The Reflective Present Tense

confusedwriter1I’ve just started writing a new novel. Without meaning to, I drafted the first few pages in present tense—the same thing I did initially with Cherry Bomb, my novel that’s coming out in October. But at some point I changed the entire novel to past tense, and it read more smoothly. So why is it I automatically revert to present tense when I begin a new one?

This article gives a fairly good argument for using past tense for novels, although it also says, “Of course, there are plenty of novels out there written in the present tense (more so in literary and mainstream fiction than genre fiction)….”

Since I tend to write for literary and mainstream rather than genre fiction, maybe I’m not on the wrong track.

This Writer’s Digest article, “The Pros and Cons of Writing a Novel in Present Tense,” offers some food for thought.

I like what Matt Bell calls the “reflective present tense” in this article, “In Defense of the Present Tense,” which quotes several authors who teach or have taught writing:

I also use the present tense as a way of talking about the past, even though the speaker is really telling the story from the present. I think that’s a pretty common tactic, actually. I’m actually doing a similar thing in something I’m working on right now—the reflective present tense, which is the way both memory and trauma often work.

The “reflective present tense”… I think that’s what I’m after. Guess I’ll keep writing and see if I run into problems when I use flashbacks. It’s a process.

Writing “Full Bore”

WD1216_1_1There’s an excellent article in the November/December 2016 issue of Writer’s Digest called “How a Month of NaNoWriMo Can Lead to a Lifetime of Better Writing” by Grant Faulkner. If you’re not familiar with NaNoWriMo, it the National Novel Writing Month that takes place each November. Participants sign up with a goal of writing 50,000 words in 30 days, or about 1,667 words a day. At the end of the 30 days, some people have actually completed a novel, and others have made a great start. I think it’s the discipline of writing for an extended period of time every day—and knowing that others are doing the same (like in an exercise class)—that encourages people to participate.

Faulkner’s article cites the importance of “practice” in order to excel, noting that most successful authors write thousands of words that end up being thrown away before ever publishing anything. I certainly did. So even the words you produce during NaNoWriMo don’t end up in a final product, at least you are writing in a disciplined manner. And the program includes “pep talks” from bestselling authors to each participant during the month.

Finding time to write is crucial for most writers who also have (1) day jobs and/or (2) children at home. Since I don’t have either of those commitments, and consider myself a full-time writer, time isn’t my problem. It’s how I choose to use my time that matters. And yes, I’ve been productive these past few years, and the work is paying off in the form of four published books coming out between January 2017 and spring of 2018, although two of those are anthologies I edited rather than books I wrote. So now I’m ready for another project, and I’ve decided to write another novel. This is so much harder than organizing and editing an anthology (at least for me) so I know I’m going to need some motivation. I’m not going to wait until November (NaNoWriMo month) but I am going to take some of their concepts to heart. Since I’ll be starting a book tour in just over a week, I won’t have an uninterrupted month until June, but on the days I set aside for writing, I plan to look at them as though they were part of that month. As though I had a deadline. One advantage, according to author Hugh Howey, who has participated in NaNoWriMo since 2009 with successful results, is this:

crest-05e1a637392425b4d5225780797e5a76Piecing a novel together over a year or more, one paragraph at a time, with days and weeks off in between, does not produce the same quality for me as writing full-bore.

Writing full-bore. That’s how I need to approach this next novel. I really don’t want to spend six or more years on it (as I did with Cherry Bomb, when you count time off for my car wreck, and months spent querying agents and publishers, and revising with several different editors) and I hope that I’ve learned some things that will move the project along better this time. We’ll see….

Literary Events in 2017: A Work in Progress

I’m excited to have 11 literary events scheduled for 2017 so far, in Tennessee, Mississippi, Louisiana, Arkansas, and North Carolina. More events pending in Alabama, Georgia, South Carolina (and more in Tennessee and Mississippi). If you live in or near these cities, please COME and SPREAD THE WORD!

Click on the EVENTS button on my web site to see updated schedules, as I will be adding events regularly. As of today, January 11, here are the scheduled events:

 

Tangles and Plaques cover artMarch 2, 2017 (5:30 p.m.)

Burke’s Books/Memphis, TN

Tangles & Plaques: A Mother and Daughter Face Alzheimer’s

 

March 3, 2017 (5:00 p.m.)

Square Books/Oxford, MS

Tangles & Plaques: A Mother and Daughter Face Alzheimer’s

 

March 4, 2017 (3 p.m.)

Lemuria Books/Jackson, MS

Tangles & Plaques: A Mother and Daughter Face Alzheimer’s

 

March 16, 2017 (6:30 p.m.)

Private Salon/Harbor town/Memphis, TN

Tangles & Plaques: A Mother and Daughter Face Alzheimer’s

 

March 18, 2017 (10 a.m.)

Wordsworth Books, Little Rock Arkansas

Tangles & Plaques: A Mother and Daughter Face Alzheimer’s

 

March 26, 2017 (3-5 p.m.)

Memphis Botanic Garden

A Second Blooming: Becoming the Women We Are Meant to Be

Susan (editor) will be joined by Memphis contributors Jen Bradner, Suzanne Henley, Ellen Morris Prewitt, and Sally Palmer Thomason.

 

ASB CoverApril 5, 2017 (6 p.m.)

Garden District Books/New Orleans, LA

A Second Blooming: Becoming the Women We Are Meant to Be

Susan Cushman (editor) will be joined by contributors Emma Connolly, Susan Marquez, and NancyKay Wessman.

 

April 6, 2017 (5 p.m.)

Lemuria Books/Jackson, MS

A Second Blooming: Becoming the Women We Are Meant to Be

Susan (editor) will be joined by Jackson contributors Susan Marquez and NancyKay Wessman.

 

May 4, 2017

Lake Logan Retreat Center/Lake Logan, NC

Tangles & Plaques: A Mother and Daughter Face Alzheimer’s

 

October ? (DATES and VENUES TBA)

Memphis, TN and Jackson, MS

Cherry Bomb (a novel)

 

October 13-15

Southern Festival of Books/Nashville, TN

Books/events TBA

 

November 6, 2017

Women of St. John Orthodox Church book club/Memphis, TN

Tangles & Plaques: A Mother and Daughter Face Alzheimer’s

 

November 9, 2017

Friends of the Library/Starkville, MS

Cherry Bomb (a novel)
Thanks so much for your support!

The Opposite of Everyone—Let the New Literary Year Begin!

opposite-everyone-paperback-300pxYesterday I finished reading my first book of 2017—Joshilyn Jackson’s latest novel The Opposite of Everyone (Harper Collins, 2016). What a great way to start off the new (literary) year!

I’m so in awe of Joshilyn’s writing that I’m too intimidated to write a review, afraid that the literary blog gods might be watching for my less-than-amazing prose. I first met Joshilyn in August of 2006, at the first ever Mississippi Writers Guild Conference in Clinton, Mississippi. She inspired me. And here I am over a decade later FINALLY getting my novel birthed (Cherry Bomb, coming in October) and also two other books to be published this year, one nonfiction and an anthology I edited. But it’s the novel that was inspired in many ways by Joshilyn’s special talent.

biopic-13Through all of her books, she weaves the mystical with the colloquial, as I hope I have done with Cherry Bomb. Her tough-as-nails abandoned kid, Paula, grows up in the system, escaping different but similar trauma as Cherry Bomb’s orphaned protagonist, Mare, who tells her story through graffiti. I wish they could meet! Interesting that they both end up in Atlanta, although Mare’s journey began in rural Georgia. And their lives were both shot through with mystery—Paula’s from ancient Indian lore, and Mare’s from Eastern Orthodox icons.

I love what Sara Gruen, New york Times bestselling author of At the Water’s Edge and Water for Elephants, says about The Opposite of Everyone:

Jackson draws from both rural Alabama folklore and the god stories of ancient India, weaving these narratives flawlessly toward a crescendo that is straight out of an O’Connor tale—inevitable, surprising, and beautifully true in every sense of the word.

And these words from the New York Times Book Review also ring true:

The unconventional characters in Jackson’s books often provide thought-provoking studies of love and loyalty; this must-read also contemplates the transformative power of storytelling.

I have read five of Jackson’s seven novels, and this is by far my favorite. Kudos, Joshilyn! I can’t recommend this more highly!

Dust Jacket Copy for Cherry Bomb!!!

Dust-jacketI hope everyone had a wonderful Christmas! I’ve shared lots of pictures on Facebook, so I’m not going to bomb my blog with our family Christmas images, but we are having a wonderful time in Denver with two of our three “kids” and their families, including our four granddaughters (which is why I didn’t do a blog post on Friday). We’ll head back to Memphis tomorrow where I’ll continue work on all four books in their various stages of editing, production, and marketing.

I’m excited to share this wonderful blurb written by my publisher, Joe Lee, for the front inside cover of my novel Cherry Bomb. It appeared on the Dogwood Press blog, Friday, December 23, 2016. Check out the other authors featured there, including my friend John Floyd who is a wizard with short stories. His latest book is Dreamland.

Thanks for this wonderful blurb, Joe! (This will be a hardback book with a dust jacket cover. We’re working on cover art now, so stay tuned!)

In the same way that a good bookseller can get you excited about reading a book (as our Mississippi booksellers do so well), good dust jacket copy does the same thing — how often have you read the flap cover and said, “Gosh, I’ve GOT to get this!” With that in mind, here’s the dust jacket copy for Susan Cushman’s debut novel, Cherry Bomb, which I can’t wait for us to roll out next October:

            By the tender age of sixteen, Mary Catherine Henry has lived through enough horror to last a lifetime. Sexual abuse at the hands of her cult-leading father, abandonment by her drug-addicted mother (who nicknamed her Mare), and several spirit-crushing years with a dysfunctional foster family convince her that life on the streets will be easier, somehow, than what she’s always known.

What keeps Mare going is the budding artist inside her, and the sleepy Southern town of Macon, Georgia, doesn’t know what hit them when colorful graffiti “bombs” begin appearing on abandoned buildings—Mare even dares to decorate a Catholic church with a highly provocative message. The young runaway signs her work CHERRY BOMB, attracts the attention of the local media, and is soon caught—but not by police.

 A photographer for Rolling Stone learns of Mare while on assignment, finds her, and befriends her. So does a reporter for The Macon News and, eventually, the priest of the parish whose walls Mare defaced so angrily. Their efforts help earn her a scholarship at prestigious Savannah College of Art & Design, where she studies under legendary Abstract Expressionist painter Elaine de Kooning. It’s a wonderful mentoring relationship … until Mare and Elaine discover they have much more in common than a love of art. And that bond, which forces both women to deal with pain and anger from their repressed pasts, threatens to tear them apart.

With a mix of remarkably visual characters and an intricate, compelling plot rich with intriguing religious imagery, Mississippi author Susan Cushman has penned a powerful debut novel that will stay with you long after you’ve turned the final page. You’ll never forget Mare and Elaine … and you’ll never look at religious icons—and street graffiti—the same way.

 

Wow! Doesn’t that make you want to read the book? And you can support Susan before then by picking up a copy of Tangles and Plaques (A Mother and Daughter Face Alzheimer’s), which will be released in several weeks by eLectio Publishing.

End of Year Book List

2016 has been an industrial year for me, as I finished querying presses and signed 4 book deals. And now here at the end of the year, those 4 books are in various stages of organization, editing, pre-publication, and marketing. As a writer, I feed my creative spirit on the works of other authors. Often I read more than one book at a time, usually a novel and a nonfiction book. I rarely read short stories (although there’s one excellent collection in this list) or mysteries, but I love poetry, memoir, literary novels, books about spirituality and art, books about courageous and interesting women, and some “self-help” books.

woman-reading

 

I read 38 books in 2016. Fifteen are by authors I know personally. I would love to meet the other 22 one day, although a couple of them are no longer living. Here they are in alphabetical order. If you click on the links, you can read my blog posts on any of them you are interested in.

A Charmed Life by Mary McCarthy

A Lowcountry Heart by Pat Conroy

A Summons to Memphis by Peter Taylor

All the Way to Memphis by Suzanne Hudson

Almost Famous Women by Megan Mayhew Bergman

American Happiness (poetry) by Jacqueline Allen Trimble

Circling the Sun by Paula McLain

Delta Rainbow: The Irrepressible Betty Bobo Pearson by Sally Palmer Thomason

Dimestore: A Writer’s Life by Lee Smith

Dispatches From Pluto by Richard Grant

Drifting Too Far From the Shore by Niles Reddick

Forever Chic: Frenchwomen’s Secrets for Timeless Beauty, Style, and Substance by Tish Jett

Gift From the Sea by Anne Morrow Lindbergh

God For Us: Rediscovering the Meaning of  Lent and Easter Edited by Greg Pennoyer and Gregory Wolfe

Guests on Earth by Lee Smith

How Does That Make You Feel? True Confessions From Both Sides of the Therapy Couch edited by Sherry Amatenstein

Inside the Dementia Epidemic: A Daughter’s Memoir by Martha Stettinius

Journeying Through Grief by Kenneth C. Hauck

Lines Were Drawn: Remembering Court-Ordered Integration at a Mississippi High School edited by Teena F. Horn, Alan Huffman, and John Griffin Jones

Woman_reading_a_book_(3588551767)Lisette’s List by Susan Vreeland

Little Wanderer (poetry) by Jennifer Horne

My Southern Journey by Rick Bragg

Not a Place on Any Map by Alexis Paige

Pray and Color by Sybil McBeth

Robert Walker, a novel by Corey Mesler

Still Life: A Memoir of Living Fully With Depression by Gillian Marchenko

The Confessions of X by Suzanne M. Wolfe (winner 2017 Christianity Today Book of the Year Award for Fiction)

The Courage to Grow Old by Barbara Cawthorne Crafton

The Feathered Bone by Julie Cantrell

The Gift of Years by Joan Chittister

The Headmaster’s Darlings by Katherine Clark

The Invention of Wings by Sue Monk Kidd

The Muralist by B. A. Shapiro

The Sanctum by Pamela Cable

Waffle House Rules by Joe Formichella

West With the Night by Beryl Markham

Why We Write About Ourselves edited by Mereditih Maran

Books for 2017What’s in the queue for 2017? (also in alphabetical order) Watch for reviews on my blog next year!

*Being Mortal by Atul Gawande

Garden in the East by Angela Carlson

The Dream Lover by Elizabeth Berg

The Fire This Time: A New Generation Speaks about Race edited by Jesmyn Ward

The Opposite of Everyone by Joshilyn Jackson

The Statue and the Fury by Jim Dees

*When Breath Becomes Air by Paul Kalanithi

*On Barnes & Noble’s list of the Top 100 bestselling books of 2016

Happy reading, everyone! I’d love to hear what your favorite books from 2016 were!

Saved the Best for Last

MeslerCov1I just finished reading what will probably be the last book I read in 2016. Book number 27 (I’ll publish my list soon.) In many ways I feel like I saved the best for last.

Corey Mesler’s novel, Robert Walker, blew me away on many levels.

The Prose. Always elegant, with a strong sense of place and characters so well-drawn you feel like you know them. You love them. Or hate them. In the case of the protagonist, Robert Walker, I definitely love him, and several other characters in the novel. But there are also some pretty unlovable folks in there, too.

Robert Walker is a homeless man living on the streets (and sleeping in the parks) in Memphis, Tennessee. Having lived in midtown Memphis for 25 years, I had the opportunity to meet quite a few homeless people. They enlarged my life—whether our brief exchanges were at an intersection where there was barely time to hand them some money before the light changed, on the streets, or even at our front door. Especially when we lived on Stonewall, which was a bit of a thoroughfare between North Parkway and Poplar Avenue. I remember one cold winter in the 1990s when several homeless folks actually rang our doorbell. That was the year I decided to make a large pot of hearty beef stew, freeze it in serving-size disposable containers, and microwave each serving for anyone who rang the door. That was also the year that my husband reached out to one of our regulars—who only worked for cash his whole life and therefore had no social security—and took him to meet with a Social Security counselor to try and get him signed up. And then there’s our church—Saint John Orthodox on the corner of Tutwiler and Dickinson—which has an active food pantry for the foot traffic we have always gotten there. During the years I worked as church secretary, I had the blessing of handing out that food on a regular basis. All of these experiences have helped me see homeless people as real people. Just as worthy of life’s blessings as I am, but somehow ending up on the short end of those blessings.

rbfap04105Maybe those personal experiences enhanced my love for the characters in Robert Walker. Each one of them drew strong emotional responses from me as I read about their lives. And I recognized all of the locations Mesler paints for us, which made the story have a more immediate feeling. It felt true. But this is more than a documentary. It’s a well-crafted piece of fiction. Once I started reading it this weekend I couldn’t put it down. I just finished it a little after noon today, Monday. And even though Mesler does an excellent job with his narrative arc—a plot that builds gradually, has plenty of conflict, and a satisfactory resolution—I still wanted more. Not more from the book itself, which had a poignant and powerful ending… but I was left with that great feeling of not wanting something to be over. Of not wanting to leave the people I had grown to love on the pages of the book.

(One of the characters in the book talks about the writers’ workshop she attends at Door of Hope, an actual real-life writing group led by my friend Ellen Morris Prewitt for seven years. With Ellen’s help, that group published a terrific collection of their writing last year, Writing Our Way Home: A Group Journey Out of Homelessness.)

Corey Mesler

Corey Mesler

Kudos to my friend Corey, a lover of good books, an encourager to writers, a friend and supporter of his community, an excellent poet, and a truly wonderful novelist. If you’re still Christmas shopping, add this to your list for your friends and yourself. If you live in Memphis, drop in to Burke’s Books and get an autographed copy and take a few minutes to speak to Corey and his wife Cheryl and the other great folks who work there. It will cheer your spirit. Happy Holidays!

Corey Mesler has been published in numerous anthologies and journals including Poetry, Gargoyle, Five Points, Good Poems American Places, and Esquire/Narrative. He has published 8 novels, 4 short story collections, and 5 full-length poetry collections. He is in discussion for a movie version of his last novel, Memphis Movie.  He’s been nominated for the Pushcart many times, and 2 of his poems were chosen for Garrison Keillor’s Writer’s Almanac. With his wife he runs Burke’s Books, a 145 year-old bookstore in Memphis.

 

The Muralist: Disclaimer and Author’s Note

MuralistMy book pick from Octavia Books while visiting New Orleans last week was B. A. Shapiro’s novel, The Muralist. CLICK HERE to watch the video trailer, which does a great job describing the book. It’s been out for over a year, but somehow I missed it until now. It’s wonderful. It’s the kind of book I’d like to write, and there are similar elements in my novel, Cherry Bomb:

Both books combine fictional and historic characters, scenarios, and dialogue.

Both books focus on the abstract expressionist art movement.

Both books have an element of mystery to them.

This Publisher’s Weekly review has mostly good things to say about The Muralist, but one of its criticisms is something I think lots of authors (myself included) struggle with:

Though compelling, Shapiro’s latest is bogged down in relaying well-researched material about the pre-WWII politics and developments in the art world, ultimately undermining the power of the fictional story.

 

B. A. Shapiro (photo by Lynn Wayne)

B. A. Shapiro (photo by Lynn Wayne)

Shapiro obviously did her homework, and like me, maybe she loves research so much that it’s tempting to leave too much information in the book—information that the author needs to inform the writing, but more than the reader wants to see. In working with an editor in an early revision of my novel, I ended up cutting out one of the three main characters and making her part of the backstory instead. The books works much better this way.

I’ve spent some time researching issues of fictionalizing real people in my book—emailing with two different intellectual rights attorneys for advice. The result of these discussions is that I am not going to change the name of the real person (Elaine de Kooning) in my novel, but I will write a disclaimer in the front of the book, similar to this one, in the front of The Muralist:

The Muralist is a novel in which fictional characters mingle with historical figures. All incidents and dialogue are products of the author’s imagination and are not to be construed as real. Minor alterations in the timing and placement of persons and events were made as the story dictated, the details of which can be found in the Author’s Note at the end of the book. In all other respects, any resemblance to persons living or dead is entirely coincidental.

In her Author’s Note, Shapiro goes into more specifics about the way she fictionalized the historical characters. And then she includes more disclaimer-type statements:

A historical novel is a work of long fiction set in a previous time period. To me, the most important word in this definition is fiction…. This mix of history and invention continues throughout the novel.

This is helpful to me as I consider how to write my disclaimer and Author’s Note for Cherry Bomb. I think I’ll get to work on that soon. But for now, I can’t wait to keep reading The Muralist!

Quadfecta!

Today I’m feeling incredibly blessed. Yesterday morning I signed a contract for my novel, Cherry Bomb! My publisher is Joe Lee at Dogwood Press in Brandon, Mississippi. Not only is Joe a publisher, he’s a journalist, author, and editor. He has guided me through the manuscript with great care and understanding and I’m thrilled with the book it is becoming.

beer pongSo why “quadfecta”? I was checking to be sure that’s the word I’m looking for when I came upon this hilarious definition:

A legendary beer pong shot that lands on the tops of four cups simultaneously. Considered the rarest shot in the game, topping even the trifecta 2-cup knockover-and-sink, and simultaneous 6-cup game-ending double bounce-in. Counts as 4 cups and has never happened in recorded history of the game, despite being theoretically possible.

Okay, so this isn’t about beer pong, but it’s about my publishing news, which now includes 4 book deals!

Tangles and Plaques: A Mother and Daughter Face Alzheimer’s (eLectio Publishing, February 2017) is a collection of essays culled from sixty posts covering almost a decade of long-distance caregiving for my mother, who died from Alzheikmer’s this past May. The book will show that the tangles and plaques aren’t only in our brains, but often in our relationships.

A Second Blooming the Women We Are Meant to Be (Mercer University Press, March 2017) is also a collection of essays, but this time I’m the editor. Twenty women authors write about second bloomings in their lives. For some it’s second marriages, or second careers. Others write about physical or mental trauma, loss of a loved one, incarceration, rape, and a difficult journey to sobriety.

Cherry Bomb (Dogwood Press, October 2017) is my novel. Cherry Bomb chronicles the lives and suffering of three women whose fates are unexpectedly intertwined: MARE, a teen graffiti artist emerging from a lifetime of abuse at the hands of her cult-leading father and foster parents; ELAINE de KOONING, an Abstract Expressionist artist whose interactions with Mare dredge up painful memories of a shameful past; and SISTER SUSANNAH, an artist and nun whose reclusive tendencies belie her deep connection to the world around her. All three women’s lives converge around a weeping icon of St. Mary of Egypt, a 5th century prostitute whose awakening to grace leads her to ultimate salvation.

So Y’all Think You Can Write: Southern Writers on Writing (University Press of Mississippi, 2018). I am editing this collection of essays by Southern authors (men and women) writing about their craft. With a Foreword by Alan Lightman and previously published material by Pat Conroy and Lee Smith, the anthology will include over twenty five new essays by some of the South’s best (well-known and lesser-known) writers.

Cassandra and Susan Sq Bks Nov 2016I had a great time celebrating last night with my husband in Oxford. First we toasted my news with martinis on the balcony at the City Grocery Bar. Then we went to the Thacker Mountain Radio show at Off Square Books. It was an awesome show featuring great music and authors Cassandra King (reading from A Lowcountry Heart, a collection of Pat Conroy‘s words on Writing) and George Plasketes. Jim Dees did a great job hosting, as usual, and I was happy to get a copy of his new book, The Statue and the Fury – A Year of Art, Race, Music and Cocktails(Nautilus Press). We had a wonderful time visiting with Cassandra and George and others at the after party, before heading over to the Inn at Ole Miss for a weeknight sleepover.

This afternoon I’m driving back to Memphis with my spirits lifted by time spent with these creative people. And of course, the news of my quadfecta. So here’s a question: If you don’t like beer, can you play with vodka or tequila?
Have a great weekend, everyone!

Why Binge-Watching a TV Series is Like Reading a Novel

Cast of The Newsroom

Cast of The Newsroom

I miss Will, MacKenzie, Charlie, Jim, Maggie, Sloan, Don and Neal! This weekend I finished binge-watching the HBO series (three seasons) “The Newsroom” on Amazon Prime Video (using Roku). This wasn’t my first time at binge-watching. A couple of years ago I did two posts about this activity:

The Anatomy of a Binge

Binge-Watching Continued

The shows I have binge-watched so far include: House of Cards, Breaking Bad, Orange is the New Black, Rectify, and recently Switched at Birth and The Newsroom.

binge-watch-tv-860x442

 

So this morning I woke up thinking about how binge-watching a TV series is like reading a novel. When you watch a TV show as it comes out—one episode each week—you can sometimes lose momentum. Sure, you look forward to the next show, but 7 days later you might have lost some of the immediacy of the plot. You probably haven’t even thought about the characters since the last episode.
But when you watch three years’ worth in a few days (or even a week or two) it’s so much more like reading a good novel. That feeling that you can’t put it down. That you have to know what happens next. (Although this article says that binge-watching just might be changing out brains!)

Yesterday afternoon when I watched the finale of the final season of “The Newsroom,” I found myself sad to be saying goodbye to these characters I had come to care so much about. Will and MacKenzie got married and they’re having a baby! How will that affect MacKenzie’s new position as network president? Maggie and Jim are together but she’s interviewing for a field producer position in DC and Jim just got promoted at ACN in Atlanta! How will their long-distance relationship work out? And Charlie (Sam Waterston) died.  For me he was the glue for the show, so maybe it helped to have him die as the series ended. But I have to admit that I cried. 

Switched at Birth cast

Switched at Birth cast

I recently also binge-watched another series on Netflix, “Switched at Birth.” Not nearly as well written or acted as “The Newsroom,” but the story-line was unique and I was sucked in. Again, when it ended, I found myself wondering what would happen next for Bay, Daphne, Emmett, Toby, and their families? I was fascinated by the partly deaf cast and the ASL (American Sign Language), which I realized I was learning a bit as I watched each episode. I’m excited that they plan to air 10 new episodes beginning in January 2017 (ABC Family) but now I’m wondering if I’ll watch one each week, or wait until they’re over and binge-watch all 10 of them?

Now I find myself wondering also what I’m going to read next. Having just finished a wonderful (nonfiction) book, Dispatches From Pluto: Lost and Found in the Mississippi Delta, by Richard Grant, I also didn’t want it to end! I’m looking at three books next to my “reading chair” in my office and considering how well it will work to read all three at once: Robert Walker (a novel about a homeless man in Memphis)by Corey Mesler, A Lowcountry Heart: Reflections on a Writing Life (Pat Conroy); and A Charmed Life, the 1955 novel by Mary McCarthy, author of The Group. I’ve already read parts of the Conroy book, and I’m excited to see his wife, Cassandra King, who wrote the introduction, this Thursday night at the Thacker Mountain Radio Show at Off Square Books in Oxford, Mississippi. It’s the two novels that I might have to read one at a time. Here goes. Have a great week, everyone!

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