>Tuesday I watched Barbara Walters on Oprah, talking about her new book/memoir, Audition. Barbara says the title of the book comes from her sense that her entire life has been an audition. “As a child, I felt that I didn’t belong—I was auditioning. I kept going to different schools—I was auditioning. Most of my professional life, I’ve been auditioning,” she says. “I think for a lot of us, life is an audition.”
I remember telling someone, quite a few months ago, when they asked me if I felt that I had something to prove by my writing/publishing, that yes, I do feel that way. It was both sad and heartening to hear someone of Barbara Walters’ reputation say that she felt that she was always auditioning in her life… for acceptance. Her book is now on my “to buy” list.
With the plethora of memoirs on the market, a writer like me, with a memoir-in-progress, can either get discouraged and think, like the writer of the book of Ecclesiastes, “There’s nothing new under the sun,” or choose to take encouragement from the popularity of the genre. One of the literary agents that I’ve queried recently replied to my email today, requesting to see the full book proposal, so here’s hoping he finds something original, something new, in what I have to say.
One of my Goddaughters, Katherine, gave me a Gillian Welch CD as a Pascha gift. I’m loving it. It’s called “Soul Journey.” My favorite song is called, “One Little Song.” You can listen to it here, or watch the video here.
The lyrics are yummy:
There’s gotta’ be a song let to sing
Two of my recent favorites are:
The Mistress’ Daughter by A.M. Homes and The Liar’s Club by Mary Karr. You can read a great interview with Karr here. I’ve just finished this first volume and am about to begin her sequel, Cherry. Great stuff.
The Mistress’ Daughter is about an adopted woman’s journey to her past, and her efforts to heal her brokenness by embracing both her birth family and adopted family. The Liar’s Club is about Karr’s childhood in southern Texas… an often rough and tumble ride through lots of craziness, but also tenderness.
As I continue with first drafts of the next chapters of my book, it’s so enlightening to see the courage and the craft of these talented women. With Gillian Welch’s earthy tones playing in the background…. reminding me to find that “one little word that ain’t been abused a thousand times.”