Book Tour, the Beach and Praying With Icons

On the porch at Sundog Books in Seaside

On the porch at Sundog Books in Seaside

Good morning from Seagrove Beach, Florida… my favorite place on earth! My husband and I are here in the middle of my Alabama/Florida books tour for CHERRY BOMB, as well as a little fall vacation time. The high today is 77 and it’s sunny all week. Yesterday I signed copies of CHERRY BOMB on the front porch at Sundog Books in Seaside, and tomorrow I’ll be signing at The Hidden Lantern in Rosemary Beach. Thursday we’ll head over to Fairhope, Alabama, for my reading at 2 p.m. at Page and Palette, and an after-party thrown by my friend Ren Hinote. Meanwhile we’re enjoying walks on the beach and lots of good seafood. (We also had a great time at a “choose your own cover” event at the Capitol Oyster Bar in Montgomery, Alabama, on Saturday afternoon, with music, great oysters and shrimp, and customers got to choose one of our books with the price of their cover charge for the event.)

My friend from Little Rock—Joanna Seibert—is “blogging a book,” and invited me to contribute two guest posts on her blog as part of her project. Joanna was inducted in to the Arkansas Hall of Fame in August. She asked me to start with a quote, add an image, and write a short reflection on the quote. She also asked if I would write about praying with icons, which I did. I hope you enjoy both of these posts:

PRAYING WITH ICONS

MORE ICONS: SANCTIFYING THE SENSE OF SIGHT

I’ll close with a few pics. I have to go now… the beach is calling!

Authors and musicians at the Capitol Oyster Bar in Montgomery, Alabama

Authors and musicians at the Capitol Oyster Bar in Montgomery, Alabama

 

Susan 30A yoga

CHERRY BOMB Book Tour Continues: ALABAMA and FLORIDA!

What a great time I had last weekend on the Mississippi Gulf Coast! It started with a live interview on WLOX Biloxi TV (for CHERRY BOMB) on Friday afternoon (October 20) followed by a reading/signing at Pass Christian Books and Cat Island Coffee House right on the beach at Pass Christian, Mississippi on Saturday afternoon, October 21. The weekend was enhanced by a visit from our oldest son, Jon, my hosts Hardy and Katherine Thames (she’s my Goddaughter), and a lovely after-party at the home and interior design studio of Al and Cathy Lawson in Bay St. Louis, and an early dinner (royal reds for me!) at The Blind Tiger on the water in Bay St. Louis. Oh, and Sunday morning’s 16th birthday breakfast for Mary Thames and family at the Harbor View Café in Long Beach, Mississippi. (See more photos at the end of this post.)

Group Pass Books

Laura Beth Hebbler (Ocean Springs), Hardy and Katherine Thames (Gulfport), me, Jon Cushman (our oldest son, who lives in New Orleans), and Cathy Lawson (Bay St.Louis)

 

I’m having a great time touring the South to share my joy over my novel CHERRY BOMB. Having already been to 7 venues in Tennessee and Mississippi (with 7 more events scheduled in Mississippi in November and December and 2 more scheduled in Memphis so far) I’m off on a fun road trip with my husband tomorrow. We’re combining his career and mine, starting with two days in Franklin, Tennessee, where he’s speaking at a medical meeting, and we’re having dinner with one of our nephews, and I’m having lunch with a writer friend. Then we’re combining a fall beach vacation with three book events for me. Here’s the schedule for my appearances along the Florida Gulf Coast and the Eastern Shore of the Mobile Bay:

Saturday, October 28 (2-5:30 p.m.)—“Choose Your Own Cover” music and literary event at the Capitol Oyster Bar in Montgomery, Alabama. Patrons will pay $15 cover charge for some great music and will choose from five authors’ books. I’m so excited to be joining Alabama authors Suzanne Hudson, Joe Formichella, Marlin Barton, Loretta Cobb, and William Cobb. And we’ll all be enjoining the musical talents of Chris Clifton and Gove Scrivenor. My husband and I visited the Oyster Bar last April and enjoyed some of the best oyster and Argentine shrimp (yes!) ever. Can’t wait to be back there on Saturday!

Monday, October 30 (4-6 p.m.)Sundog Books, Seaside, Florida, where I’ll be signing copies of CHERRY BOMB on the front porch of this terrific bookstore in a legendary town. (And meeting up with old Memphis friends afterwards at the Great Southern Café next door!)

Wednesday, November 1 (4-5:30 p.m.)—The Hidden Lantern Bookstore in scenic Rosemary Beach, Florida. After my book signing, I hope to head across 30-A to one of my favorite places, La Crema

Thursday, November 2 (2-3 p.m.)Page & Palette in Fairhope, Alabama. This will be my second event at this wonderful bookstore, which hosted me back in April for my first book, Tangles and Plaques: A Mother and Daughter Face Alzheimer’s.  Can’t wait to read and sign CHERRY BOMB for the good (and very literary) people of Fairhope. And many thanks to my friend Ren Hinote, who is hosting an after-party in her home in nearby Montrose.

Watch for pictures on Facebook, and thanks, always, for reading. I hope to see some of you along the tour!

Susan at register Pass Books

Beautiful views at the Cat Island Coffee Shop inside Pass Christian Books!

Beautiful views at the Cat Island Coffee Shop inside Pass Christian Books!

Hugging my son, Jon, whom I hadn't seen in six months.

Hugging my son, Jon, whom I hadn’t seen in six months.

Ten Favorite Things about the Southern Festival of Books

Thanks to Parnassus Books of Nashville for selling our books at the festival!

Thanks to Parnassus Books of Nashville for selling our books at the festival!

This past weekend I traveled to Nashville, Tennessee, for the 29th Annual Southern Festival of Books. The only other time I had been was in 2012, when I was on a panel with Jennifer Horne, Wendy Reed, Marshall Chapman, and Rheta Grimsley Johnson for the anthology, Circling Faith: Southern Women on Spirituality. It was great to return as an author for my novel Cherry Bomb.

Nashville is a great city, and I always enjoy my visits. This time I wasn’t able to take in any of the sites and sounds (I love country music!) other than those happening at the Festival itself. Back in 2012 one of my favorite things was an evening “in the round” (literary readings and music) at the Blue Bird Café. Didn’t make it to the Blue Bird this trip, so I’ll share my “10 favorite things” about the Festival itself.

panel with Jamie Logan James Cherry Jordan Evans

Jamie Logan (moderator), authors Susan Cushman and James Cherry, and moderator Jordan Renee Evans

 

1. Being on a panel for CHERRY BOMB, with fellow Tennessee author James E. Cherry (funny that his name is Cherry, right?) Our panel was titled “The Path to Publishing: Tennessee Debut Novelists,” although James’s novel EDGE OF THE WIND is actually his second. He and I both have published in other genres, including poetry and short stories (for James) and memoir and anthologies (for me). We also have both been published in a variety of independent presses, so we were asked to talk about our journeys to publishing, which was lots of fun. There were quite a few writers in the audience, who were seeking information about how to get their work published, so it was a very interactive session. Our moderators are both graduate students in the MFA Creative Writing program at the University of Memphis—Jamie Logan and Jordan Renee Evans—and they did a terrific job.

with Karissa Sorrell2. Signing copies of CHERRY BOMB for readers who purchased them. And getting to know them, if only briefly, and why they are interested in my book. It is so humbling and gratifying after working for years on the book, to finally see others appreciate it! It was great to see my old high school classmate (from Jackson, Mississippi) Cecil Ross. Some of those readers are friends I’ve known in Nashville for a few years, and it was great to see them again, like the talented poet and author Karissa Knox Sorrell, whom I actually met in person at the 2012 festival. Karissa, as well as others who came to my panel, like Bertie Hamilton DeWane and Marianne Robbins, are Orthodox Christians like me, so they have a special interest in some of the spiritual themes in the book, including the weeping icon of Saint Mary of Egypt.

River gives good hugs!

River gives good hugs!

3. My live interview with author and radio host River Jordan on Clearstory Radio. Jordan and I have been friends for about ten years, and we recently did a signing together at Barnes and Noble in Brentwood, Tennessee with local author Kathy Rhodes. River and Kathy had both contributed essays to an anthology I edited, A Second Blooming: Becoming the Women We Are Meant to Be. And River has also contributed an essay to another anthology I’m editing, Southern Writers on Writing (coming from University Press of Mississippi in 2018). In 2010 we traveled together to the Pulpwood Queens Girlfriend Weekend in Texas, where she was a featured author and I was her guest. I’m so excited to be returning to that amazing event this January as an author. River and I talked about my banner year of publishing three books, and a little bit about each of them. She asked about my experience working with different publishers and editors, like Joe Lee of Dogwood Press, who published CHERRY BOMB. CLICK HERE TO LISTEN to the interview—it’s about 15 minutes long.

It's so much fun being interviewed by Clearstory Radio host River Jordan!

It’s so much fun being interviewed by Clearstory Radio host River Jordan!

 

Kathy Susan4. Visiting with fellow authors from all around the South that I rarely get to see. And even to meet a couple of them in person for the first time, although we’ve been chatting on Facebook for several years! Kathy Rhodes was anchoring a tent for Middle Tennessee Authors. We’ve been friends since about 2008, and we co-directed the 2010 and 2013 Creative Nonfiction Conferences in Oxford, Mississippi (with Neil White). Kathy is a terrific author and workshop leader and friend. I especially loved her 2013 memoir Remember the Dragonflies: A Memoir of Grief and Healing.

5. The next fellow author I ran into was Brenda McClain, who was enjoying some fine tunes at the outdoor music tent when I found her Saturday morning. Her novel One Good Mama Bone was released by Story River Press, an imprint of the University of South Carolina Press founded by Pat Conroy. Brenda is a South Carolina native, and I’m looking forward to being with her again in January at (you guessed it) the Pulpwood Queens Girlfriend Weekend.

Enjoying the breeze at the outdoor music venue with South Carolina author Brenda McClain

Enjoying the breeze at the outdoor music venue with South Carolina author Brenda McClain

 

6. Later I met Georgia native and fellow author Karen Spears Zacharias. Karen and I share a publisher—Mercer University Press published her recent novel Christian Bend, and also my anthology A Second Blooming. We visited briefly between my interview and hers with River at the Clearstory Radio venue at the top of the colonnade, overlooking some of the festival tents. What a joyful spirit she has!

Karen Spears Zacharias and I share a publisher: Mercer Universitiy Press!

Karen Spears Zacharias and I share a publisher: Mercer University Press. It was windy up on those Collonade steps!

 

7. I didn’t have photo ops with everyone, but it was also great to see fellow Jackson, Mississippi native (we were in high school together in the 1960s!) Corabel Shofner at the authors’ reception. Bel was on a panel for her middle grade novel Almost Paradise. Also shared a brief hug with my friend Beth Ann Fennelly (Poet Laureate of Mississippi) who was at the festival to talk about her latest book Heating & Cooling: 52 Micro-Memoirs. Oh, and finally meeting festival director Serenity Gerbman! And a short visit in the authors’ hospitality lounge with North Carolina native Shari Smith, a fellow contributor to the anthology The Shoe Burnin’: Stories of Southern Soul (River Edge Media 2013). Shari is the creator of Trio, a traveling exhibit of art and songs inspired by books. Speaking of which….

8. “The Conroy Center Porch Talk” (a live podcast) was great fun. Moderated by Jonathan Haupt, director of the Pat Conroy Literary Center in Beaufort, South Carolina, Jonathan welcomed author Wiley Cash, talking about his recent book The Last Ballad, and singer-songwriter Radney Foster, who performed an original song he wrote about The Last Ballad for the Trio project. 

Jonathan Haupt introducing Wiley Cash

Jonathan Haupt introducing Wiley Cash

 

Singer-songwriter Radney Foster

Singer-songwriter Radney Foster

th9. Javaka Steptoe, artist and author of award-winning children’s books, gave a wonderful talk about his latest work Radiant Child, about Jean-Michel Basquiat, who  actually makes a cameo appearance in my novel CHERRY BOMB! There’s a scene where Mare, the young protagonist, is watching an MTV video of Blondie and Fab Five Freddy, and Basquiat is in the background throwing up graffiti. Steptoe was a great presenter and I love the book.

10. My “parting shot” for the Festival is a group of street dancers I enjoyed watching as I walked from my panel in the Nashville Public Library to the author signing tent, which was right next to the Parnassus book tent. (Thanks to Parnassus for selling our books!) I missed the start of their dance, so I didn’t quite get the significance of the articles of clothing strewn across the pavement, which they picked up at the end of the dance. But the music was haunting and I always enjoy dance.

That’s a wrap for the 29th Annual Southern Festival of Books. Hope to return next year for their 30th year celebration!

Southern Festival of Books: Saturday Schedule

SFB Final Update RESIZED FOR WEBThe 29th annual Southern Festival of Books kicked off in Nashville today! I’m heading over early tomorrow morning (sad to miss some great panels today, including my friend Beth Ann Fennelly talking about her new book Heating and Cooling: 52 Micro-Memoirs at 1 p.m. today) where I’ll be on a panel for my novel CHERRY BOMB, and also hope to make it to several others. It’s been five years since my first panel at the Festival, back in 2012, for Circling Faith: Southern Women on Spirituality, with Wendy Reed, Jennifer Horne, Marshall Chapman, and Rheta Grimsley Johnson. Can’t wait to get back there!

Here’s my tentative schedule for Saturday afternoon and evening: (full schedule for the festival on Saturday is HERE)

12:30 p.m. – 1:30 p.m. – “Radiant Child: The Story of Young Artist Jean-Michel Basquiat” (Basquiat is featured briefly in an MTV video I reference in my novel CHERRY BOMB, since my protag is a graffiti artist). I’d love to hear this panel and buy the book….

1:30 p.m. – Conroy Center Porch Talk – live podcast taping with Wiley Cash

3:00 p.m. – Youth in Search of Hope: Two Middle Grade Novels features my fellow highschool friend (from Jackson, Mississippi) Corabel Shofner and her book, Almost Paradise. I’m hoping to be there for the first half of the panel, before heading to my panel:

4:00 p.m. – The Path to Publishing: Tennessee Debut Novelists (Susan Cushman and  James E. Cherry) where I’ll be talking about my novel CHERRY BOMB, as well as my journey to publishing three books in one year, with three different indie publishers. We’ll be in the Special Collections Room of the Nashville Public Library.

5:00 p.m. – I’ll be signing copies of CHERRY BOMB at the signing venue.

6:30 p.m. – Authors’ reception!

8:30 p.m. – Literary Death Match (Beth Ann Fennelly is a contestant!)

Have a great weekend, everyone!

“The Address,” “10 Days in a Madhouse,” and “The Handmaid’s Tale”

9780525501527I just finished reading Fiona Davis’ wonderful new historic novel The Address. It’s about the Dakota, New York City’s most famous apartment house, built in the 1880s. Since I recently blogged about Authors’ Notes, I was interested to read Davis’ note, in which she explains that the book is “a blend of historical fact and fiction,” and then she went on to share some of the liberties she took, as I did with my Author’s Note in Cherry Bomb.

 

11212929_oriI noticed that one of the books that she used as a reference was Nellie Bly’s Ten Days in a Mad-House. Since Bly and the Blackwell’s Island Insane Asylum where she went undercover as a journalist in 1887 figured prominently in the book, I watched the movie on Amazon yesterday. Wow. Just wow, what those women endured!

 

And this might sound like I’m a glutton for punishment, but last week I binge-watched Season 1 of “The Handmaid’s Tale.” More wow. It was so dark, but I couldn’t quit watching it. I see why it won 8 Emmy awards. I haven’t read the book by Margaret Atwood, which was this summer’s most-read fiction book on Kindle, and now I’m not sure if I want to. I’m sure it’s excellent, but those images of abuse and patriarchal dominance are hard to get out of my head.

 Handmaid's Tale

So why am I reading and watching such dark stories? I’m drawn to the dark. To stories of abuse, addiction, dysfunction. And  I’ve always been attracted to historic fiction, especially when there are strong female protagonists/heroines. Of course The Handmaid’s Tale isn’t historic fiction… more like futuristic/dystopian fiction, which is scarier in many ways. My novel CHERRY BOMB has three strong female characters and several pretty strong minor characters who are also women. And the two novels I’m considering writing will continue to focus on strong women who endure suffering and either find healing or make a difference in their life and the lives of others. I hope I’m up to the task. These writers have set the bar high.

Dew on the Kudzu, Cherry Bomb on Kindle, and Southern Literary Review!

Good morning! I have several “good news” items relating to CHERRY BOMB today:

 

dew3CHERRY BOMB is spotlighted today on DEW ON THE KUDZU! The spotlight includes an excerpt—the Prologue from the novel is there.

 

Dew on the Kudzu celebrates the “southern written word” with book reviews and spotlights. Idgie calls herself a “book pusher.” I love that!

 

CB on KindleNext up: For lovers of eBooks, CHERRY BOMB is now available on Kindle! CLICK HERE to go there and buy a copy!

 

And finally, TOMORROW (Tuesday, September 26) CHERRY BOMB will be reviewed at the Southern Literary Review, “a magazine for literature of the American South.” Just CLICK HERE to read it. Many thanks to fellow Tennessee author Niles Reddick for the review!

Authors’ Notes

Exchanging first novels with Daren Wang at Burke's Books in Memphis on September 20.

Exchanging first novels with Daren Wang at Burke’s Books in Memphis on September 20.

 

Wednesday night I went to a reading at Burke’s Books here in Memphis for Daren Wang, who was reading and signing his first novel, The Hidden Light of Northern Fires. It was a joy to listen to him relate his very personal story of researching the history behind his childhood home in Town Line, New York, the only secessionist town north of the Mason-Dixon Line. Turns out his family’s house and barn were used by members of the underground railroad, so he spun a tale of an escaped slave named Joe Bell and a female abolitionist named Mary Willis. Daren didn’t explain much of this in his Prologue, and as I listened to him talk about his family’s home, I wish he had written an Author’s Note so that all of his readers would know this amazing connection.

Cage MakerI’m currently reading Nicole Seitz’s wonderful new novel The Cage-Maker, which is set in New Orleans in the late 1800s and early 1900s, and also in the twenty-first century through the eyes of a blogger. But it was her Author’s Note (at the end) that endeared me more to the book, as she explains that she was researching her own family history and wanted to know if her ancestor, Ferdinand, was involved in any of the intrigue she uncovered in her research.

Almost a year ago I did a post about the information B. A. Shapiro shared in her Author’s Note and disclaimer for her novel The Muralist. You can read that here.

Her words inspired me to write an extensive explanation in my novel.

So, in addition to a short disclaimer in the front of CHERRY BOMB, I also wrote a longer Author’s Note, to explain which parts of the book were based on real people, places, and events, and which parts were totally fiction. I’m going to share my Author’s Note here. It’s at the end of the book, but it doesn’t really contain spoilers, so whether or not you’ve read the book, you might enjoy this explanation.

Author’s Note (from CHERRY BOMB)

A work of historical fiction is sometimes described as a narrative that takes place in the past in which historical events and people are reconstructed to enhance the story. Cherry Bomb isn’t strictly a work of historical fiction, for several reasons.  For one thing, I have fictionalized the lives of several abstract expressionist artists, especially Elaine de Kooning , who plays a major role in the book. While many of the scenarios in which de Kooning appears in the book were taken from her actual life—her relationship from childhood with her eccentric mother; her early art education in New York; her marriage to Willem de Kooning; and even some of her travels—I have also fictionalized many aspects of her real life. Perhaps the greatest liberty I took was giving her a child, when in fact she never had children of her own.

            While Elaine de Kooning did paint a presidential portrait of John F. Kennedy, as I describe in the book, she was never a visiting professor at Southern College of Art and Design, although she did serve this post at the University of Georgia. She did spend a summer painting in Black Mountain North Carolina, and produced a collection of work from that experience, although in reality Willem was there with her, whereas she goes there without him in the book. These are examples of ways in which I fictionalized her life for the sake of the story line.

            The photographer Anne Louise Lieberman (“Lou”) and Margaret Adams, the newspaper reporter, are both completely fictional characters, as are the graffiti writers Mare meets in Atlanta. But the scenes in the MTV video with Blondie actually did show the work of graffiti artists Lee Quinones and Jean-Michael Basquiat, who inspire Mare to begin doing graffiti.

blondie w graffiti

           

          I set Cherry Bomb mostly in the 1980s, with flashbacks to de Kooning’s childhood in the 1930s and to the childhood of the fictional protagonist, Mary Catherine Henry (“Mare”), in the 1970s. Mare is a completely fictional character, as is Sister Susannah, an Orthodox nun and iconographer who also plays a major role in the story. Both priests—Father Joseph and Father Mark—are completely fictional, as are all the nuns and participants at the icon workshop at Saint Mary of Egypt Monastery, also a fictional place.

           

"Weeping" icon of Saint Mary of Egypt. Original icon was written by me. My daughter-in-law See Cushman used Photo Shop to add the tears, and my publisher's graphic designer added the gold frame.

“Weeping” icon of Saint Mary of Egypt. Original icon was written by me. My daughter-in-law See Cushman used Photo Shop to add the tears, and my publisher’s graphic designer added the gold frame.

Saint Mary of Egypt is an actual historical figure, and I have kept close to the facts of her life as the Orthodox priest, Father Mark, tells them in the book. The verses chanted by the nuns at the monastery are closely drawn from her life as documented by Saint Sophronius, Patriarch of Jerusalem (634-638).  It might be of interest to the reader that Sir John Tavener did write an opera about Mary of Egypt, although he wrote it in 1991, a little later than its placement in the book. The description of the opera in the book is taken from a program from one of its performances. While I haven’t seen the opera in person, I do have Tavener’s CD, Mary of Egypt, which I have listened to many times.

            Of course readers often ask whether a work of fiction is in any way autobiographical. While it is true that I share a number of life experiences with Mare—including time spent with a cult-like group, sexual abuse, and studying iconography at an Orthodox monastery—I have only allowed those experiences to inform the narrative, which is not a fictionalized memoir. I have never lived in a foster home, thrown up graffiti in public places, studied at SCAD, or met Elaine de Kooning. But I am happy for my readers to know that I am a convert to Orthodox Christianity, I have personally witnessed weeping icons, and Mary of Egypt is my patron saint. Holy Mother Mary, pray to God for us.

How (and Why) to Leave a Book Review on Goodreads and Amazon

I have published three books in 2017, and all three have been reviewed on Amazon and Goodreads, mostly with 5 STAR reviews. My novel, CHERRY BOMB, has several excellent reviews on both sites, but it needs many more to help it become a “better seller.” Several people have mentioned to me that they don’t know how to leave reviews on these sites, so I’m going to tell you how. Right here. Right now.

GOODREADS

Goodreads review button

 

Sign into Goodreads (it’s easy to join if you’re not already a member) and search for CHERRY BOMB by Susan Cushman. (There are numerous books by the same title, so you must include the author’s name.) You can CLICK here to go directly there. Once the page for CHERRY BOMB comes up, scroll down to the section that begins with “My Activity.” The fifth item in that section says “Add a review.” Click on those words. When the next screen appears, the first thing you do is click on the number of stars you want to give the book (hopefully 5!). The next line says bookshelves/tags… choose shelves… choose “read” if you have read the book. (I assume you’ve read it if you’re going to leave a review.) Then write your review in the box provided.

Goodreads review box

 

You can skip the next section (dates read) but be sure and click on SAVE at the bottom left to save your review. It might not show up right away, but it will soon. It doesn’t need to be long, just a few words about why you liked the book and how you would recommend it to other readers. That’s it!

AMAZON

Amazon review button

 

Sign into Amazon and go to the page for CHERRY BOMB by Susan Cushman. (Just CLICK HERE to get there quickly.) Scroll down to CUSTOMER REVIEWS and click on “Write a customer review.” Just like with Goodreads, click on the number of stars you want to give CHERRY BOMB (5 being the highest) and proceed to write a review. You can give the review a title if you’d like (look at other reviews for ideas) but you don’t have to.

amazonreviews

 

Both of these processes are easy and quick, but can do a lot to help an author’s books sell, so please take a few minutes to help!

Thanks soooooo much!

“VOICES OF HOME” at the Mississippi Book Festival

On August 19 I was on two panels at the 2017 Mississippi Book Festival. I moderated one panel, “Her Story,” and I was a panelist, along with fellow authors Julie Cantrell, Johnnie Bernhard, and John Floyd, for “Voices of Home,” moderated by Tracy Carr. Click on the title to watch a video of the panel, on which I talked about my novel CHERRY BOMB:

VOICES OF HOME

Voices-From-Home-panel-1024x768

 

Last night was my “Memphis launch” for CHERRY BOMB, at Burke’s Books. Lots of friends showed up to celebrate with me, and I had a great time reading excerpts and talking about this novel, which was six plus years in the making. Thanks so much to Corey and Cheryl Mesler for hosting me, and to everyone who came out to celebrate with me! Have a great weekend!

Literary Awards (Submissions)

stack_of_books

 

Now that CHERRY BOMB has been out for a few weeks, and my book tour has begun, I’ve been researching literary awards. That might sound egotistical, but if I had a literary agent or a publicist, submissions to these awards might be done for me. I look at this as marketing, not “bragging” or assuming my book could win. But it could.

The two I’ve just submitted CHERRY BOMB for are:

Willie Morris AwardThe Willie Morris Award for Southern Fiction. In the description, I read these words:

The selected book may contain violence and despair, and feature terrible events, but in the final analysis must be uplifting, and suggest hope and optimism.

CHERRY BOMB does all of that, and hopefully, does it well. I read on:

The winning book is chosen for the quality of its prose, its originality, its sense of place and period, and the authenticity and appeal of its characters.

Of course the quality of its prose will be judged against hundreds (or thousands?) of other entries, but it’s definitely original, has a strong sense of place and period, and its characters are authentic. Some of them are even real.

In 2015 Katherine Clark won for her wonderful novel THE HEADMASTER’S DARLINGS, which I loved. Katherine contributed an essay to the anthology I’m editing right now, SOUTHERN WRITERS ON WRITING (University Press of Mississippi 2018) and I’m very impressed with all of her work.

The Willie Morris Award carries a $10,000 prize—which would be wonderful of course—but I would be more excited to receive the recognition. No fee to enter, just a copy of your book, which I mailed off yesterday. May it be blessed!

PENfaulknerThe Pen/Faulkner Award for Fiction carries a $15,000 prize—again, I would be thrilled, but the award itself would be amazing. I think this one is a much longer shot, as it isn’t just for southern authors, and there was no description as to what kind of book they are interested in. When I looked at lists of past winners and those who placed, the names are big. But there’s no fee to enter, so I sent off four copies of CHERRY BOMB with a kiss and a prayer that the judges will love it!

These awards will be announced in 2018… with trips to New York City and Washington, DC involved. Again, I know these are long shots, but nothing ventured, nothing gained! Thanks, always, for reading.

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