant to Be (Mercer University Press). And now I’m in the throes of editing Southern Writers On Writing (University Press of Mississippi, 2018) and the fun never ends! Especially when working with another wonderful university press. So here’s where we are:

A few months ago I invited the contributors and received 26 wonderful essays and a foreword. I worked with each author on edits, grouped the essays into sections by themes, found quotes to head up each section, wrote an introduction, acknowledgements, and table of contents, and sent the manuscript off to the press in March.

Next the press sent the manuscript to “outside readers” for “peer review.” The readers they selected for this work were given specific questions to answer as they reviewed the manuscript. Here are some examples (with excerpts from the readers’ responses):

Does the manuscript make a significant contribution to this field of study and/or the general market for this type of book?

Yes, I believe the manuscript does make a significant contribution to the field of southern literature…. I think this book will appeal to academics, particularly those teaching creative writing, southern and contemporary literature, and it will also appeal to up-and-coming writers who are looking for experienced direction, inspiration, support, and a reason to believe in themselves and keep putting their own words and stories on paper!

Yes! Just what I was hoping for! Here’s another one:

Please evaluate the author’s style of writing and organization of material:

All the essays in this collection are strong and well-written and I enjoyed reading every one of them…. The styles vary, but I consider this variety a huge plus offering would-be writers an opportunity to experience different writing styles and voices, and hopefully find a voice, story, and approach to writing that speaks a little louder to the reader and his/her own unique experience.

Again, I am so happy with these readers’ responses! One reader made very specific suggestions as to the organization of the essays, and even did line editing throughout the entire manuscript, which I’m using now as I make revisions and corrections before returning the manuscript to the press for their editorial work to begin. Here’s another one:

To your knowledge, is the information in this proposal available in published form elsewhere?

I’m not aware of any such book. Some individual southern (and non-southern) authors have published books that talk about their own writing, but there’s not to my knowledge a collection of essays such as this. I find that pretty amazing!

I found it amazing, too, when I researched the topic before starting work on this book.  Another reader said,

… young writers are most interested in learning from writers who aren’t necessarily big names, but who are successful in publishing now… as opposed to writers like Faulkner, Welty, Tennessee Williams, etc. This book is a solid response to that need.

MS Logo 300There are a total of ten questions on the readers’ questionnaires, and I found most of their observations and suggestions extremely helpful. I’m even strongly considering changing the title from So Y’all Think You Can Write: Southern Writers on Writing, to simply Southern Writers on Writing. The original (longer) title was inspired by the TV show, “So You Think You Can Dance,” but not everyone will get that, and as one reader pointed out, some people might think it’s the writers in the book thumbing their noses at the readers, which isn’t the case at all! If you’re reading this and have a different idea for a title, please let me know!

Of course the proof of the pudding was that all readers strongly recommend that the book be published. I did a peer review for another university press a year or so ago, and was sad to have to say “no” to this question in response to the manuscript I reviewed, knowing that the author would be disappointed to be turned down by the press. But that’s what peer review is for.

So now you know more about what goes on “behind the scenes” when a university press publishes a book. The peer review process is an important step in protecting the integrity of the press, and in helping make the books they publish excellent. I’m so thankful to be on this journey! Stay tuned….

DeSoto Magazine and Southern Writers: Two Upcoming Articles

In the midst of a busy and wonderful book tour, I’ve been invited to contribute articles to two wonderful magazines.

April17FC-4small-460x610“Tangles and Plaques” will appear in the May issue of DeSoto Magazine. Just in time for Mother’s Day, my short piece will be part Polaroid, part cautionary tale, about the changing relationship between my mother and me during the last eight years of her life. She died on May 22, 2016 of Alzheimer’s Disease. I’m so thankful to my friend Karen Ott Mayer, DeSoto’s editor, for this opportunity. You can subscribe to the magazine, read it online, or pick up a copy at many places in Mississippi and surrounding areas, like Memphis.

A second article, “Four Book Deals in One Year: A Journey in Independent Publishing” will appear in the September issue of Southern Writers: The Author’s Magazine. I discovered the magazine when my friend (and fellow Dogwood Press author) John Floyd was featured in an interview in their January/February 2017 issue.

six-covers-w-shadow-jan-2017_1_origAnother short piece (750 words), this one details my journey through writing and finding publishers for four books within one year. (Three are being published in 2017 and one in 2018.) I share my struggles querying literary agents and finally working with one for many months before parting ways due to our different visions for the book. There’s lots of “how to” in this short piece, including researching and querying academic and independent presses, working with editors on revisions, marketing, and more. Again, many thanks to Susan Reichert, editor-in-chief of Southern Writers, for this opportunity. A great magazine for writers and readers alike, you can subscribe to the print, online, and digital formats here.

So, it’s Holy Friday and I’ve already been to three services during Holy Week at St. John Orthodox Church here in Memphis. I’ll be at two more today, two tomorrow, and one on Sunday. It’s a beautiful marathon, where we walk through Christ’s passion, and celebrate His resurrection. Thanks, always, for reading. Have a beautiful Pascha/Easter weekend (I’m so glad the East and West are celebrating on the same date this year) and I’ll be back on Monday.

The Statue and the Fury

the-statue-and-the-furyI just finished reading my fifth book of 2017—Jim Dees’ wonderful memoir The Statue and the Fury: A Year of Art, Race, Music and Cocktails (Nautilus Publishing, 2016).

Jim is perhaps best known as the MC for the radio show, “Thacker Mountain Radio Hour,” (since 2000) which is broadcast live on Thursday nights for about nine months of the year at Off Square Books in Oxford, Mississippi. The show features an author reading from a book, a featured musical performance, and the house band. I’ve been to several of these over the years, and I’ve always admired Dees’ humor and professionalism at the helm. So when I heard about his book, I had to have it. He inscribed it for me following the last show I attended, back on November 3 when Cassandra King was the author guest.

Four of the six blurbs on the back cover are from well-known authors who live in Oxford, including New York Times bestselling author Ace Atkins, who called the book “A truly unique reflection on a storied Southern town at a turning point.” And Jack Pendarvis says, “It’s funny, violent, serene and surprising—a living thing, like a tree.” Tom Franklin writes that it’s “a loving look at small-town life, journalism and politics… this is the book I’ve been waiting for.” And Beth Ann Fennelly says it “provides so much entertainment that we might not notice how much we’re learning. This is a thoroughly necessary book.”

Dees hosting the Thacker Mountain Radio Hour

Dees hosting the Thacker Mountain Radio Hour

I’ve spent enough time in Oxford to recognize many of the locals Dees writes about, and I came of age in the turbulent 1960s, so I’m right there with him as he delves into Oxford’s (and Mississippi and the country’s) history of racial unrest. Taking one year—1997—and one event—the controversy over the installation of a statue of William Faulkner outside Town Hall to commemorate his 100th birthday—Dees covers a multitude of famous (and infamous) people’s influence on the life of Oxford. The resulting saga reminds me of Forrest Gump, the way he tells a story within a larger story.

Drawing from his years as a reporter for the Oxford Eagle, Dees has a brilliant journalist’s eye for details, as well as an intuition about people that comes through in his interviews and reflections. I’m thrilled to have him among the 26 contributors to an anthology I’m editing right now—So Y’all Think You Can Write: Southern Writers on Writing (University Press of Mississippi, 2018). His essay, “Off the Deep End,” is a candid story of learning to overcome fear—first of the high dive, and later of “flinging himself at the universe as a writer.” His voice in the essay is unique and genuine, just as it is in The Statue and the Fury. BUY THIS BOOK AND READ IT!

A Man’s World… and A Second Blooming

Adobe Photoshop PDFLast week I received a copy of the 2017 Spring/Summer catalog from Mercer University Press. Although I had already seen a PDF of the page with my anthology on it, it was so exciting to see it in this prestigious collection—on the third page!

The catalog leads with Steve Oney’s A Man’s World: Portraits—A Gallery of Fighters, Creators, Actors, and Desperadoes. Sounds like a great book:

A Man’s World is a collection of 20 profiles of fascinating men by author and magazine writer Steve Oney, written over a 40-year period for various publications. As the catalog page says of Oney’s book:

… he realized early that he was interested in how men face challenges and cope with success—and failure…. His agent, an ardent feminist, urged him to collect the best of his article in a book. “A Man’s World” is the result.

Turn the page and you’ll see a collection of essays by Stephen Cory, editor of The Georgia ReviewStartled at the Big Sound: Essays Personal, Literary, and Cultural.

ASB CoverAnd then your eyes will land on page 3: A Second Blooming: Becoming the Women We Are Meant to Be:

“A Second Blooming” is a collection of essays by twenty-one authors who are emerging from the chrysalis they built for their younger selves and transforming into the women they are meant to be. They are not all elders, but all have embraced the second half of their lives with a generative spirit.

The catalog continues with more wonderful books from Mercer University Press coming out this spring and summer. Click here to see the catalog… I’m sure you’ll find something you’ll want to buy!

End of Year Book List

2016 has been an industrial year for me, as I finished querying presses and signed 4 book deals. And now here at the end of the year, those 4 books are in various stages of organization, editing, pre-publication, and marketing. As a writer, I feed my creative spirit on the works of other authors. Often I read more than one book at a time, usually a novel and a nonfiction book. I rarely read short stories (although there’s one excellent collection in this list) or mysteries, but I love poetry, memoir, literary novels, books about spirituality and art, books about courageous and interesting women, and some “self-help” books.

woman-reading

 

I read 38 books in 2016. Fifteen are by authors I know personally. I would love to meet the other 22 one day, although a couple of them are no longer living. Here they are in alphabetical order. If you click on the links, you can read my blog posts on any of them you are interested in.

A Charmed Life by Mary McCarthy

A Lowcountry Heart by Pat Conroy

A Summons to Memphis by Peter Taylor

All the Way to Memphis by Suzanne Hudson

Almost Famous Women by Megan Mayhew Bergman

American Happiness (poetry) by Jacqueline Allen Trimble

Circling the Sun by Paula McLain

Delta Rainbow: The Irrepressible Betty Bobo Pearson by Sally Palmer Thomason

Dimestore: A Writer’s Life by Lee Smith

Dispatches From Pluto by Richard Grant

Drifting Too Far From the Shore by Niles Reddick

Forever Chic: Frenchwomen’s Secrets for Timeless Beauty, Style, and Substance by Tish Jett

Gift From the Sea by Anne Morrow Lindbergh

God For Us: Rediscovering the Meaning of  Lent and Easter Edited by Greg Pennoyer and Gregory Wolfe

Guests on Earth by Lee Smith

How Does That Make You Feel? True Confessions From Both Sides of the Therapy Couch edited by Sherry Amatenstein

Inside the Dementia Epidemic: A Daughter’s Memoir by Martha Stettinius

Journeying Through Grief by Kenneth C. Hauck

Lines Were Drawn: Remembering Court-Ordered Integration at a Mississippi High School edited by Teena F. Horn, Alan Huffman, and John Griffin Jones

Woman_reading_a_book_(3588551767)Lisette’s List by Susan Vreeland

Little Wanderer (poetry) by Jennifer Horne

My Southern Journey by Rick Bragg

Not a Place on Any Map by Alexis Paige

Pray and Color by Sybil McBeth

Robert Walker, a novel by Corey Mesler

Still Life: A Memoir of Living Fully With Depression by Gillian Marchenko

The Confessions of X by Suzanne M. Wolfe (winner 2017 Christianity Today Book of the Year Award for Fiction)

The Courage to Grow Old by Barbara Cawthorne Crafton

The Feathered Bone by Julie Cantrell

The Gift of Years by Joan Chittister

The Headmaster’s Darlings by Katherine Clark

The Invention of Wings by Sue Monk Kidd

The Muralist by B. A. Shapiro

The Sanctum by Pamela Cable

Waffle House Rules by Joe Formichella

West With the Night by Beryl Markham

Why We Write About Ourselves edited by Mereditih Maran

Books for 2017What’s in the queue for 2017? (also in alphabetical order) Watch for reviews on my blog next year!

*Being Mortal by Atul Gawande

Garden in the East by Angela Carlson

The Dream Lover by Elizabeth Berg

The Fire This Time: A New Generation Speaks about Race edited by Jesmyn Ward

The Opposite of Everyone by Joshilyn Jackson

The Statue and the Fury by Jim Dees

*When Breath Becomes Air by Paul Kalanithi

*On Barnes & Noble’s list of the Top 100 bestselling books of 2016

Happy reading, everyone! I’d love to hear what your favorite books from 2016 were!

Behind the Scenes with Tangles and Plaques and Richelle Putnam

Richelle Putnam

Richelle Putnam

This morning I was interviewed on Behind the Scenes with Richelle Putnam on Meridian, Mississippi’s 103.3 Supertalk Mississippi radio station about my upcoming book, Tangles and Plaques: A Mother and Daughter Face Alzheimer’s.  You can listen to the 16-minute interview here.

When you click on the link, fast-forward to 5:15 minutes in to listen to the interview, which ends 21:35 minutes into the one-hour show.

Richelle and I met almost ten years ago at the first Mississippi Writers’ Guild Conference in Clinton, Mississippi, (August 2007) and we’ve been keeping up with each other Facebook. She’s not only a radio show host, she’s also a musician, songwriter, and author. I’m looking forward to being with her again in person some time this spring, when I’ll be in Meridian for another interview as well as a literary/musical event with Richelle.

My particular interest in Meridian stems from the fact that my mother was from Meridian, and I lived there for a couple of years when I was 3-5 years old (1954-56). And some of my favorite childhood memories are of summer vacations spent with my grandmother (my mother’s mother) who sewed all my clothes for the coming school year while I was with her each summer. For many of those summers my parents would come over (from Jackson, Mississippi, where we lived then) for a few days for Dad to play in the Northwood Country Club golf invitational tournament. As I got older my pre-teen and teenage memories include hanging out at the swimming pool with friends I made in Meridian—including Carol Pigford and Missy McWilliams—while Dad played in the tournament. And I loved following him around the course each year that he was in the final round of the championship flight.

I haven’t been back to Meridian since the last trip I made there with my mother about fifteen years ago. We visited the cemetery where my grandparents are buried, and old neighborhoods and homesteads. I look forward to returning in the spring for an event for Tangles and Plaques. Stay tuned for more information. Thanks for reading, and I hope you enjoy the interview.

Tangles and Plaques COVER ART!!!

Tangles and Plaques cover artWhat a journey this is—working with four publishers at various stages for four different books being published in 2017 and 2018. I’m so thankful for these opportunities, and I’m learning a lot about the business as I continue in the editing phase for some and enter the pre-publishing and marketing phase for others.

Today I received cover art from eLectio Publishing for Tangles and Plaques: A Mother and Daughter Face Alzheimer’s. I love the way the tangled yarn fades from bright colors to almost black and white below the title line… just as memories fade for those suffering this disease. Good job, eLectio!

I appreciate each person involved in this complex process—editors, publishers, graphic designers, and marketing professionals. Although I chose not to work with literary agents (after an unsatisfactory experience) I’m learning my way without them. What that means is that I’m giving up on book deals from the big houses, like Penguin Random House, Harper and Collins, and Simon and Schuster (and big money) but what I’m gaining is more control, and more personal involvement in the process. So, if an agent sees one of my books and wants to take me on, I’ll listen to her pitch. But for now, I’m a happy camper.

 
Watch for more news about Tangles and Plaques in February.

 

Cheers!

Not A Place On Any Map

Photo by Den DeFlorio Photography

Photo by Den DeFlorio Photography

I met Alexis Paige in 2011 at the Memphis Creative Nonfiction Workshop I organized that year. We had an immediate connection, and she’s a brilliant writer.  We connected again at the 2013 Creative Nonfiction Conference in Oxford, where I also fell in love with another Vermont writer Nina Gaby.

I’m excited to have them both contribute essays for the anthology I edited, A Second Blooming: Becoming the Women We Are Meant to Be (Mercer University Press March 2017).

And now I’m reading Alexis’s first book, Not a Place On Any Map, which was the Grand Finalist of the 2016 Vine Leaves Vignette Collection Award. One of the lyric essays included in the collection, “Entropy As Islands As Stars,” was nominated for a Pushcart Prize. I’m so proud of Alexis!

51G8g8Tuy8L._SX310_BO1,204,203,200_Her book is full of short vignettes—some might call them lyric prose—which are each examples of brilliant writing. Altogether they reveal her journey from a difficult childhood through rape, incarceration for drunk driving, recovery, sobriety, and more. Not a light read, but one that will surely touch many hearts. I love all of them, but something about her “Composite Sketch” touched me the most. If you know Alexis, you can see her in this sketch. If you don’t know her, you will feel like you do after you read it:

I am a creosotic whiff of Phoenix… I am peelings of rattlesnakes and sunburns…. I am a purple polyester accordion cheerleading skirt for the Catholic Youth Organization…. I am the cream-swipe of tawny lipstick and wood-smoked flannel and Doc Martens.

And then she comes up with what she calls “orphaned chapter titles” for herself, including:

“Revelations of a Wet Brain in Stilettos” and “Does My Hair Smell Like Fried Calamari?”

Treat yourself to this short but powerful book.

You’re welcome.

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