Alabama Writers Conclave Conference

I’m off this morning to Orange Beach, Alabama, where I’m speaking at the 2018 Conference of the Alabama Writers Conclave (AWC). Check out the list of speakers here. So many good things about this event:

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I get to hang out with my Alabama writer friends Jennifer Horne and Wendy Reed again (loved being with them in Birmingham and Tuscaloosa last week) and I finally get to meet Katherine Clark in person.

My husband is joining me for a long weekend on the coast. The AWC pays travel, two nights in a hotel, and an honorarium, so it’s fun that I’m taking him as the spouse for this trip, after so many trips where he takes me as the spouse for his medical meetings. Tonight we’ll have our final “anniversary week” celebration, with dinner at Fishers at the marina at Orange Beach. And hopefully he’ll have some fun at the beach while I’m working on Saturday!

On Sunday we drive from Orange Beach over to Fairhope, where I’m joining Suzanne Hudson and Joe Formichella for a panel on Southern Writers on Writing at Page & Palette Books. I love this bookstore and this town, where I’ve been many times over the years for literary events and have made some good friends. 10 of us will be having supper at Tamara Downtown after the reading at Page & Palette Sunday afternoon.

Here’s my schedule at the AWC Conference:

Saturday, 8:30 a.m. I’m teaching a workshop: “Working With Editors Memoirs, Novels, and Anthologies.”

Sunday, 9:45 a.m. I’m on a panel with contributors Jennifer Horne, Wendy Reed, and Katherine Clark for Southern Writers on Writing. This will be my sixth event for this book, and I’m loving connecting with all the authors throughout the south on this book tour.

We’re hitting the road in about two hours, so I’d better pack! Watch Facebook for photos. Have a great weekend, everyone!

2018 Releases from SOUTHERN WRITERS ON WRITING Authors

Eight of the twenty-six authors who contributed essays (and the Foreword) to Southern Writers on Writing have new books out in 2018. I am honored to have all of these amazing writers in this collection, and I especially want to encourage my readers to check out these new releases for 2018. I love the diversity of this group of new releases, which includes two short story collections; five nonfiction books (two inspirational books, one memoir, one anthology, and one oral biography); and two novels. The authors hail from Tennessee, Mississippi, Alabama, Georgia, and South Carolina. CHECK THEM OUT:

9781101871867indexMemphis native Alan Lightman, who wrote the Foreword to Southern Writers on Writing, has 2 new books already out this year: In Praise of Wasting Time (May 2018) and Searching for Stars on an Island in May (March 2018).

 

 

 

9781611179071Katherine Clark’s oral biography, My Exaggerated Life: Pat Conroy, came out in March.

 

The BarrensProlific short story author John Floyd has another collection coming out in October: The Barrens. (He has published close to 1000 short stories!)

 

 

 

becoming-mrs-lewis-2b-web-624x943Patti Callahan Henry makes a departure from her coastal-themed novels with Becoming Mrs. Lewis, a novel about Joy Davidman, C. S. Lewis’s wife, coming in October.

 

Congratulations+who+are+you+again+pb+c

Harrison Scott Key brings us more humor with his new book, Congratulations! Who Are You Again?, coming in November.

 

Reddick coverNiles Reddick, another prolific short story author, brings us Reading the Coffee Grounds and Other Stories, which will be out in August.

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Michael Farris Smith’s novel The Fighter came out in March.

 

OurPrinceofScribes_coverNicole Seitz is editor of Our Prince of Scribes: Writers Remember Pat Conroy, coming in September.

 

So, the contemporary canon of southern literature continues! Happy reading!

My Exaggerated Life: Pat Conroy—Q & A with author Katherine Clark

myexaggeratedI just finished reading the oral biography, My Exaggerated Life: Pat Conroy, as told to Katherine Clark. I was interested in the book for two reasons:

First of all, Pat Conroy was my favorite fiction writer of all time, and The Prince of Tides is my favorite novel. I’ve read all of his books, and was fortunate to meet him back in 2010. He was larger than life, humble, gregarious, and generous. And because of the abuse he suffered throughout his childhood, and later as a cadet at The Citadel, he understood its lifelong affects, and the therapy that writing provides.

Secondly, I read Katherine Clark’s debut novel, The Headmaster’s Darlings, a couple of years ago, and was so impressed with her prose. (Read my blog post from June of 2016.) I’m honored to have her contribute an essay to the collection I edited, Southern Writers on headmastercoverWriting, coming out May 1 from University Press of Mississippi. So I knew this was a book I had to read. And it did not disappoint. Her characters jumped off the page and her prose was elegant. Here’s an interview she did about the novel with Patti Callahan Henry for Deep South Magazine, in September 2015.

I haven’t read the other novels in what is known as the Mountain Brook series, but they are on my “to read” list! Allen Mendenhall interviewed Katherine for Southern Literary Review, May 2017, for her novel The Harvard Bride, which was the third in the Mountain Brook Series.
But back to My Exaggerated Life. Much of what I loved about the book was Pat’s wonderful advice to writers. This piece really spoke to me:

The one thing you have to avoid when you’re writing is being afraid, because everybody makes you afraid. The critics will make you afraid. Your professors will make you afraid. The writers who teach you will make you afraid. Your friends will make you afraid. Your parents make you afraid. Society makes you afraid. Everybody has ways of putting you down as a writer. ‘Were you on the best-seller list? How many did you sell? Did you make lots of money?’ So everything is working against writers fully letting themselves flower unto themselves.

Like Pat, I was sexually abused as a child and young adult, so I was very interested in what he had to say about how the abuse he suffered in childhood and later as a cadet at The Citadel affected him. And how the abuse affected his writing and how writing helped him heal:

Writers like me have chosen a life of agony. Whatever it is we get out of ourselves, whatever poisons spill out of us, you’ll see the results when they’re published…. Fiction is the most agonizing because fiction is us. Nonfiction is the other. Fiction is an absolute reflection of what we have going on inside of us, or what we do not have.

Pat and Katherine

 

Let’s see what Katherine Clark has to say about this book, with a short interview. She agreed to answer three questions for me:

Susan: I understand that My Exaggerated Life is the third oral biography you published. Can you tell us a bit about the genre, and how it differs from a biography or memoir? And how did you get interested in doing oral biographies?

Katherine: Oral biography is an interesting genre because it offers a narrative that no one has actually written.  In the case of MY EXAGGERATED LIFE, Pat Conroy did not write this memoir, nor did I write his biography.  Instead, I recorded about 200 hours of conversation on the phone with him, had these recordings professionally transcribed, and then edited the transcripts into the narrative that forms the book.  So it is comprised solely of Pat’s spoken words.  It’s a great genre for capturing the genius of a true raconteur, and Pat was as great a raconteur as he was a writer.  I first learned about this genre in college, when I read a book called All God’s Dangers, by Theodore Rosengarten, who recorded an illiterate black sharecropper in Alabama whose brilliant stories illuminated a crucial chunk of Southern history.

Susan: What was the editing process like, once you had recorded so many hours of conversations with Pat? How much of what we read in the book is verbatim what Pat said and how much is edited, if that’s even possible to say?

Katherine: Editing the material Pat Conroy gave me was a privilege and a pleasure.  For one thing, it’s always a great learning opportunity to work so closely with the words of a master storyteller.  My job as an editor was to organize and structure the material into a coherent and compelling narrative, but the words are all Pat’s.  For example, the opening sentences of the book can be found in an interview I did with Pat several months after I started recording him.  The words are his, but I was the one who chose for them to become the opening lines.

Susan: I know that Pat died before he had a chance to read the final version, but you mention that his wife, Cassandra King, read it before it went to press, right? Can you tell us a bit about her reaction, which you refer to in the book? What about Bernie’s reaction (which you don’t refer to)? I met Bernie at a book signing Cassandra and I did in Beaufort last May, and I could immediately see why he and Pat were such good friends.

Katherine: Pat’s wife Cassandra did a heroic job of reading my manuscript the month after Pat died.  At the time, she told me it was painful to read, because it sounded “just like Pat,” and was a difficult reminder of her loss.  But at least this was a sign that my book had succeeded in its mission of capturing Pat’s voice.  Sandra was a tremendous help to me in revising the manuscript, because I’d counted on Pat’s help to perfect it.  She and I had ongoing discussions over many months, and during the course of these, she freely shared her opinions about which stories she was glad Pat had told me, and which ones she wished he had not.  But she always had complete respect for my prerogative as editor to make the final decisions.  I am lucky to be able to call her both colleague and friend.

I’m so grateful to Katherine for writing this incredible book, and for taking time for this short interview. This is a MUST READ for lovers of all things Pat Conroy, and just good southern literature.

If you’re looking for a great writing conference to attend this summer, Katherine will be on a panel with me at the Alabama Writer’s Conclave’s Summer Conference in Orange Beach, Alabama, June 15-17, for SOUTHERN WRITERS ON WRITING, and she will be leading a workshop titled, “The Pleasures and Perils of Editing Oral Biographies.” I’ll be there sitting on the front row, wanting to learn more!

Two Writing Conferences this Summer: I’m Leading Three Workshops and Moderating Two Panels

I’m so excited to be leading three workshops and two panels at two writer’s conferences this summer:

Alabama Writer’s Conclave, June 15-17, Orange Beach, Alabama

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This will be my first year at this wonderful writer’s conference on the beautiful Alabama Gulf Coast, and I’m thrilled to be leading a workshop and participating on a panel.

On Saturday, June 16, from 8:30 – 9:30 AM:

Session 2 (Workshop)

Susan Cushman: “Working with Editors in Memoirs, Novels, and Anthologies”

As a writer, Susan Cushman has edited two anthologies, contributed essays to four anthologies, and has published a memoir and a novel. In this workshop, she will discuss how to work with editors in all of these genres.

And on Sunday, June 17, from 9:45 – 10:45 AM:

Panel

Southern Writers on Writing: Susan Cushman, Wendy Reed, Katherine Clark, and Jennifer Horne

Thirteen authors will serve as faculty for this event, which will include sessions on poetry, humor, science and nature writing, mysteries, anthologies, getting an agent, getting published without an agent, writing query letters, editing oral biographies, and important elements in the crafts of creative nonfiction and fiction.

Register here.

 

AND IN JULY:

Mississippi Writer’s Guild Conference, July 27-28, Meridian, Mississippi. (At the MAX: Mississippi Arts & Entertainment Experience, OPENING APRIL 28!)

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I’m so excited to be returning to my mother’s hometown—where I lived briefly when I was three years old—for this, the twelfth annual conference of the Mississippi Writer’s Guild. How fitting that I attended their first conference, in August of 2007, where I met several people with whom I am still friends today, including the novelist Joshilyn Jackson (who encouraged me to start this blog), the prolific short story author John Floyd, the very creative writer and artist Keetha DePriest Mosley, the amazing storyteller and actress Rebecca Jernigan, the multi-talented writer, musician, and radio show hostess Richelle Putnam, and the author C. Hope Clark, who will be speaking again at this year’s conference.

The two workshops I will be leading at the conference are:

Using Scenes to Write Memoir (in Books and Essays)

Memoirist, essayist, novelist, and anthology editor Susan Cushman will lead students through exercises to discover the importance of using SCENES to tell their stories—or the stories of others—in both memoir and essays. Using samples from published memoirs and essays, she will show how these scenes move the narrative forward, “showing” rather than “telling” the story. Students will then do a short writing exercise using this technique.

Four Book Deals in One Year: How to Get Published Without an Agent

Novelist, memoirist, and anthology editor Susan Cushman published three books in 2017 and one in 2018. She got all four book deals in one year, without the help of a literary agent. Susan will share her experience working with an agent, and explain why she ended that partnership. Learn how to find small, independent, and university presses to publish your work, and what the experience of working with these presses and their editors is like.

I will also be moderating the Panel of Speakers. We will entertain questions about anything having to do with writing, editing, publishing, and marketing. This year’s panel of speakers and workshop leaders includes:

Sue B. Walker—poet, author, and editor

Chandler Griffin—documentary filmmaker and educator

C. Hope Clark—mystery writer and manager of Funds for Writers

Dr. Alan N. Brown—folklorist and author of over 25 books on the oral ghost narratives of the South

G. Mark LaFrancis—film-maker, film instructor, and producer

Whether you’re a published author wanting to improve your craft and learn more about the industry, or a new writer just getting started, there’s something for everyone at this year’s conference.

Register here.

Southern Writers on Writing: Sneak Previews 3

SouthernWritersOnWritingCOVERLast week I shared excerpts from essays by four of the twenty-six contributors to SOUTHERN WRITERS ON WRITING (coming from University Press of Mississippi in May): Harrison Scott Key, Cassandra King, Corey Mesler, and Patti Callahan Henry. And if you missed it, the week before I featured Neil White’s enticing blurb, excerpts from Alan Lightman’s Foreword, and essays by Jim Dees and Joe Formichella.

This week I have four more sneak previews to share. Grab some popcorn and Coke (or whatever) and enjoy:

 

Sonja LivingstonWe have to remind ourselves of our riches. Of the importance of what we have within us—all that we’ve seen and heard and stored away. We have an obligation to our words, to the people who said them, and to what we know to be real in the world. Your particular stories and the beautiful sounds that only you can make is what will save us during troubled times. When we let ourselves sing—really sing—what comes from within us belongs not just to you or me, but to all of us. This never stops amazing me. One true voice. Nothing less than stardust.—Sonja Livingston, from “Stardust: An Essay on Voice in Four Parts”

 

Sally ThomasonStories about and by southerners have shown me that good people, in spite of seemingly insurmountable problems and personal pain, spiritually, or perhaps organically, survive and grow through heart-to-heart connections—care and love for one’s family; care and love for one’s community, care and love for one’s land, care and love for one’s self, and care and love for the other, regardless of race or life station…. The more I read and deeply listened to the writings of southerners about the South, who so often express my thoughts better than I could express them myself, I realized, I am indeed a southerner—the South is where I belong.—Sally Palmer Thomason, from “How I Became a Southerner”

 

Julie CantrellMany in life say the earth is our mother. If that’s the case, then the South is the lap into which we all crawl to hear her story. It is the place where we learn a language of folklore and fairytales, happy-ever-afters and made-up myths. Here, swaddled in kudzu beneath the bower of magnolias, we nurse from the bosom of the universe’s bard. We nestle snug in her arms, sipping on fables. We cut our teeth on plotlines, believing that we are the hero of her tales. The South is nothing less than a sanctuary for story. It is the porch swing, the rocking chair, the barstool, the back pew. It is everything that made me and shaped me and saved me. As a southern writer, I aim only to invite my readers to enter this sacred space. So to all I say, Welcome, welcome home. Life is hard and your soul is weary. Come in, kick off your shoes. You are safe here. Let me tell you a story.—Julie Cantrell, from “Southern Fiction”

 

Katherine ClarkWhereas 100 years ago, writers had to learn to embrace the differences of the South, nowadays the tendency can be to positively wallow in the eccentricities and grotesqueries of the southern experience, usually of an earlier era. This is what the southern novel needs to save itself from…. This epiphany also involved an awareness that self-conscious southernism is a recipe for cliché and bad writing. I put myself on the path to writing a decent southern novel only when I stopped trying to write a “southern novel” and was simply trying to write an original novel set in the South. This is the main lesson I learned from years of struggling to be a southern writer, and the main pearl of wisdom I have for anyone engaged in the same struggle.—Katherine Clark, from “The Burden of Southern Literature”

 

Stay tuned for more previews next week. And thanks always for reading! I’ll be posting a schedule of events in a few weeks, sharing dates and places to catch groups of these amazing writers in person for readings.

Young Adult (YA) and New Adult (NA)

A Sharpie sketch I did when I was writing CHERRY BOMB.

A Sharpie sketch I did when I was writing CHERRY BOMB.

Last year when my novel CHERRY BOMB came out, one reviewer on Goodreads opened her review with these words:

This is being marketed as southern literary fiction, and it’s that, certainly. But if that’s not your genre, think of it as gritty YA and read it anyway. The young protagonist, Mare, is struggling with the effects of years of abuse, first in a religious cult, and then in a foster home. She runs away, takes to the streets, and finds the voice that her abusers had taken from her in spray paint and blank walls.

Mare closeup

 

Gritty YA. I actually queried several agents who represent Young Adult fiction a few years ago for CHERRY BOMB, but I wasn’t completely settled on that market in my mind. YA readers seem to have gotten younger than the 12-18-year-old bracket traditionally thought of as Young Adult readers. There were fairly graphic scenes of sexual abuse and strong adult themes in the book, as well as a strong emphasis on religion and art. But the run-away orphan who throws up graffiti? Definitely a YA protagonist.

 

 

This morning I read an article in the balance, “Young Adult and New Adult Book Markets,” by Valerie Peterson that was interesting. Peterson’s research shows that although these books might be aimed at a younger audience, 70% of all YA titles are read by people ages 18-64. So even if CHERRY BOMB had been marketed as YA, hopefully my target audience would still be reading it.  But it was Peterson’s take on a newer genre that caught my attention—the growing NA (New Adult) books. Here’s some of what she has to say about NA:

A relatively new genre of fiction, New Adult emerged as a term in a 2009 contest by St. Martin’s. Filling the gap between Young Adult and Adult Fiction, NA’s target readers are between the ages of 18 and the mid-20s, times when new adults are first feeling independence and finding their place in the world…. New Adult subject matter is adult in theme but geared toward readers who (like the books’ protagonists) are encountering adult situations for the first time…. Often the setting for contemporary New Adult books is a college campus. Like those who read the books, the protagonists are away from home and the strictures of parents for the first time. They are exploring, testing their values, losing and trying on boundaries and stretching to discover themselves, their limits.

"Weeping" icon of Saint Mary of Egypt, similar to the one Mare encountered at the monastery.

“Weeping” icon of Saint Mary of Egypt, similar to the one Mare encountered at the monastery.

So much of this is true of CHERRY BOMB and its protagonist, Mare. Mare is a 12-year-old runaway at the beginning of the book, a 16-year-old living on the streets and throwing up graffiti and then attending the Southern College of Art and Design in the middle of the book, and 21 in the final chapter. There are sections that are rich with spiritual imagery and religious experiences—like when Mare goes to a monastery to learn to paint icons and encounters a miraculous weeping icon—and also scenes set in the world of abstract expressionist art. Whenever I give readings at bookstores, conferences, bookclubs, and library events, I take a quick scan of the audience to determine whether I should read scenes where Mare is sexually abused, where she is throwing up graffiti, in the classroom at SCAD, or in the chapel at the monastery. If the audience is older, I tend to read the sections at the monastery. If my listeners are younger, I go for the graffiti and ab ex scenes.

I got into Mare's head a bit by throwing up a CHERRY BOMB tag while writing the novel.

I got into Mare’s head a bit by throwing up a CHERRY BOMB tag while writing the novel.

 

All of that to say that a new friend (Claire Fullerton, a Memphis native whose third book, MOURNING DOVE will be released soon) is helping me find my way through the nuances of Instagram and has encouraged me to look at CHERRY BOMB through the lens of YA readers. As soon as I tagged a recent post with #graffiti #YA #NA #YoungAdult I got a flurry of “likes” and new followers. Hopefully CHERRY BOMB will gain a bunch of new readers as a result! The people I know personally who have given it 5 STAR reviews on Amazon or Goodreads are between the ages of 36 and 83. Maybe I’ll start hearing from the younger crowd soon!

Oh, and speaking of Instagram, please drop in and follow me. I’m having fun checking out everyone’s photographs and making new friends over there, and I promise to follow you back! #writersofinstagram #authorsofinstagram #CherryBomb #graffiti #YA #NA

Book Clubs, Continued, and Working Title Reveal

Library Sign STOP ABERDEEN

Aberdeen, Mississippi

Ironincally, today I find myself visiting book clubs and even doing video chats via Skype and Face Time with clubs in other cities and states to discuss books that I have written. Most of the clubs I have spoken with are reading a lot of contemporary books, which I enjoy more than the classics. A couple of weeks ago I met with a group in my own neighborhood, here in Harbor Town on the Mississippi River in downtown Memphis. There were about eighteen women there, ranging in age from their thirties to their seventies (my guess) from all walks of life. Some were retired or stay-at-home moms. Others were still involved in busy careers at colleges and hospitals and other pursuits. They all read voraciously, and sixteen of the eighteen who were present at the meeting had read my novel Cherry Bomb. (The other two bought a copy of it from me after the meeting!) The discussion was intelligent—one woman even asked a question about a choice I made to introduce two characters by name early in the book and then never return to them later—a mistake I wish I could correct. They were enthusiastic about the book, which was rewarding for me as an author.

Friends of Library STARKVILLE

Friends of the Library, Starkville, Mississippi

 

ASB and CB w crownOf course the most exciting experience I’ve had with book clubs was speaking on two panels at the annual Pulpwood Queens Girlfriend Weekend in Nacogdoches, Texas last month. There are over 700 chapters of PQ book clubs all over the world, and their found, Kathy Murphy, reads a couple of hundred books a year to choose their monthly selections for the coming year. The anthology I edited, A Second Blooming, was chosen as their selection for February this year, and Cherry Bomb was chosen to be a “bonus book” for March. So hopefully there are lots of women reading these two books right now! I’ve already had two phone-chat meetings via Face Time with two of those book clubs (both in Texas) already, and I’ve got another one scheduled for next week with a group in Nevada! Gotta’ love technology.

At the library in Oxford, Mississippi: Ed Croom, Neil White, Gayle Henry, and Mary Ann Bowen

At the library in Oxford, Mississippi: Ed Croom, Neil White, Gayle Henry, and Mary Ann Bowen

I know I’ve blogged about my trips to the six Friends of the Library groups in small towns all over Mississippi last year (and I’ve got another one coming up on March 8 in Pontotoc and then one more on March 20 at the main library here in Memphis). They operate pretty much like most traditional book clubs, although they try to bring in speakers as often as possible, and they don’t always read the same book each month.
As much as I enjoy giving reads at bookstores and being on panels at literary festivals and conferences (and I LOVE doing both!), there’s something very intimate about being welcomed by a group of people who meet monthly to discuss books.

 

All this to say that although I haven’t been in a book club in many years, I am so thrilled to see this format for social and literary fellowship is thriving. Here’s what my schedule of meeting with book clubs in 2017 and 2018 looks like, so far. And I’m hoping to get invitations from more clubs as the year progresses! Contact me at sjcushman@gmail.com about visiting your book club in person or by Face Time!

August 29, 2017: Senatobia Library/Senatobia, MS

October 9, 2017: Friends of the Library/Eupora, MS

November 6, 1027: Women of St. John Orthodox Church/Memphis, TN

November 9, 2017: Friends of the Library/Starkville, MS

November 13, 2017: Book Club in Sugarland, TX (Face Time)

November 14, 2017: Friends of the Library/Oxford, MS

November 15, 2017: Friends of the Library/Aberdeen, MS

December 7, 2017: Friends of the Library/West Point, MS

January 4, 2018: Friends of the Library/Southaven, MS

February 6, 2018: Harbor Town Book Club/Memphis, TN

February 14, 2018: Rosemary Book Club/Ripley, TN

March 8, 2018: Friends of the Library/Pontotoc, MS

March 20, 2018: Books and Beyond, main library/Memphis, TN

October 1, 2018: Women of St. John Orthodox Church/Memphis, TN

And now for the “working title big reveal” …. My new work-in-progress is a collection of four to six (more or less) novellas or long short stories inspired by my visits to those small towns in Mississippi. Working title? FRIENDS OF THE LIBRARY! Stay tuned….

GRADLE BIRD: A Southern Gothic Jewel

J. C. and Susan at the Pulpwood Queens Girlfriend Weekend in January 2018

J. C. and Susan at the Pulpwood Queens Girlfriend Weekend in January 2018

I met J. C. Sasser at the 2018 Pulpwood Queens Girlfriend Weekend last month in Nacadoches, Texas. She was on a panel with one of my favorite authors and friend, Nicole Seitz, and a new author-friend Brenda McLain. Their work was described as “southern gothic,” a genre that J.C. said she wasn’t familiar with until her work was described using the term. She was talking about her debut novel Gradle Bird.

After I got home from the weekend I looked up “southern gothic” to learn more about this genre. Here are a couple of definitions:

The stories often focus on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters.

Benjamin Fisher’s definition of the literary Gothic as something that evokes “anxieties, fears, terrors, often in tandem with violence, brutality, rampant sexual impulses, and death,” and it becomes clear how the tradition of the Southern Gothic plays into already established ideas about the South as an “ill” region.

Gradle Bird coverWhen I was visiting with J.C. after the panel, I told her that I thought the protagonist of my novel Cherry Bomb, “Mare,” and her protagonist “Gradle” would be good friends if they knew each other. After finishing reading Gradle Bird this morning, I still believe they are kindred spirits, but they move in very different spiritual realms. Where Cherry Bomb’s pages are filled with weeping icons and art and graffiti and nuns, Gradle Bird’s are lush with ghosts and mental illness and the rural South’s unique brand of Christianity. Both books have plenty of darkness—abandonment, trauma, and what the author Anne Lamott would call “love in the intergenerational ruins.” And both have varying degrees of redemption for some of the characters.

As I read I couldn’t help but think of another author whose work captivated me a few years back—Haven Kimmel. Especially her books, Something Rising, and The Used World, and Iodine. Sasser, like Kimmel, captures southern noir with great depth and artistic skill. And of course there are obvious comparisons to be drawn to O’Connor, Lee, McCullers, and Faulkner.

Sasser worked as a dishwasher, waitress, and cook at truck stop off Georgia’s I-16 when she was twelve, so she comes by Gradle’s character and the book’s setting honestly. But I’d love to know how her amazing imagination came up with the Japanese fighting fish, the brilliant schizophrenic, and the ghost living in the attic. I won’t share more of the plot (no spoilers here) so you’ll have to read the book to experience Gradle’s wild and heart-rending adventures. It’s definitely worth the read! Congratulations, J.C., on a terrific debut novel!

End of Year Book List

With just over two weeks left in 2017, I decided to put together my “end of year book list” and share it with my readers. I also decided to try and construct a “book tree” to celebrate the season, using all the books I’ve read and published this year. I think I made the base too wide, so the tree isn’t as tall or shapely as I hoped, but after two attempts, I gave up and snapped a picture of my best effort. Now I’ve got to figure out where to put these books, since all my book shelves are full!

Book tree

 

What an amazing year it’s been! Publishing three books—Tangles and Plaques: A Mother and Daughter Face Alzheimer’s, A Second Blooming: Becoming the Women We Are Meant to Be, and Cherry Bomb—and having an essay published in another anthology (Take Care: Tales, Tips, and Love From Women Caregivers, edited by Elayne Clift) have made for an exciting year. As I mentioned in a previous post, I have driven 9,800 miles (in 8 states) for readings, signings, salons, book club meetings, library events, and literary festivals from March through December. My final two events for the year are coming up this week: Thursday night I’m reading CHERRY BOMB at Novel bookstore in Memphis, and Saturday I’m signing CHERRY BOMB at Books-A-Million in Southaven, Mississippi. I’ve got six more events scheduled for CHERRY BOMB in 2018, and then my fourth book will be released in May: Southern Writers on Writing—another anthology I edited.

As a writer, I find that reading is not only enjoyable but crucial to my growth. I read a wide variety of books, from poetry and spirituality to self-help/psychology and other nonfiction, books about art, essay anthologies, memoir, and fiction (mostly novels.) As of today, I’ve read 46 books in 2017, and hope to finish one to two more before the end of the year. I read 38 books in 2016… you can read that list here if you’re curious.

I know 18 of the authors of these books personally, and would love to meet many of the others some day, especially Anne Lamott, Joan Didion, and Ann Patchett. If I had to choose a favorite book from 2017, it would be Before We Were Yours by Lisa Wingate. It’s the book I wish I had written.

What’s up for 2018? I’m currently reading Gold Dust Woman: The Biography of Stevie Nicks by Stephen Davis. This is a real departure for me, as I rarely read biographies, but this one really captures the culture and music of much of my life, and I’m really enjoying it. And on the top of my “to read” stack are three novels:

Love and Other Consolation Prizes by Jamie Ford

Secrets of the Devil Vine by Faith Kaiser

Little Broken Things by Nicole Baart

So, here’s my list. It’s pretty much in the order in which I read the books. I’d love to know what you read this year. If you publish a year-end list, please leave me a link as a comment here or on Facebook. Happy holiday reading!!!

 

The Opposite of Everyone by Joshilyn Jackson

A Southern Girl by John Warley

Time Was Soft There by Jeremy Mercer

Garden in the East: The Spiritual Life of the Body by Angela Doll Carlson

The Statue and the Fury: A Year of Art, Race, Music, and Cocktails by Jim Dees

This Close to Happy: A Reckoning With Depression by Daphne Merkin

Heartbreak Hotel by Anne Rivers Siddons

The Girls of August by Anne Rivers Siddons

Unspeakable Things, a novel by Jackie Warren Tatum

Hallelujah Anyway by Anne Lamott

Truly Human: Recovering Your Humanity in a Broken World by Kevin Scherer

My Name is Lucy Barton by Elizabeth Strout

South and West by Joan Didion

The Nightingale by Kristin Hannah

Wolf Whistle by Lewis Nordan

Anything is Possible by Elizabeth Strout

What Alice Forgot by Liane Moriarty

Before We Were Yours by Lisa Wingate

Desperation Road by Michael Farris Smith

The Cement Garden by Ian McEwen

Belles’ Letters II edited by Jennifer Horne and Don Noble

The Pen and the Brush: How Passion for Art Shaped Nineteenth-Century French Novels by Anka Muhlstein

Camino Island by John Grisham

Sycamore Row by John Grisham

A Piece of the World by Christina Baker Kline

The Almost Sisters by Joshilyn Jackson

Perennials by Julie Cantrell

An Unforseen Life by Mary Ann Connell

My Soul Looks Back by Jessica B. Harris

That Woman From Mississippi by Norma Watkins

The Bookshop at Water’s End by Patti Callahan Henry

This Naked Mind by Annie Grace

The Last Lecture by Randy Pausch

The Cage-Maker by Nicole Seitz

The Address by Fiona Davis

Among the Mensans by Corey Mesler

Drinking: A Love Story by Carolyn Knapp (re-read)

Lit by Mary Karr (re-read)

The Patron Saint of Liars by Ann Patchett

Heating & Cooling: 52 Micro-Memoirs by Beth Ann Fennelly

The Rooster Bar by John Grisham

Far From the Tree by Robin Benway

Dancing With My Father by Leif Anderson

Goodbye, Vitamin by Rachel Khong

Cherry Bomb, St. Mary of Egypt, and Redemption (a review)

Mary of Egypt weepingI woke up this morning wondering what I was going to write about for today’s blog post. And then I read Ellen Morris Prewitt’s review of CHERRY BOMB and I knew I wanted to share it:

 

“Cherry Bomb, St. Mary of Egypt, and Redemption”

 

wowh-aGroupJourney

 

 

Ellen’s words mean so much to me, especially her praise for my depiction of Mare’s (the protagonist) days of living on the streets, where she went to escape the abuse she suffered first at the hands of her father and then from her foster father. Ellen spent seven years leading a writing group for homeless and formerly homeless people in Memphis, and then published a collection of their stories in 2014:

 

Writing Our Way Home: A Group Journey Out of Homelessness

 

Both of these books are full of hope and would make excellent Christmas gifts!

 

Happy reading!

 

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