Writing Workshop at Novel Memphis: October 27

SWW and CB coversIt’s been a minute—five years actually—since I organized a writing workshop. Here’s my history with that:

2010 – Co-director of Creative Nonfiction Conference (with Neil White and Kathy Rhodes) in Oxford, Mississippi

2011 – Director of Memphis Creative Nonfiction Workshop

2013 – Co-director of Creative Nonfiction Conference (with Neil White and Kathy Rhodes) in Oxford, Mississippi

These were all three-day affairs, with numerous faculty members leading critique sessions and giving craft talks. I’m scaling it down for a one-day workshop at Novel Memphis on October 27. Details and schedule are here, on Novel’s event page.

What’s different about this workshop is that it all happens between 9 a.m. and 5 p.m. on one day, and I’ll be giving one craft talk and one talk about publishing, and leading the critique sessions. And it’s not expensive: $75 includes a copy of either Southern Writers on Writing or Cherry Bomb. It also includes coffee and pastries in the morning, and wine and snacks for “happy hour” from 4-5 p.m. We’ll eat lunch at Libro, the wonderful restaurant inside Novel. (Not included in fee.)

If you’d like to submit a writing sample to be critiqued, send up to 15 pages, double-spaced, size 12 font, with page numbers, attached as a Word document to sjcushman@gmail.com by October 6. Fiction and nonfiction are both welcome. No poetry, please. I will chose 12 manuscripts to be discussed during the workshop, and I will return written critiques to all participants, not just the 12 that are discussed during the workshop. The workshop will be limited to 25 people.

Writing workshops have been crucial to my development as an author, and I’m looking forward to continuing to “give back” to the writing community in this way. I hope that aspiring writers will take advantage of this opportunity and join us for a fun and productive day!

Call Novel at (901) 922-5526 with any questions. Please mail your registration form and payment by October 13 to:

Novel

Attn: Workshop Registration

387 Perkins Ext.
Memphis, TN 38117

Novel Workshop Flyer Cushman

 

Writing Workshop Registration Form

REGISTER for the Mississippi Writers Guild Conference July 27-28!

Susan speakingLooking for a conference to learn more about writing, editing, and publishing? Here it is! Meridian is convenient to folks in Mississippi, Alabama, and Tennessee, but worth a longer drive if you’re not that close!

I’ll be LEADING TWO WORKSHOPS, MODERATING THE PANEL OF SPEAKERS, and DOING ONE-ON-ONE CRITIQUES. 

Here’s all the info. Click on any blue link to learn more, and I hope to see you there.

Mississippi Writer’s Guild Conference, July 27-28, Meridian, Mississippi, at the MAX: Mississippi Arts & Entertainment Experience

MAEEX_Facade-1170x716-1024x626

 

I’m so excited to be returning to my mother’s hometown—where I lived briefly when I was three years old—for this, the twelfth annual conference of the Mississippi Writer’s Guild. How fitting that I attended their first conference, in August of 2007, where I met several people with whom I am still friends today, including the novelist Joshilyn Jackson (who encouraged me to start this blog), the prolific short story author John Floyd, the very creative writer and artist Keetha DePriest Mosley, the amazing storyteller and actress Rebecca Jernigan, the multi-talented writer, musician, and radio show hostess Richelle Putnam, and the author C. Hope Clark, who will be speaking again at this year’s conference.

The two workshops I will be leading at the conference are:

Using Scenes to Write Memoir (in Books and Essays)

Memoirist, essayist, novelist, and anthology editor Susan Cushman will lead students through exercises to discover the importance of using SCENES to tell their stories—or the stories of others—in both memoir and essays. Using samples from published memoirs and essays, she will show how these scenes move the narrative forward, “showing” rather than “telling” the story. Students will then do a short writing exercise using this technique.

Four Book Deals in One Year: How to Get Published Without an Agent

Novelist, memoirist, and anthology editor Susan Cushman published three books in 2017 and one in 2018. She got all four book deals in one year, without the help of a literary agent. Susan will share her experience working with an agent, and explain why she ended that partnership. Learn how to find small, independent, and university presses to publish your work, and what the experience of working with these presses and their editors is like.

I will also be moderating the Panel of Speakers. We will entertain questions about anything having to do with writing, editing, publishing, and marketing. This year’s panel of speakers and workshop leaders includes:

Sue B. Walker—poet, author, and editor

Chandler Griffin—documentary filmmaker and educator

C. Hope Clark—mystery writer and manager of Funds for Writers

Dr. Alan N. Brown—folklorist and author of over 25 books on the oral ghost narratives of the South

G. Mark LaFrancis—film-maker, film instructor, and producer

Whether you’re a published author wanting to improve your craft and learn more about the industry, or a new writer just getting started, there’s something for everyone at this year’s conference.

Register here.

MOURNING DOVE: by Memphis Native Claire Fullerton

Mourning Dove coverMourning Dove

by Claire Fullerton

Review by Susan Cushman

How fun it was for me to read Claire Fullerton’s wonderful new novel, set in the social milieu of the Memphis Junior League, the Garden Club, the Memphis Country Club, and the city’s most elite private schools in the 1980s. I actually lived just a neighborhood away from the house where Camille (Millie) and Finley Crossan grew up, but my kids went to public schools in the late 1980s and 1990s, and we weren’t part of the upper echelon of the social fabric of Memphis. But I knew about it. And Fullerton captures it beautifully in her novel MOURNING DOVE, written through the voice of Millie, beginning in her teenage years and moving into her tumultuous time as a young bride.

But Fullerton doesn’t just capture the more polite elements of society in Memphis. She reaches into the heartbeat of the music industry, first in North Carolina, where Finley goes to make a name for himself, and later back in Memphis, as Fullerton says:

“Inside the dark clubs lay the gritty underbelly to my mother’s genteel Memphis, which Finley ferreted out in that serendipitous, inexplicable way that magically comes to boys in the process of finding their footing.”

Their mother Posey—beautifully drawn in her fashionable southern style, surrounded by antique plates, Chinese Foo dogs, and Wedgewood urns on every space of her well-appointed house—plays bridge, hosts sip-n-sees and lunches with friends at the country cub. She has left their alcoholic father for “the Colonel,” a selfish bully who never endears himself to Finley and Millie. They never stop loving their father. Fullerton describes him through Millie’s eyes:

“My father found God out of doors. He felt Him viscerally in nature, His mysteries descended upon him as intuitive inner-knowing. My father’s universe was lit up in symbols and talismans that guided him onward through the fog of life’s riddled path…. There are some men too gentle to live among wolves, and the dichotomy of who he was versus who he tried to be got him in the end.”

I loved the scenes of the teenagers dancing down at Tom Lee Park by the Mississippi River, and the music fest at Memphis University School, where the guys mingled with the girls from Hutchinson. But these happier times weren’t to last, as Finley succumbs to drugs and eventually loses himself in a self-led cult. No spoilers here, but things turn dark as the novel progresses. As his friend Luke says about him at one point:

“Intellects like Finley tend to reach for the edge. It’s like this earthly level of consciousness isn’t enough for a guy like him. He has to reach for more, know what I mean?”

Millie worships her brother. He is her talisman through life in their broken family and the changing society in which they live. Fullerton does a beautiful job of capturing Millie’s inner dialogue throughout the book:

“Finley once said the whole meaning of life is to learn how to master ambiguity. It’s life’s choices that scare me the most, those crucial crossroads that direct or redirect the course of a life. And what settles me to no end is the recognition that the choices that shape our lives are not always of our making. Sometimes we’re on the bitter end of somebody else’s.”

 

Memphis native and author of MOURNING DOVE, Claire Fullerton

Memphis native and author of MOURNING DOVE, Claire Fullerton

More than a coming-of-age story or a multi-layered family saga—and it is both of those things—MOURNING DOVE is a cautionary tale wrought with beautiful prose and gut-wrenching truthfulness. Readers will fall in love with Finley and Millie, and will root for both of them until the end. And yes, we are also sympathetic towards their mother Posey. A jewel of a novel.

Oh and here’s a bonus, the audio book is narrated by the author herself, who worked as a DJ for a rock and roll radio station when she lived in Memphis. We’ve all got a treat in store!

Miss Tennessee, Miss Mississippi, Swim Suit Competition, and Alzheimer’s

 

Kelle Barfield, owner of Lorelei Books, hosted my reading for Southern Writers on Writing on June 21

Kelle Barfield, owner of Lorelei Books, hosted my reading for Southern Writers on Writing on June 21

After my visit to Vicksburg, Mississippi last week to do a reading and signing for SOUTHERN WRITERS ON WRITING at Lorelei Books, I became more interested in what was going on behind the scenes at the Miss Mississippi Pageant. The pageant takes place in Vicksburg every June, and the preliminary competitions were held during my visit. The bookstore owner, Kelle Barfield, had just hosted an autograph party for several of the contestants earlier in the week. Sorry I missed that! I had read about the decision of the Miss America Pageant to discontinue the swimsuit portion of the pageant, and how the Miss Mississippi Pageant was still including it, so my writer’s curiosity was up. When I got home, I watched the pageant online on Saturday night.

Asya BranchI was delighted that Asya Branch won and is the new Miss Mississippi for 2018. Asya goes to school at my alma mater, Ole Miss, and her platform is to help children of incarcerated parents. Her own father has been in jail for more than half of her life. I was also interested in the fact that she won the swimsuit competition for the second time (she also won it in 2016), and her short interview question during the final part of the pageant was about her thoughts on this part of the competition being done away with. She said she had mixed feelings (I guess so, since she won it twice!) but understood that the pageant wanted to focus more on empowering women. (That’s a paraphrase… wish I had written down an exact quote.)

Christine Williamson, Miss Tennessee 2018

Christine Williamson, Miss Tennessee 2018

Meanwhile back in Tennessee, Memphis native and Ole Miss graduate, Christine Williamson was crowned Miss Tennessee Saturday night at the pageant in Jackson, Tennessee. And guess what? She was also the winner of the swimsuit competition. Her response to hearing that it was done away with for the Miss America Pageant?

It’s bittersweet. I understand we have to eliminate it to get rid of outside perceptions of women being objectified.

She added that she never felt objectified, but that she learned more about fitness and nutrition by participating. As she said in the Commercial Appeal article:

Pageants teach women the importance of physical fitness, having confidence in public speaking and showcasing their talents. In addition, it’s taught them the importance of failing graciously.

Williamson also represents the state as Tennessee’s appointed congressional advocate and serves as a national Alzheimer’s Association ambassador. Of course I love her involvement with this association, as I lost both my mother and my grandmother to this awful disease.

Speaking of which, I just discovered a wonderful web site with posts by over 150 authors who have published books about Alzheimer’s. Check out AlzAuthors.com. I will have a post up there about my memoir Tangles and Plaques: A Mother and Daughter Face Alzheimer’s in the coming months (watch for a link here when it comes out) and I’m enjoying reading through the posts and have already ordered a couple of books by AlzAuthors. I was especially thrilled to learn that one of my favorite literary fiction novelists, Lisa Wingate (author of Before We Were Yours) wrote her first novel, Tending Roses, about her grandmother’s Alzheimer’s.

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So in September I’ll be cheering for Miss Mississippi and Miss Tennessee to do well in the Miss America Pageant… even though there won’t be a swimsuit competition to give them a leg up. (pun intended) Hopefully their other attributes—like talent and platform—will get them both through to the finals, and maybe one of them will be our new Miss America.

Return to Utopia (Fairhope, Alabama)

Susan w books 2110 years ago, in 1908, 500 “free thinking people” seeking “their own special utopia” established the town of Fairhope, Alabama on a bluff overlooking the Mobile Bay. I love this part of the history of Fairhope:

Over the years artists, writers, and craftsmen have found Fairhope to be an inspiring haven for their work and have helped to make the community what it is today.

Since my first visit to Fairhope in 2007, I’ve done numerous blog posts about some of the trips I’ve made back there, usually for literary events. What an amazing town! At the end of this post, I’ve put links to some of those earlier posts, with a few comments for anyone who is interested. (All that is what writers call the “back story.”) But now I’d love to share about my 12th (or maybe 13th?) visit to Utopia, just two days ago.

It was a short drive to Fairhope from Orange Beach, Alabama, where I was speaking at the Alabama Writers Conclave Conference on Saturday and Sunday. I was joining two local authors—Joe Formichella and Suzanne Hudson—for a panel on SOUTHERN WRITERS ON WRITING at Page & Palette Books. [Side note: In 2007 when I was starting this blog, I wanted to use the name Pen & Palette, so I Googled the term, and Page & Palette came up. I visited the store for the first time that same year.] So many wonderful things about this event to share!

Katherine, Lacey, Lia and Me. I love my Orthodox sisters!

Katherine, Lacey, Lia and Me. I love my Orthodox sisters!

First of all, three of my favorite Orthodox friends showed up. Lia Roussos Douglas, known on Instagram as the “Sassy Greek Girl,” and Lacey Childress were both members at St. John Orthodox Church in Memphis years ago, and now both live in Gulf Shores, Alabama. And Katherine Thames, one of my beloved Goddaughters, came over from her home in Gulfport, Mississippi. It was a fun reunion, and I only wish it could have lasted for days. I feel a girlfriend beach trip in our future!

Susan Suzanne Joe Sonny Bobby

 

Another fun part of the event was that Sonny Brewer, Farhope author of The Poet of Tolstoy Park and other books, insisted on introducing us at the reading. He was accompanied by his dog (yes) Bobby, who will make an appearance soon in an upcoming issue of Garden and Gun Magazine. Sonny wrote a story about Bobby for the magazine. It was fun seeing Sonny again after first meeting him ten years ago, and later having him (and Joe and Suzanne) critique an early chapter of my novel CHERRY BOMB, which was finally published last year.

Tamaras dinner

 

Other Fairhope writers showed up at the reading and later at dinner right down the street at Tarmara’s Downtown. Here’s more of that “story come full circle”—P.t. Paul and Robert O’Daniel are both in a writing group with my friend Ren Hinote (who was sick and couldn’t come on Sunday) that ALSO critiqued part of CHERRY BOMB a number of years ago. So I feel that the literary magic of Fairhope dwells in my first novel and will always inspire me. There was a good crowd – I’m so thankful to all the folks who came out on Father’s Day afternoon – and we had fun talking about southern literature.

poolBill and I ended up staying at the Hampton Inn, just down the street from the bookstore and the restaurant, so we checked into the hotel on Sunday afternoon and didn’t get back in our car until we left for Memphis the next day. It was so fun to just walk down the beautiful street to our events. Also to swim in the hotel pool Sunday night and again on Monday. It reminded me of the joy of swimming in a Holiday Inn pool when I was a kid. (Also—bad review alert—the pool at the Micro-Tel Inn and Suites by Wyndam in Gulf Shores was BROKEN while we were there over the weekend. Yes. In June. So was the smoke alarm in our room. I won’t go on, but I could.)

We returned to Memphis yesterday refreshed and with wonderful memories of our weekend on the Alabama Gulf Coast. And especially our visit to Utopia.

Here’s the “back story” I mentioned at the beginning of the post.

Fairhope (2007) is about my first visit to Fairhope. I was on a personal “retreat” at Gulfshores and decided to drive over and see what all the hoopla was about. I was hooked.

The Other Side of Civility (November 2008) This post is about my second visit to Fairhope, almost ten years ago, for the last “Southern Writers Reading” event, hosted by Sonny Brewer. This was the year I met Sonny, and also Joe Formichella, Suzanne Hudson, Jennifer Horne, and Wendy Reed. Our friendships have grown over the years and we’ve swapped “editor hats”:

Jennifer and Wendy edited CIRCLING FAITH: SOUTHERN WOMEN ON SPIRITUALITY (2012), the first book I was every published in. I contributed an essay.

Joe (and unofficially Suzanne) edited the anthology THE SHOE BURNIN’: STORIES OF SOUTHERN SOUL (2015) in which I had an essay.

I edited A SECOND BLOOMING: BECOMING THE WOMEN WE ARE MEANT TO BE (2017) with essays by Jennifer and Wendy included.

And last month my anthology SOUTHERN WRITERS ON WRITING came out, with essays by Joe, Suzanne, Jennifer and Wendy.

Fairhope Writers (March 2011) in which I write about meeting with a group of writers at Ren Hinote’s home. The group included Robert O’Daniel and P.t. Paul, both of whom I have stayed in touch with and enjoyed seeing on Sunday. This group actually critiqued a chapter of my novel CHERRY BOMB, which was published in 2017.

Fairhope Writers Colony Retreat (June 2011) about the “colony” organized by Sonny Brewer, which I participated in.

A Secret Word (June 2011) talks about the writer Jennifer Paddock, who was one of the speakers at the Fairhope Writers’ Colony, in which I was a “colonist” that month.

Surviving the Arena (February 2013) has pictures and narrative about the first “Shoe Burnin’” I attended at Waterhole Branch (near Fairhope) where a group of authors and musicians gathered to tell stories and throw shoes into the bonfire.

I didn’t do a post about my visit in July of 2013, when I drove down to participate in a video to market the upcoming collection THE SHOE BURNIN’: STORIES OF SOUTHERN SOUL, at Joe and Suzanne’s home in Waterhole Branch. The reason I didn’t do a post is because I had a wreck that night and broke my neck and leg and ended up in the hospital. When I got back to Memphis, it was several weeks before I could blog again….

Penster’s Writing Group (November 2013) – another fun visit, this time as the invited speaker for the Penster’s Writing Group.

Waffle House Rules (2016) tells about the literary salon I hosted for Fairhope authors Joe Formichella and Suzanne Hudson in our home.

Book Tour Continues (2017) mentions my first reading at Page & Palette in Fairhope, for my memoir TANGLES AND PLAQUES: A MOTHER AND DAUGHTER FACE ALZHEIMER’s. I returned to P&P on November 2, 2017, for a reading and signing for my novel CHERRY BOMB, but I guess I didn’t do a blog post about that one.

I know I visited Fairhope a couple of more times with Daphne Davenport, Susan Marquez and NancyKay Wessman, for wonderful girlfriend weekends at Ren Hinote’s home, but I must not have blogged about all of those visits. Imagine that. Somehow I will just have to remember them….

2018 Releases from SOUTHERN WRITERS ON WRITING Authors

Eight of the twenty-six authors who contributed essays (and the Foreword) to Southern Writers on Writing have new books out in 2018. I am honored to have all of these amazing writers in this collection, and I especially want to encourage my readers to check out these new releases for 2018. I love the diversity of this group of new releases, which includes two short story collections; five nonfiction books (two inspirational books, one memoir, one anthology, and one oral biography); and two novels. The authors hail from Tennessee, Mississippi, Alabama, Georgia, and South Carolina. CHECK THEM OUT:

9781101871867indexMemphis native Alan Lightman, who wrote the Foreword to Southern Writers on Writing, has 2 new books already out this year: In Praise of Wasting Time (May 2018) and Searching for Stars on an Island in May (March 2018).

 

 

 

9781611179071Katherine Clark’s oral biography, My Exaggerated Life: Pat Conroy, came out in March.

 

The BarrensProlific short story author John Floyd has another collection coming out in October: The Barrens. (He has published close to 1000 short stories!)

 

 

 

becoming-mrs-lewis-2b-web-624x943Patti Callahan Henry makes a departure from her coastal-themed novels with Becoming Mrs. Lewis, a novel about Joy Davidman, C. S. Lewis’s wife, coming in October.

 

Congratulations+who+are+you+again+pb+c

Harrison Scott Key brings us more humor with his new book, Congratulations! Who Are You Again?, coming in November.

 

Reddick coverNiles Reddick, another prolific short story author, brings us Reading the Coffee Grounds and Other Stories, which will be out in August.

 smith_thefighter_hc-2

Michael Farris Smith’s novel The Fighter came out in March.

 

OurPrinceofScribes_coverNicole Seitz is editor of Our Prince of Scribes: Writers Remember Pat Conroy, coming in September.

 

So, the contemporary canon of southern literature continues! Happy reading!

Authentic Happiness

NYM_top1I just scored a 3.08 on a scale of 1 to 5 on the Authentic Happiness Inventory designed by folks at the University of Pennsylvania.  The score reflects my overall “happiness” compared with others in my age group, zip code, education level, gender, and occupation group. Although I think it’s interesting that “writer” isn’t even listed as an occupation, so I checked “artist,” the closest option to my occupation. Why did I take this inventory?

This morning, with my morning coffee, I read an article in the recent issue of New York Magazine, “The Cure for New York Face,” about Professor Laurie Santos’s new course at Yale University, PSYC 157: Psychology and the Good Life. I was struck by the statistics—especially among people who seem to have lots of “reasons” to be happy, from an exterior point of view. Of course there’s lots about two things that seem related to our “happiness”—time and money, and how we value them and spend them.

In Praise coverSome parts of the article reminded me of the wonderful little book I read recently by Alan Lightman, In Praise of Wasting Time. I bought and read this book a few weeks ago, primarily because its author wrote the Foreword to the anthology I edited that was recently published by University Press of Mississippi, Southern Writers on Writing. Alan is from Memphis, but teaches at MIT now. A physicist. And a novelist. Interesting combination, and he brings both of those gifts to bear in his book, and his TED talk.

Last fall I did a post about Gretchen Rubin’s Happiness Project, “Moments of Happiness.”

Last March I did a post reflecting on a Wall Street Journal article, “Two Types of Happiness.”

The same month I read and reviewed Daphne Merken’s book, This Close to Happy.

Five years ago I was blogging about an article in Psychology Today: “Mindfulness Does Not Lead to Happiness.”

And six years ago I wrote this one: “Permission to NOT Be Happy.”

Are you seeing a trend here? And yet, I do feel that I am “happier” now that I was six years ago. And I’m actually a bit surprised that I didn’t score higher on the Authentic Happiness Inventory. But I do tend to be quite honest and in touch with my feelings. From a spiritual point of view, I sometimes wonder how important “happiness” is, as opposed to what seem to be deeper states like “peace” and “contentment.”

thOne thing I found interesting in the New York Magazine article was the author’s comments about money and happiness. His study showed that $75,000/year seems to be the salary “scientifically proven to provide the maximum amount of well-being.” So, he noted that in one study people making $30,000 a year were asked what salary would make them truly happy. The average answer was $50,000. But people making $100,000 a year said, on average, $250,000 would make them happy. Maybe it’s the old adage that the more we have, the more we want. I’m thinking about this now, not in terms of financial success, but with my writing career. Five years ago I was working with a New York literary agent (whom I would later part ways with) on my novel, CHERY BOMB, wondering if it would ever be published. When it came out last year—with a small press in Mississippi and not with one of the “big five”—I was “happy” to be published. It was a lifelong dream finally coming true. Actually, having three books published last year was pretty amazing. And a fourth this month. So, why is it that I still want “more”? Why am I now querying literary agents again (for my linked short story collection) rather than submitting it to an academic press?

the-quest-for-authentic-happiness-460x291I put this question to a very spiritual person whom I trust, and he encouraged me that it was a normal progression in my career to desire this next step up. That I wasn’t being obsessive about “success” in an unhealthy manner.

And yet I find myself praying—yes—for more success. My novel is entered into two prestigious writing contests and I’m waiting to hear the results this summer. Would I find a greater level of “happiness” if it wins one of those awards? Or even makes a short list or becomes a finalist? Of course I believe that would make me happier, but is that a superficial goal?

Again, I’ve been struggling with this for years, as these posts show:

“I Want More” (from 2016)

“We Want More” (from 2013)

It IS interesting to read those posts now, as someone who quit drinking almost nine months ago. I still want MORE (potato chips, chocolate, and—in conflict with those cravings—a skinnier body) almost every day, but I take encouragement from the fact that I was able to tame my out-of-control desire for more vodka, and hope that eventually the strength (and God’s grace) that enabled me to do that will cross over into other areas of my life. Like food. And contentment in my career.

I’d love to hear from my readers about your take on happiness. And if any of you take the Authentic Happiness Inventory, please let me know what you thought about it. Meanwhile, have a great weekend!

The Mutual UFO Network—Short Stories (and advice) from Lee Martin

Mutural UFO CoverPulitzer Prize finalist Lee Martin has a new short story collection coming out on June 12—The Mutual UFO Network. I’ve been a fan of Lee’s work since I first met him, five years ago when he was on the faculty for the 2013 Creative Nonfiction Conference, which I helped Neil White organize in Oxford, Mississippi. We invited Lee because of his three memoirs (it was a CNF conference, after all) but it was his fiction that got him to the finals for the Pulitzer. And it’s his short stories that are capturing my attention now, especially since I’m in the process of revising my first collection of shorts, Friends of the Library.

As I was finishing reading my advance readers copy of The Mutual UFO Network this morning, I read Lee’s blog post, “Three Principles for Short Story Writers.” Lots of wisdom in this short piece, like these words:

… a short story writer has to understand that there’s always a second story going on beneath the narrative arc of the surface story. That submerged story, located more within character relationships, is always working its way to the top through the pressures applied to it by the narrative events. To access that submerged story, a writer has to be a careful observer of people.

I’m going to go back and be sure each of my stories has this kind of depth. And I know I’m just learning to be a careful observer of people—like the people I met at those eight libraries in small towns in Mississippi last year.  So, here are Lee’s three principles for short story authors:

  1.  Start with the habitual and let a moment outside the ordinary be the inciting episode for the narrative to follow.

  2.  Create a causal chain of events that connect to the inciting episode and allows for its further exploration.

  3.  Let the pressure of that causal chain lead to a telling moment, when characters reveal something about themselves not ordinarily on display.

LeeMartinBioPage-167x250Lee certainly practices what he preaches, as evidenced by the depth of the characters and the scope of the narrative arcs in his stories in The Mutual UFO Network. Stories like “Across the Street,” and “Love Field,” which feature interactions among neighbors and involve human drama fueled by schizophrenia, a lonely old woman, and a baby’s drowning. When the mother of a son with schizophrenia asks her mentally unstable husband why he taped paper over the bottom half of their upstairs windows, here’s how their conversation went:

 

 

“I don’t want anyone looking in.”

“What are you afraid they’ll see?”

“My heart. The inside of my head. My soul. They can’t have that, Mother. I won’t let them.”

Most of the characters that people these stories are wounded and trying to find their way through what one of them—Benny, a sober drunk who at one time rigged a bar stool to a frame and a lawn mower engine and wrecked it—wished he had said to his one-eyed friend Wink:

I know the extremes we’ll go to so we don’t have to face the truth, particularly when the truth is the ugliness of our own living.

In “The Last Civilized House,” a story of “love in ruins,” Ancil and his wife Lucy live with regret and anger fueled by a decades old affair and an abortion.  Other stories feature a crippled ventriloquist who offers compassion to an abused bully, a Chinese woman whose memories are haunted by what Mao did to her parents and brings that pain into her relationship with her black neighbors (Miss Shabazz Shabazz and her mixed-race daughter) and her ex-husband and his new wife.

9781496202024-Perfect.inddLee’s embrace of the bizarre reminds me of Flannery O’Connor’s stories. And his prose is just as vibrant and seamless. One forgets that he’s from Illinois and sets his stories in the Midwest. He can hold his own with a host of southern writers with whom I spend most of my reading hours. The Mutual UFO Network is a must-read for lovers of good literature of any genre. Watch for its release on June 12! (Buy it from your local indie booksellers or pre-order NOW from Amazon!)

And for more wisdom on writing, get Lee’s book Telling Stories: The Craft of Stories and the Writing Life (just released in October 2017).

I’m off on a European riverboat cruise up (down?) the Rhine River tomorrow, so watch for pictures on Instagram and Facebook. Not sure if I’ll be blogging or not, as this is a real vacation for both of us. (My husband isn’t speaking at any medical meetings while we’re there!) Haven’t decided what book(s) to take for the voyage, but maybe they’ll end up in a review here eventually. Bon voyage!

FIRST REVIEWS are in for SOUTHERN WRITERS ON WRITING!

SouthernWritersOnWritingCOVERI am beyond thrilled with the first two reviews for SOUTHERN WRITERS ON WRITING!

Ed Tarkington’s review at Chapter 16, “Against Professional Southerners” also appeared in the Memphis Commercial Appeal on Sunday, April 29. Opening with quotes by Walker Percy and Flannery O’Connor, and later with nods to other legends like Faulkner and Welty, Tarkington praises various authors who contributed to the collection for their contemporary take on the age old question, “Why has the South produced so many good writers.” Tarkington also praises the anthology for its’ “accounting of the legacy of slavery and Jim Crow in shaping the Southern canon and deferring the dreams of African-American writers….” Four of those African-American writers have essays in the collection. And of course he acknowledges the importance of humor and front-porch storytelling to southern literature, and there’s plenty of that in the collection.

Also out Sunday, in the Jackson, Mississippi Clarion Ledger, is Jim Ewing’s review, “Southern writers share their secrets in ‘Writing’.” There’s no online link to the article, but Jim gave me permission to reprint it in its entirety, so here it is. Thanks so much, Jim!

 

 

A REVIEW OF

Southern Writers on Writing

Susan Cushman, editor

University Press of Mississippi

194 pages

 

Southern writers share their secrets in ‘Writing’

By Jim Ewing

Special to the Mississippi Clarion Ledger

USA TODAY NETWORK

 

What makes a writer a writer? Or a Southern writer, especially?

Is it that one writes and, hence, is a writer? Or lives in the South or writes about the South?

In “Southern Writers on Writing,” edited by Susan Cushman, the answers to these questions might not be as easy as they seem.

Thirteen women and thirteen men struggle to answer the question of their calling, and their responses show a nuanced look at why, and how, these authors came to be called Southern writers.

They include such well-known authors as Michael Ferris Smith, Jim Dees, W. Ralph Eubanks, Harrison Scott Key, Cassandra King, and Julie Cantrell. They quote as mentors such luminaries as Rick Bragg, Willie Morris, Barry Hannah, Shelby Foote, Ellen Douglas, and Walker Percy.

But, still, the answers prove elusive. Dees says it requires “insane courage” to “take the plunge” and commit one’s innermost thoughts to an uncaring, or uncertain, universe.

Joe Formichella says: “The truth is that you write because you can’t not write.”

Patti Callahan Henry, among other reasons, says: “I write because the stories inside have to go somewhere, so why not on paper?”

Some of these writers are from the South, others just came to be here. Like Sonja Livingston, who found Southern writers “crept up” on her, seeming familiar, drawing her to the region and lifestyle. Most of all, the way Southern writers write is alluring, unleashing inner secrets, she explains, “set out like colorful laundry flapping on a line, (that) I’d learned to keep folded and tucked away.”

Cantrell, who hails from Louisiana, confides that Southern writing taps all the senses. “When we set a story here, we not only deliver a cast of colorful characters, we share their sinful secrets while serving a mouth-watering meal…. The South offers a fantasy, a place where time slows and anxieties melt away like the ice in a glass of sugar cane rum.”

“The South is nothing less than a sanctuary for a story,” she adds. “It is the porch swing, the rocking chair, the barstool, the back pew.”

Being a Southern writer, writes Katherine Clark, is an opportunity and a burden, especially when you consider that you’re entering literary territory with nationally and internationally known explorers, such as William Faulkner, Flannery O’Conner, Eudora Welty, Tennessee Williams, James Agee, Harper Lee, and so many others.

But, as John M. Floyd points out, “Within several miles of my hometown lived men and women who were known only as Jabbo, Biddie, Pep, WeeWee, Buster, Puddin’, Doo-spat, Ham, Big ’un, Nannie, Bobo, Snooky, and Button. How could folks with those kind of names be anything but interesting?”

“Writing” is fascinating reading, and, of course, enthrallingly written as can be expected by writers writing about writing. But it’s also an encouragement for those who have thought about writing, but haven’t done it, thinking there’s some kind of secret to it.

If there is an “inside secret” to Southerners wanting to write, maybe that’s plain, as well.

The South, writes Jennifer Horne, writes itself every day, offering up “a hunter’s stew of history and hope and horror.”

It’s all around us.

As Floyd points out: “In my travels I’ve been inside bookstores all across the nation, and I have yet to see a section labeled ‘Northern Fiction.’ Maybe that, in itself, is revealing.”

* * *

Jim Ewing, a former writer and editor at the Clarion Ledger, is the author of seven books including his latest, Redefining Manhood: A Guide for Men and Those Who Love Them.

 

I’ll close with a link to my interview in the May/June issue of Oxford Magazine, which just hit the shelves in and around Oxford, Mississippi. Thanks so much to Alec Harvey for the interview.

And I’m off and running for “launch week,” as Southern Writers on Writers releases on Tuesday, May 1. I’m so honored to have events in (1) my university town, (2) my home town, and (3) my second home town (since 1988):

May 1 – 5 p.m. – Square Books/Oxford, MS – with Jim Dees, Michael Farris Smith, and Ralph Eubanks

May 2 – 5 p.m. – Lemuria/Jackson, MS – with John Floyd and Jim Dees

May 5 – 1 p.m. – Novel books/Memphis, TN – with Corey Mesler, Niles Reddick, Sally Palmer Thomason, and Claude Wilkinson

Check out my EVENTS PAGE for more events in coming months! Thanks for reading, y’all!

Media Blitz and 4 events Coming SOON!

Bookstock_posterIt’s almost May. But before we say goodbye to April, I have one final event at which I’ will be promoting CHERRY BOMB, A SECOND BLOOMING, and TANGLES AND PLAQUES:
This coming Saturday, April 28, I’ll be one of a number of local authors participating in the Memphis Public Library’s annual BOOKSTOCK. From 11 a.m. – 3 p.m. I’ll be at a table in the lobby talking to visitors about literature, reading, writing, literacy, really anything having to do with books. And I’ll have copies of my first three books for sale. The last time I did this was back in 2013, when I had two essays published in anthologies, so it’s exciting to be participating as author of several books this year.

Next week I’ll be celebrating the release of my fourth book—SOUTHERN WRITERS ON WRITING—which launches May 1 from University Press of Mississippi. Here’s the schedule of events:

May 1 (5 p.m.)—Square Books in Oxford, Mississippi. I’ll be joined by contributors Jim Dees, Michael Farris Smith, and Ralph Eubanks.

May 2 (5 p.m.)—Lemuria in Jackson, Mississippi, with John Floyd and Jim Dees.

May 5 (1 p.m.)—Novel Books in Memphis, where the panel will include Corey Mesler, Sally Palmer Thomason, Claude Wilkinson, and Niles Reddick.

BookREviewsAnd now for the upcoming media blitz! Please watch for reviews and articles in these four publications:

Chapter 16 and the Memphis Commercial Appeal will have a review, possibly this coming Sunday, April 29!

Oxford Magazine (Oxford, Mississippi) will have an interview with me in the May issue.

The Clarion Ledger (Jackson, Mississippi) will have a review this Sunday, April 29.

Southern Writers Magazine will feature my article, “Southern Writers on Writing: Editing an Anthology” in their May issue.

Fliers for all three events next week are below. Hope to see you at one of them!

Square Books flier

Lemuria flier

Novel flier

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