Four months ago today I queried University Press of Mississippi for an anthology I wanted to edit—So Y’all Think You Can Write: Southern Writers on Writing. They jumped on it and we signed a contract right away. They asked me to have the complete manuscript to them by April 1. Today I sent them the completed 73,984-word manuscript, with 26 essays by southern writers (women and men) from ten states: Alabama, Washington, DC, Florida, Georgia, Louisiana, Mississippi, North Carolina, Virginia, South Carolina, and Tennessee. (I’m kind of proud that Tennessee has 8 contributors, the most from any state, with Alabama having 6 and Mississippi contributing 5.)
Putting this collection together was so much fun. Alan Lightman wrote the Foreword! The essays were so polished that my work as editor wasn’t difficult. I had a great time grouping them into sections with themes, finding quotes to go with each section, writing an essay myself, and writing the introduction. SNEAK PREVIEW: Here are the contributors. If you aren’t familiar with their work, just Google them, buy one of their books and get to know them. They’re all amazing writers. We even have a few poets in the group.
W. Ralph Eubanks
Patti Callahan Henry
Harrison Scott Key
Michael F. Smith
M. O. (Neal) Walsh
It’s gorgeous outside! I think I’ll go for a walk before heading out to dinner with a friend, followed by my first ever experience attending an opera—“Pirates of Penzance” is playing at the Germantown Performing Arts Center. Have a great weekend, everyone!
A couple of months ago I announced that I am editing another anthology, So Y’all Think You Can Write: Southern Writers on Writing (University Press of Mississippi, 2018). With a foreword by Alan Lightman and essays by 25 Southern writers, this collection is going to rock. I’m like a kid in a candy store, thrilled as the treats (essays) arrive in my email box. And what a joy to edit these pieces by such accomplished authors. (Not much editing needed!)
The essays aren’t due to me until February 1, but I’ve already received and edited eight of them, and written “one-liners” to save for the introduction. So today I’m sharing those one-liners (sometimes two lines) as a teaser for the collection. If any of them interest you, Google the author and buy one of their books!
Clyde Edgerton brings his teaching skills to bear in his didactic essay, “Three ‘One Things’,” encouraging writers to use craft to make their fiction work.
The prolific mystery short story author John Floyd writes about the South he loves as a place of contrasts, with a rich oral history that offers much fodder for writers in “In the Land of Cotton.”
Harrison Scott Key invites the reader to “sit in the cockpit of my soul and soar through the atmosphere of me” as he discovers the need for humility and transparency in “The Meek Shall Inherit the Memoir: Then and Now.”
Corey Mesler writes about how agoraphobia informs his work ethic—spurred to creativity even as he is chained to his desk and a solitary lifestyle.
In “A Life in Books” Lee Smith reveals what she calls “the mysterious alchemy of fiction,” declaring that writing fiction—living in someone else’s story—healed her grief after the death of her son.
Mississippi author Michael Farris Smith attributes his initial inspiration to Barry Hannah and Larry Brown, and later William Gay, Richard Yates, and Harry Crews. But he shares that it was ultimately perseverance and hard work that got him published in “Keep Truckin’.”
Sally Palmer Thomason counts Maya Angelou and Willie Morris among the gifted Southern authors who helped her gain a greater appreciation for her chosen homeland after leaving California for Memphis, Tennessee in “How I Became a Southerner.”
In “On the Baton Rouge Floods of 2016 and My Nostalgia For the Half-Gone,” M.O. Walsh muses on whether Southern writers have a stronger bond with place and a greater sense of loss.
Can’t wait to read the rest of these essays, and to put them together into a collection.
I hope everyone had a wonderful Christmas! I’ve shared lots of pictures on Facebook, so I’m not going to bomb my blog with our family Christmas images, but we are having a wonderful time in Denver with two of our three “kids” and their families, including our four granddaughters (which is why I didn’t do a blog post on Friday). We’ll head back to Memphis tomorrow where I’ll continue work on all four books in their various stages of editing, production, and marketing.
I’m excited to share this wonderful blurb written by my publisher, Joe Lee, for the front inside cover of my novel Cherry Bomb. It appeared on the Dogwood Press blog, Friday, December 23, 2016. Check out the other authors featured there, including my friend John Floyd who is a wizard with short stories. His latest book is Dreamland.
Thanks for this wonderful blurb, Joe! (This will be a hardback book with a dust jacket cover. We’re working on cover art now, so stay tuned!)
In the same way that a good bookseller can get you excited about reading a book (as our Mississippi booksellers do so well), good dust jacket copy does the same thing — how often have you read the flap cover and said, “Gosh, I’ve GOT to get this!” With that in mind, here’s the dust jacket copy for Susan Cushman’s debut novel, Cherry Bomb, which I can’t wait for us to roll out next October:
By the tender age of sixteen, Mary Catherine Henry has lived through enough horror to last a lifetime. Sexual abuse at the hands of her cult-leading father, abandonment by her drug-addicted mother (who nicknamed her Mare), and several spirit-crushing years with a dysfunctional foster family convince her that life on the streets will be easier, somehow, than what she’s always known.
What keeps Mare going is the budding artist inside her, and the sleepy Southern town of Macon, Georgia, doesn’t know what hit them when colorful graffiti “bombs” begin appearing on abandoned buildings—Mare even dares to decorate a Catholic church with a highly provocative message. The young runaway signs her work CHERRY BOMB, attracts the attention of the local media, and is soon caught—but not by police.
A photographer for Rolling Stone learns of Mare while on assignment, finds her, and befriends her. So does a reporter for The Macon News and, eventually, the priest of the parish whose walls Mare defaced so angrily. Their efforts help earn her a scholarship at prestigious Savannah College of Art & Design, where she studies under legendary Abstract Expressionist painter Elaine de Kooning. It’s a wonderful mentoring relationship … until Mare and Elaine discover they have much more in common than a love of art. And that bond, which forces both women to deal with pain and anger from their repressed pasts, threatens to tear them apart.
With a mix of remarkably visual characters and an intricate, compelling plot rich with intriguing religious imagery, Mississippi author Susan Cushman has penned a powerful debut novel that will stay with you long after you’ve turned the final page. You’ll never forget Mare and Elaine … and you’ll never look at religious icons—and street graffiti—the same way.
Wow! Doesn’t that make you want to read the book? And you can support Susan before then by picking up a copy of Tangles and Plaques (A Mother and Daughter Face Alzheimer’s), which will be released in several weeks by eLectio Publishing.
What a journey this is—working with four publishers at various stages for four different books being published in 2017 and 2018. I’m so thankful for these opportunities, and I’m learning a lot about the business as I continue in the editing phase for some and enter the pre-publishing and marketing phase for others.
Today I received cover art from eLectio Publishing for Tangles and Plaques: A Mother and Daughter Face Alzheimer’s. I love the way the tangled yarn fades from bright colors to almost black and white below the title line… just as memories fade for those suffering this disease. Good job, eLectio!
I appreciate each person involved in this complex process—editors, publishers, graphic designers, and marketing professionals. Although I chose not to work with literary agents (after an unsatisfactory experience) I’m learning my way without them. What that means is that I’m giving up on book deals from the big houses, like Penguin Random House, Harper and Collins, and Simon and Schuster (and big money) but what I’m gaining is more control, and more personal involvement in the process. So, if an agent sees one of my books and wants to take me on, I’ll listen to her pitch. But for now, I’m a happy camper.
Watch for more news about Tangles and Plaques in February.
Today I’m feeling incredibly blessed. Yesterday morning I signed a contract for my novel, Cherry Bomb! My publisher is Joe Lee at Dogwood Press in Brandon, Mississippi. Not only is Joe a publisher, he’s a journalist, author, and editor. He has guided me through the manuscript with great care and understanding and I’m thrilled with the book it is becoming.
So why “quadfecta”? I was checking to be sure that’s the word I’m looking for when I came upon this hilarious definition:
A legendary beer pong shot that lands on the tops of four cups simultaneously. Considered the rarest shot in the game, topping even the trifecta 2-cup knockover-and-sink, and simultaneous 6-cup game-ending double bounce-in. Counts as 4 cups and has never happened in recorded history of the game, despite being theoretically possible.
Okay, so this isn’t about beer pong, but it’s about my publishing news, which now includes 4 book deals!
Tangles and Plaques: A Mother and Daughter Face Alzheimer’s (eLectio Publishing, February 2017) is a collection of essays culled from sixty posts covering almost a decade of long-distance caregiving for my mother, who died from Alzheikmer’s this past May. The book will show that the tangles and plaques aren’t only in our brains, but often in our relationships.
A Second Blooming the Women We Are Meant to Be (Mercer University Press, March 2017) is also a collection of essays, but this time I’m the editor. Twenty women authors write about second bloomings in their lives. For some it’s second marriages, or second careers. Others write about physical or mental trauma, loss of a loved one, incarceration, rape, and a difficult journey to sobriety.
Cherry Bomb (Dogwood Press, October 2017) is my novel. Cherry Bomb chronicles the lives and suffering of three women whose fates are unexpectedly intertwined: MARE, a teen graffiti artist emerging from a lifetime of abuse at the hands of her cult-leading father and foster parents; ELAINE de KOONING, an Abstract Expressionist artist whose interactions with Mare dredge up painful memories of a shameful past; and SISTER SUSANNAH, an artist and nun whose reclusive tendencies belie her deep connection to the world around her. All three women’s lives converge around a weeping icon of St. Mary of Egypt, a 5th century prostitute whose awakening to grace leads her to ultimate salvation.
So Y’all Think You Can Write: Southern Writers on Writing (University Press of Mississippi, 2018). I am editing this collection of essays by Southern authors (men and women) writing about their craft. With a Foreword by Alan Lightman and previously published material by Pat Conroy and Lee Smith, the anthology will include over twenty five new essays by some of the South’s best (well-known and lesser-known) writers.
I had a great time celebrating last night with my husband in Oxford. First we toasted my news with martinis on the balcony at the City Grocery Bar. Then we went to the Thacker Mountain Radio show at Off Square Books. It was an awesome show featuring great music and authors Cassandra King (reading from A Lowcountry Heart, a collection of Pat Conroy‘s words on Writing) and George Plasketes. Jim Dees did a great job hosting, as usual, and I was happy to get a copy of his new book, The Statue and the Fury – A Year of Art, Race, Music and Cocktails(Nautilus Press). We had a wonderful time visiting with Cassandra and George and others at the after party, before heading over to the Inn at Ole Miss for a weeknight sleepover.
This afternoon I’m driving back to Memphis with my spirits lifted by time spent with these creative people. And of course, the news of my quadfecta. So here’s a question: If you don’t like beer, can you play with vodka or tequila?
Have a great weekend, everyone!
This will be quick because I’ve been away from the house since 9:30 a.m. (and just got home at 3) and have lots of work to do on novel revisions…. But just for fun, here’s what we’ve done so far this Columbus Day: (federal holiday so my hubby is home)
We just bought my 2014 Toyota Venza, which we had been leasing for three years. Paperwork took almost 2 hours… kind of like being in a lawyer’s office with so many forms and copies! But it’s done now, and I still love my car. Toyota discontinued the Venza, which is crazy, so I guess I just bought a collector’s item.
We both have Macs and we both have issues with them. I’ve had mine since 2009 and Bill got his in 2011. The folks at the Apple Store (which is a half hour or more away and hard to get an appointment and sometimes you still have to wait) told me about Computerlab of Memphis when I went in a few weeks ago. We LOVE the owners, Jeremy Winsett and Laurie Jenkins. It’ a small mom and pop business run by really smart and friendly people. We both got the help we need and they didn’t make us feel stupid. Check them out at 685 N. Mendenhall Road if you live in or near Memphis.
Char! My favorite restaurant in Jackson, Mississippi just opened a second venue in Memphis. Today was actually their opening day, and we went there for a delicious lunch. We had a great visit with the owner, Ben Brock (from Jackson) and the decor, service, and food were great! Check them out at 413 S. Highland, in the new “Highland Row” building, just south of Central.
Home now and back to work on novel revisions. And then I’ve got two manuscripts to critique for tomorrow night’s writing group. However you’re spending it, Happy Columbus Day!
Almost a year ago I did a post in which I vented a bit about my frustration with the editorial process a literary agent was putting me through for my novel, Cherry Bomb. This agent kept saying she loved my book, but then she would send it to yet another editor (at about $750 each time) for another major overview. I spent a couple thousand dollars on these overviews, and now I wonder if the agent got a cut of that, since I paid her and she paid the editors.
More importantly, the overviews I received back were often contradictory and vague. Sure, some of it was helpful, and my novel is probably a better book because of my efforts to respond to those overviews, but after 3-4 of them, I began to feel that this agent and I didn’t have the same vision for my book. And also that working with editors in this manner seemed like something that could go on forever.
And so I parted ways with the agent and decided to query small presses instead. You already know this, if you read my blog regularly. But today I’d like to give you an update, since I recently alluded to a pending book deal. I’m working with a publisher who is also an editor, and we’re going through the manuscript together, one chapter at a time. While I don’t always agree with his suggestions, they are always specific and easy to understand. I can respond to them quickly, and revisions are coming along smoothly. I believe we are working towards a contract, and I’m so encouraged to finally find an editor whose style is so helpful. (And did I mention there is no fee?)
New York Times and USA Today bestselling author Joanna Penn talks about the importance of finding the right editor. Here she describes some of the things she likes about the one she’s working with now:
She gets my style of writing, and she understands my violent streak and doesn’t try to rein in what makes me me. What she does do is help me to craft a better book by suggesting structural changes and then doing detailed line edits.
That’s how I feel about the editor I’m working with now.
David Kudler, writing for the Huffington Post, has a lot to say about editors, but I took encouragement from his closing words:
You are writing a book because there is something you have to say, some knowledge or wisdom to impart, some experience to which you want to lead the reader.
An editor is your partner in making that happen, helping you to say precisely what you want to say in the most effective, affecting way possible.
So, today my editor and I are over half-way through the manuscript and picking up speed and efficiency as we move forward. Stay tuned for the big reveal! (And thanks, always, for reading and commenting, here and on Facebook.)
I just drove home from Atlanta today, excited to be greeted by a package from Mercer University Press—“Second Pages” (also known as galleys) for the anthology I’m editing, A Second Blooming: Becoming the Women We Are Meant to Be!
It looks like a book!!! (Can you tell I’m excited? I rarely ever use more than one exclamation mark at a time.)
And it has an ISBN Number, so it’s official! (using more reserve with the exclamation marks now)
About a month ago I wrote a post about the terrific job the press’s copy editor did with “First Pages.” Previously I wrote about the publishing process and defined a few terms, so if you missed that post, it’s here. And now, this is my last chance to go over every word with a fine tooth comb. I’ve got two weeks to proof it.
The writing/publishing business is a bit like the military. Many stages of the process feel like “hurry up and wait.” I’ve been through weeks and months at a time with no deadlines on any projects, and now I’ve got three projects working at once and I’m in heaven. On the 400-mile drive home from Atlanta today I brain-stormed on my next project, which I’ve been doing for several weeks now. I might have hit on something exciting—more will be revealed. I guess this is just how my brain works—the busier I am the more energetic and productive I become. Boredom isn’t an option.
Just had to share the news. Stay tuned as the journey continues!
Two weeks ago I did a post about the “first pages” I was anxious to receive from the press that is publishing A Second Blooming: Becoming the Women We Are Meant To Be—the anthology I’m editing. I explained how the publishing process worked, at least with this particular press, and I was excited to get started responding to the copy editor’s comments and questions.
Yesterday I put my responses back in the mail to the press. It was quite a process, and I actually had a great time working on it. To begin with, the copy editor is wonderful! She caught things I didn’t catch when I did the initial editing of these twenty essays contributed by twenty writers. For most of the pieces, I was able to confidently accept or reject her changes, on behalf of the contributors. But there were several questions and comments that I didn’t feel comfortable answering, so I sent them off to the original authors for their replies. There were also several author bios that needed updating, so gathering those was also part of the process. The best thing about this project is that the contributors are all such excellent writers that there weren’t massive edits needed. An editor’s dream! And what a glowing comment from the copy editor to the contributors (see below).
I went through the manuscript three times, finally deciding that it was ready to return to the press. Next I’ll receive the “second pages,” or “galleys,” which will include the artwork and layout, showing how the book will actually look when published. I can’t wait!
Of course there’s always that fear that we might miss something. Whenever I find a typo in a published book, I cringe, knowing that the author and editor and publisher must also be cringing. But in the end, we’re only human, and once we’ve done our best work, I guess we have to trust the reader to forgive our mistakes and enjoy the stories we have poured our hearts and souls into. I can’t wait to share A Second Blooming with all of you! Stay tuned….
Although I’ve been published in three anthologies (as a contributor) I’m new to the business of publishing as an author or editor. As editor of A Second Blooming: Becoming the Women We Are Meant to Be, I’m working with an academic press on the publishing process. Last week they let me know they were meeting to discuss cover art, and asked for suggestions/input from me. I wish I had spent more time thinking about this, and only had a couple of suggestions at the last minute. This was my favorite (the woman with the flower tattoo) but I understood the press’s concerns that the cover might be a bit too edgy and limit market appeal. On the other hand, I don’t want a bunch of flowers and lacy images that look like the cover of Farmer’s Almanac. I can’t wait to see what they come up with!
Meanwhile, the copy editor is sending me what they call “first pages” today. In their parlay, “first pages” means the copyedited manuscript, which is returned to me for proofreading and any corrections. This set of pages won’t include any art or design. I’m supposed to return the manuscript with my corrections in two weeks.
Once they enter all the corrections, they will return the complete designed and formatted book for me to proof again. They call this “second pages.” Sometimes these are called galleys. I found a blog post from a couple of years ago by Nathan Bransford (agent/author) in which he defines a lot of publishing terms. If you’re interested, it’s here
After I return the second pages with my corrections, the press will finish the cover design—dust jacket for hardcover or cover for paperback. After getting quotes from printers, they choose one and send everything off to be printed, which can take 4-8 weeks. Finally the book will arrive in the warehouse, I’ll get my copies, and it will take another 6 weeks or so for nationwide distribution.
I hope you enjoyed this little inside peek into the publishing world—or at least what it looks like in my current experience. Stay tuned as the journey continues! And always, thanks for reading.