Girlfriend Weekend Take-Aways (New Friends, Original Art, Inspiration, and Books!)

Authors at Girlfriend Weekend.

Authors at Girlfriend Weekend.

 

Dressed as Joan Didion (those are some of her books in my necklace) for the final party, with River Jordan in her Bohemian chic outfit

Dressed as Joan Didion (those are some of her books in my necklace) for the final party, with River Jordan in her Bohemian chic outfit

If you’re on Facebook, you’ve already seen how I photo-bombed the place all weekend with pictures from the 2018 Pulpwood Queens Girlfriend Weekend in Nacodoches, Texas. And here’s a fun blog from River Jordan about the event: “Leaving Nacodoches.” It was a treat to have River spend the night with us in Memphis last night on her way home to Nashville, so we could rehash the weekend a bit. By the way, Nacodoches is the oldest town in Texas, and a lovely, quaint, artsy, little town. Wish I had had more time to explore while I was there. Maybe next time!

There’s so much I could say about the weekend… a wonderful time to get to know other authors and to visit with the ones I know and rarely get to see. Also great to meet so many enthusiastic book club members and readers, all lovers of good books. The theme was “Bohemian Rhapsody” so there were lots of costumes, as we dressed as hippies, gypsies, anything Bohemian, and favorite authors.

I was blessed to be on two panels during the weekend:

Thursday night: As editor for A SECOND BLOOMING: BECOMING THE WOMEN WE ARE MEANT TO BE (with contributors River Jordan, Julie Cantrell, Susan Marquez, and NancyKay Wessman.)

Panel for A SECOND BLOOMING: Susan Marquez, River Jordan, Julie Cantrell, me, and NancyKay Wessman

Panel for A SECOND BLOOMING: Susan Marquez, River Jordan, Julie Cantrell, me, and NancyKay Wessman

Saturday afternoon: For my novel CHERRY BOMB, I shared a panel with three other authors whom I had never met: Deborah Rodriguez, Patricia V. Davis, and Stephanie Chance. Pulpwood Queens Founder Kathy Murphy moderated the panel.

Kathy Murphy moderated the panel I was on for CHERRY BOMB, with authors Stephanie Chance, Patricia V. Davis, and Deborah Rodriquez.

Kathy Murphy moderated the panel I was on for CHERRY BOMB, with authors Stephanie Chance, Patricia V. Davis, and Deborah Rodriquez.

With author Shellie Tomlinson Rushing at the dinner where the authors served the book club members.

With author Shellie Rushing Tomlinson at the dinner where the authors served the book club members.

After each panel, the authors went to the signing tables, where readers brought books they purchased from Murder By the Book, who were the book vendors for the weekend. All of this was pretty typical of a book festival. What wasn’t typical was the amount of time the authors and readers had to really hang out together and get to know one another. On Friday night the authors served the tables at the barbeque dinner for the readers. And all during the weekend there were opportunities to eat together or just visit over car or a drink at the bar. It’s a pretty magical event.

Something I loved was the silent auction. Authors brought items—often related to their books—for sale to benefit the Pat Conroy Literary Center. I was happy to sell a canvas print of the “weeping” icon of Saint Mary of Egypt that I painted, which is featured in my novel CHERRY BOMB. And I made two purchases (of course): a set of Mexican pottery from Deborah Rodriguez, and a painting by Nicole Seitz called “Setting Free,” which has layers of meaning for me.

With Nicole Seitz and her original painting which I bought at the silent auction.

With Nicole Seitz and her original painting which I bought at the silent auction.

Thanks to Tiajuana Anderson Neel who bought the "weeping" icon of Saint Mary of Egypt that I contributed.

Thanks to Tiajuana Anderson Neel who bought the “weeping” icon of Saint Mary of Egypt that I contributed.

I’ve shared a few photos (lots more are on Facebook, as I mentioned) but I’d also like to share something about the 6 books I purchased from authors I met this weekend. I’m sure some of these will show up as book reviews here on my blog in the future. Although there were several New York Times best-selling authors at the event, some of the books that caught my attention were by lesser-known writers, and I can’t wait to read them:

books from PQ Wknd

 

GRADLE BIRD is J. C. Sasser’s first novel. I’m intrigued by the protagonist, sixteen-year-old Gradle Bird, who lives with her grandpa in a seedy motel and truck stop in Georgia. I think that she and Mare—the protagonist in my novel CHERRY BOMB (a sixteen-year-old runaway orphan who becomes a graffiti artist)—would be best friends! At one point during the panel that J.C. shared with Nicole Seitz and Bren McClain, J.C. mentioned that Gradle Bird and the other nobels on the panel were considered “Southern Gothic.” As she described the term, I wondered if CHERRY BOMB might also fit into that genre…. although I marketed it as Southern literary fiction. Anyway, GRADLE BIRD is on top of my “to read” stack from the weekend!

THE VELVETEEN DAUGHTER is Laurel Davis Huber’s first novel. I enjoyed getting to know Laurel during the weekend, and learning that we are the same age and on a similar trajectory in our writing careers. We also learned that we both love art and it plays a major role in both of our debut novels. Can’t wait to read THE VELVETEEN DAUGHTER, which is about Margery Williams Biano, the author of The Velveteen Rabbit, and her daughter Pamela, a world-renowned child prodigy artist

TO THE STARS THROUGH DIFFICULTIES by Romalyn Tilghman caught my interest because it features women who are descendants of the women who built fifty-nine Carnegie libraries in Kansas a century earlier. It’s about the importance of art and literature, and especially libraries, in our lives. Having visited six Friends of the Library groups in small towns all over Mississippi to talk about my novel CHERRY BOMB this past fall and winter, my interest in libraries has grown, and I can’t wait to read this book. And… a conversation I had with Romalyn this weekend sparked an idea for my next novel. Stay tuned!

WALKING ON BROKEN GLASS isn’t Christa Allan’s latest book, but it’s the one I bought after visiting with Christa this weekend. The subtitle for the books is FACING SOBRIETY WITH SOUTHERN CHARM. It’s about a southern socialist who goes to rehab. As Publisher Weekly says: “This nonformulaic look at the spiritual redemption of a life is a bright start; debut novelist Allan is one to watch.” Christa’s recent novel, which she spoke about on her panel Saturday afternoon, is BECAUSE YOU LOVED ME.

THE MARRIAGE OF OPPOSITES also isn’t the novel that Alice Hoffman came to talk about this weekend. Hoffman is the author of Practical Magic, which was made into a movie. And about 30 other books! As a New York Times best-selling author, she was a keynote speaker on Saturday morning. She talked about how “writing is the most interactive of all the arts,” and “why reading is better than sex.” And she talked about “inside and outside stories in a novel—inside being what’s happening emotionally.” Lots of inspiration for authors and readers alike. But I was drawn to THE MARRIAGE OF OPPOSITES because it’s about a famous artist and takes place in France… a favorite topic and location for me!

STEP OUT STEP UP: LESSONS FROM LIFETIME OF TRANSITIONS AND MILITARY SERVICE by Mark E. Green, Lt. Col., U.S. Army Retired (co-written with Echo Montgomery Garrett) is a book I bought for my oldest son Jonathan, who is a retired Army helicopter pilot. I enjoyed visiting with Mark and Echo, especially learning about Mark’s experiences with the 82nd Airborne and his service in Afghanistan. In his retirement Mark helps those in military service, veterans, and their families with resiliency and transition. I look forward to hearing what our son thinks of the book.

That’s all for now. Stay tuned as I move forward with a new novel and get busy with pre-marketing for SOUTHERN WRITERS ON WRITING.

Prayer Beads and Weeping Icons

ASB CoverI’m off to Nacogdoches, Texas, on Thursday for the 2018 Pulpwood Queens Girlfriend Weekend, where as many as several hundred members of Pulpwood Queens book clubs from all over the country gather every year, along with several dozen authors. I’m on two panels:

Thursday, 7 p.m. A SECOND BLOOMING: BECOMING THE WOMEN WE ARE MEANT TO BE. This is the anthology I edited, published last March, and it has been chosen as the book club selection for February by the Pulpwood Queens. Several contributors will be joining me on the panel: Julie Cantrell, River Jordan, NancyKay Wessman, and Susan Marquez. Memphis author Suzanne Henley won’t be there, but she will be there in spirit. Suzanne’s essay, “Beyond This Point There Be Dragons,” is included in the collection. And she has a book coming out this March: BEAD BY BEAD: THE ANCIENT WAY OF PRAYING MADE NEW. It’s part memoir, part spiritual journal, part “how to pray with Protestant prayer beads.”

Bead by Bead FULLCover_need Spine

 

Prayer BeadsThere’s an auction during the weekend to raise money for the Pat Conroy Literary Center in Beaufort, South Carolina. Suzanne has contributed a hand-made set of her prayer beads, which I’ll be taking with me to the auction on Thursday. The beads she uses are from all over the world, some as ancient as 200 B.C. She includes a beautifully written description and inspirational note to go with each set. She has dedicated this set to author Julie Cantrell, who has inspired Suzanne, and who also wrote a wonderful blurb for BEAD BY BEAD. Julie is also on a panel for her novel PERENNIALS during the weekend.

Prayer Beads notes

On Saturday afternoon at 2:12 I’ll be on a panel for my novel CHERRY BOMB, which is one of the Pulpwood Queens book club selections for March. And I’m contributing an item for the auction, as well. It’s an 8 X 8 inch canvas print of the “weeping” icon of Saint Mary of Egypt that I painted… the one that appears on the back cover of the book. CB cover FINALIn CHERRY BOMB, the icon is weeping for women who have been abused (including the three main characters in the book). The icon I painted isn’t actually weeping, but my daughter-in-law See Cushman added the “tears” using Photoshop. I hope that it will be a blessing to whoever buys it during the auction.

 

Mary of Egypt weeping

 

 

I can’t wait to spend the weekend with these amazing women, sharing our love for books! The theme this year is “Bohemian Rhapsody,” so watch for some pictures on Facebook with lots of fun costumes!

The Big Reveal (for 2018)

After such a banner year (publishing 3 books in 2017) I’m excited to say that my fourth book will be out in May of 2018:

Southern Writers on Writing, an anthology I edited, coming from University Press of Mississippi.

With a foreword by Alan Lightman (a Memphis native known mostly for his brilliant science writing) and essays by twenty-six southern authors (13 women and 13 men), this is a collection the literary world has been waiting for. Last week I read this wonderful guest post on Jane Friedman’s blog, “How and Why to Edit an Anthology,” by Margot Kahn, which was encouraging, as I’ve had such a positive experience putting together this collection.

Just got the official COVER to share! Thanks to Oxford (Mississippi) photographer Ed Croom for this wonderful image. Ed read the essays in the collection first, and drew inspiration from them for his photo shoot at Rowan Oak, the historic home of William Faulkner. You can read more about the photograph in my Author’s Note when the book comes out!

SouthernWritersOnWritingCOVER

Skyping, Book Clubs, Libraries, and Galleys

We’ve been home from our 9-day road trip/book tour since Friday night, but I’m just now catching my breath…. After unpacking, doing laundry, grocery shopping, and opening a week’s worth of mail, I finally got back to “work.”

book-club-book

Last night was my first time to be guest author at a book club. The members are all part of my church—St. John Orthodox—here in Memphis. This meeting was for my first book Tangles and Plaques: A Mother and Daughter Face Alzheimer’s. Three of the women in the group have already lost their mother’s—one to Alzheimer’s—and everyone had read the book, so we had a heart-felt discussion about our relationships with our mothers and our own outlook on aging. The group has invited me back in 2018 to meet with them when they read my novel Cherry Bomb. The atmosphere is different from a reading at a bookstore or library… a bit more intimate and interactive. I really enjoyed it.

"Skyping" with a Texas book club?

“Skyping” with a Texas book club?

Next Monday night I’ll have another “first”… I’m Skyping with a book club in Sugar Land, Texas! My high school classmate Stephanie Aucoin Davidson read Cherry Bomb and recommended it to her book club, then they invited me for a “virtual meeting” with them next week. I’ve downloaded the Skype app and practiced using it, so I hope it works out! I’m slowly joining the twenty-first century when it comes to technology. Here’s a funny (but true) story that my kids will laugh at. My 80-something neighbor called me yesterday morning and asked if I could come over and help him figure out some things on his iPhone. I walked across the street and sat down with him in his kitchen, and fortunately, I was able to answer his questions and teach him a few tricks—thanks to help I’ve received in the past from my kids! (A new take on paying it forward!)

I’m already scheduled for three book club meetings in 2018 to discuss Cherry Bomb, so it looks like I’ll have many opportunities for these up-close-and-personal discussions. What a joy!

Meanwhile, my other “project” this week was to finish proof-reading the galleys for the anthology I’m editing, Southern Writers on Writing (University Press of Mississippi 2018), which I finished today. I couldn’t figure out how to use the “sticky notes” on the PDF file, but the press was okay with my low-tech way of sending them corrections. I just wrote down the page numbers, paragraphs, etc., and what the correction was in a Word document and sent it to them. Fortunately there were only 4 corrections in the entire manuscript, which consists of twenty-six essays, a foreword and introduction—kudos to the press for great editing! So I sent off the edits, and the index, which I finished a couple of weeks ago, today.  Ahh.

friends-logoThis gives me a day to relax (tomorrow) before heading down to Starkville, Mississippi, on Thursday to meet with the Friends of the Library Group there. The good people from The Book Mart will be handling sales of Cherry Bomb, so I’ll be able to focus on some (hopefully) lively conversations about the book. Next week I’ll drive down to Oxford and Aberdeen (both also in Mississippi), for events for Cherry Bomb at both of their local libraries. Although I’m a native of Jackson, I rarely—if ever—visited these small towns in my home state, so I’m thankful for the opportunity this book tour gives me for getting to know more of “my people” and the places they call home.

The Index

My fourth book—Southern Writers on Writingwill be released by University Press of Mississippi next May. I’m editing this one, and also contributed an essay to the anthology. Last week I received the page proofs, which is always exciting. But I also received instructions on how to create an index, which I’ve never done. All books published by UPM (University Press of Mississippi) have indexes.

IMG_0210

 

ScanSo, I studied up on how to create one, following the Chicago Manual of Style (16th Edition). First I went through every page of the book and made an alphabetical list of all terms I felt were significant enough to be included in the index. This is a fairly subjective process, and it was actually kind of fun. But then the labor-intensive part started.

Going through the PDF of the manuscript, I did a search for each term, and wrote down all the page numbers on which the term appears in the book. This took a few hours (I broke it up over several days to take breaks from the computer) and it was interesting to see which terms appeared most often in a collection of essays by 26 southern authors. The most popular terms are:

Alabama

art

character

class

essay

Faulkner, William

God

lyrical

Memphis

Mississippi

music

New York

novel

O’Connor, Flannery

place

poet

poetry

soul

South

southern

voice

writer

 

Finally I typed the page numbers beside each term in the final draft of the index. Done.

I started proofing the galleys yesterday. I’m so excited about this book!

Ten Favorite Things about the Southern Festival of Books

Thanks to Parnassus Books of Nashville for selling our books at the festival!

Thanks to Parnassus Books of Nashville for selling our books at the festival!

This past weekend I traveled to Nashville, Tennessee, for the 29th Annual Southern Festival of Books. The only other time I had been was in 2012, when I was on a panel with Jennifer Horne, Wendy Reed, Marshall Chapman, and Rheta Grimsley Johnson for the anthology, Circling Faith: Southern Women on Spirituality. It was great to return as an author for my novel Cherry Bomb.

Nashville is a great city, and I always enjoy my visits. This time I wasn’t able to take in any of the sites and sounds (I love country music!) other than those happening at the Festival itself. Back in 2012 one of my favorite things was an evening “in the round” (literary readings and music) at the Blue Bird Café. Didn’t make it to the Blue Bird this trip, so I’ll share my “10 favorite things” about the Festival itself.

panel with Jamie Logan James Cherry Jordan Evans

Jamie Logan (moderator), authors Susan Cushman and James Cherry, and moderator Jordan Renee Evans

 

1. Being on a panel for CHERRY BOMB, with fellow Tennessee author James E. Cherry (funny that his name is Cherry, right?) Our panel was titled “The Path to Publishing: Tennessee Debut Novelists,” although James’s novel EDGE OF THE WIND is actually his second. He and I both have published in other genres, including poetry and short stories (for James) and memoir and anthologies (for me). We also have both been published in a variety of independent presses, so we were asked to talk about our journeys to publishing, which was lots of fun. There were quite a few writers in the audience, who were seeking information about how to get their work published, so it was a very interactive session. Our moderators are both graduate students in the MFA Creative Writing program at the University of Memphis—Jamie Logan and Jordan Renee Evans—and they did a terrific job.

with Karissa Sorrell2. Signing copies of CHERRY BOMB for readers who purchased them. And getting to know them, if only briefly, and why they are interested in my book. It is so humbling and gratifying after working for years on the book, to finally see others appreciate it! It was great to see my old high school classmate (from Jackson, Mississippi) Cecil Ross. Some of those readers are friends I’ve known in Nashville for a few years, and it was great to see them again, like the talented poet and author Karissa Knox Sorrell, whom I actually met in person at the 2012 festival. Karissa, as well as others who came to my panel, like Bertie Hamilton DeWane and Marianne Robbins, are Orthodox Christians like me, so they have a special interest in some of the spiritual themes in the book, including the weeping icon of Saint Mary of Egypt.

River gives good hugs!

River gives good hugs!

3. My live interview with author and radio host River Jordan on Clearstory Radio. Jordan and I have been friends for about ten years, and we recently did a signing together at Barnes and Noble in Brentwood, Tennessee with local author Kathy Rhodes. River and Kathy had both contributed essays to an anthology I edited, A Second Blooming: Becoming the Women We Are Meant to Be. And River has also contributed an essay to another anthology I’m editing, Southern Writers on Writing (coming from University Press of Mississippi in 2018). In 2010 we traveled together to the Pulpwood Queens Girlfriend Weekend in Texas, where she was a featured author and I was her guest. I’m so excited to be returning to that amazing event this January as an author. River and I talked about my banner year of publishing three books, and a little bit about each of them. She asked about my experience working with different publishers and editors, like Joe Lee of Dogwood Press, who published CHERRY BOMB. CLICK HERE TO LISTEN to the interview—it’s about 15 minutes long.

It's so much fun being interviewed by Clearstory Radio host River Jordan!

It’s so much fun being interviewed by Clearstory Radio host River Jordan!

 

Kathy Susan4. Visiting with fellow authors from all around the South that I rarely get to see. And even to meet a couple of them in person for the first time, although we’ve been chatting on Facebook for several years! Kathy Rhodes was anchoring a tent for Middle Tennessee Authors. We’ve been friends since about 2008, and we co-directed the 2010 and 2013 Creative Nonfiction Conferences in Oxford, Mississippi (with Neil White). Kathy is a terrific author and workshop leader and friend. I especially loved her 2013 memoir Remember the Dragonflies: A Memoir of Grief and Healing.

5. The next fellow author I ran into was Brenda McClain, who was enjoying some fine tunes at the outdoor music tent when I found her Saturday morning. Her novel One Good Mama Bone was released by Story River Press, an imprint of the University of South Carolina Press founded by Pat Conroy. Brenda is a South Carolina native, and I’m looking forward to being with her again in January at (you guessed it) the Pulpwood Queens Girlfriend Weekend.

Enjoying the breeze at the outdoor music venue with South Carolina author Brenda McClain

Enjoying the breeze at the outdoor music venue with South Carolina author Brenda McClain

 

6. Later I met Georgia native and fellow author Karen Spears Zacharias. Karen and I share a publisher—Mercer University Press published her recent novel Christian Bend, and also my anthology A Second Blooming. We visited briefly between my interview and hers with River at the Clearstory Radio venue at the top of the colonnade, overlooking some of the festival tents. What a joyful spirit she has!

Karen Spears Zacharias and I share a publisher: Mercer Universitiy Press!

Karen Spears Zacharias and I share a publisher: Mercer University Press. It was windy up on those Collonade steps!

 

7. I didn’t have photo ops with everyone, but it was also great to see fellow Jackson, Mississippi native (we were in high school together in the 1960s!) Corabel Shofner at the authors’ reception. Bel was on a panel for her middle grade novel Almost Paradise. Also shared a brief hug with my friend Beth Ann Fennelly (Poet Laureate of Mississippi) who was at the festival to talk about her latest book Heating & Cooling: 52 Micro-Memoirs. Oh, and finally meeting festival director Serenity Gerbman! And a short visit in the authors’ hospitality lounge with North Carolina native Shari Smith, a fellow contributor to the anthology The Shoe Burnin’: Stories of Southern Soul (River Edge Media 2013). Shari is the creator of Trio, a traveling exhibit of art and songs inspired by books. Speaking of which….

8. “The Conroy Center Porch Talk” (a live podcast) was great fun. Moderated by Jonathan Haupt, director of the Pat Conroy Literary Center in Beaufort, South Carolina, Jonathan welcomed author Wiley Cash, talking about his recent book The Last Ballad, and singer-songwriter Radney Foster, who performed an original song he wrote about The Last Ballad for the Trio project. 

Jonathan Haupt introducing Wiley Cash

Jonathan Haupt introducing Wiley Cash

 

Singer-songwriter Radney Foster

Singer-songwriter Radney Foster

th9. Javaka Steptoe, artist and author of award-winning children’s books, gave a wonderful talk about his latest work Radiant Child, about Jean-Michel Basquiat, who  actually makes a cameo appearance in my novel CHERRY BOMB! There’s a scene where Mare, the young protagonist, is watching an MTV video of Blondie and Fab Five Freddy, and Basquiat is in the background throwing up graffiti. Steptoe was a great presenter and I love the book.

10. My “parting shot” for the Festival is a group of street dancers I enjoyed watching as I walked from my panel in the Nashville Public Library to the author signing tent, which was right next to the Parnassus book tent. (Thanks to Parnassus for selling our books!) I missed the start of their dance, so I didn’t quite get the significance of the articles of clothing strewn across the pavement, which they picked up at the end of the dance. But the music was haunting and I always enjoy dance.

That’s a wrap for the 29th Annual Southern Festival of Books. Hope to return next year for their 30th year celebration!

Southern Festival of Books: Saturday Schedule

SFB Final Update RESIZED FOR WEBThe 29th annual Southern Festival of Books kicked off in Nashville today! I’m heading over early tomorrow morning (sad to miss some great panels today, including my friend Beth Ann Fennelly talking about her new book Heating and Cooling: 52 Micro-Memoirs at 1 p.m. today) where I’ll be on a panel for my novel CHERRY BOMB, and also hope to make it to several others. It’s been five years since my first panel at the Festival, back in 2012, for Circling Faith: Southern Women on Spirituality, with Wendy Reed, Jennifer Horne, Marshall Chapman, and Rheta Grimsley Johnson. Can’t wait to get back there!

Here’s my tentative schedule for Saturday afternoon and evening: (full schedule for the festival on Saturday is HERE)

12:30 p.m. – 1:30 p.m. – “Radiant Child: The Story of Young Artist Jean-Michel Basquiat” (Basquiat is featured briefly in an MTV video I reference in my novel CHERRY BOMB, since my protag is a graffiti artist). I’d love to hear this panel and buy the book….

1:30 p.m. – Conroy Center Porch Talk – live podcast taping with Wiley Cash

3:00 p.m. – Youth in Search of Hope: Two Middle Grade Novels features my fellow highschool friend (from Jackson, Mississippi) Corabel Shofner and her book, Almost Paradise. I’m hoping to be there for the first half of the panel, before heading to my panel:

4:00 p.m. – The Path to Publishing: Tennessee Debut Novelists (Susan Cushman and  James E. Cherry) where I’ll be talking about my novel CHERRY BOMB, as well as my journey to publishing three books in one year, with three different indie publishers. We’ll be in the Special Collections Room of the Nashville Public Library.

5:00 p.m. – I’ll be signing copies of CHERRY BOMB at the signing venue.

6:30 p.m. – Authors’ reception!

8:30 p.m. – Literary Death Match (Beth Ann Fennelly is a contestant!)

Have a great weekend, everyone!

Dew on the Kudzu, Cherry Bomb on Kindle, and Southern Literary Review!

Good morning! I have several “good news” items relating to CHERRY BOMB today:

 

dew3CHERRY BOMB is spotlighted today on DEW ON THE KUDZU! The spotlight includes an excerpt—the Prologue from the novel is there.

 

Dew on the Kudzu celebrates the “southern written word” with book reviews and spotlights. Idgie calls herself a “book pusher.” I love that!

 

CB on KindleNext up: For lovers of eBooks, CHERRY BOMB is now available on Kindle! CLICK HERE to go there and buy a copy!

 

And finally, TOMORROW (Tuesday, September 26) CHERRY BOMB will be reviewed at the Southern Literary Review, “a magazine for literature of the American South.” Just CLICK HERE to read it. Many thanks to fellow Tennessee author Niles Reddick for the review!

How (and Why) to Leave a Book Review on Goodreads and Amazon

I have published three books in 2017, and all three have been reviewed on Amazon and Goodreads, mostly with 5 STAR reviews. My novel, CHERRY BOMB, has several excellent reviews on both sites, but it needs many more to help it become a “better seller.” Several people have mentioned to me that they don’t know how to leave reviews on these sites, so I’m going to tell you how. Right here. Right now.

GOODREADS

Goodreads review button

 

Sign into Goodreads (it’s easy to join if you’re not already a member) and search for CHERRY BOMB by Susan Cushman. (There are numerous books by the same title, so you must include the author’s name.) You can CLICK here to go directly there. Once the page for CHERRY BOMB comes up, scroll down to the section that begins with “My Activity.” The fifth item in that section says “Add a review.” Click on those words. When the next screen appears, the first thing you do is click on the number of stars you want to give the book (hopefully 5!). The next line says bookshelves/tags… choose shelves… choose “read” if you have read the book. (I assume you’ve read it if you’re going to leave a review.) Then write your review in the box provided.

Goodreads review box

 

You can skip the next section (dates read) but be sure and click on SAVE at the bottom left to save your review. It might not show up right away, but it will soon. It doesn’t need to be long, just a few words about why you liked the book and how you would recommend it to other readers. That’s it!

AMAZON

Amazon review button

 

Sign into Amazon and go to the page for CHERRY BOMB by Susan Cushman. (Just CLICK HERE to get there quickly.) Scroll down to CUSTOMER REVIEWS and click on “Write a customer review.” Just like with Goodreads, click on the number of stars you want to give CHERRY BOMB (5 being the highest) and proceed to write a review. You can give the review a title if you’d like (look at other reviews for ideas) but you don’t have to.

amazonreviews

 

Both of these processes are easy and quick, but can do a lot to help an author’s books sell, so please take a few minutes to help!

Thanks soooooo much!

Literary Awards (Submissions)

stack_of_books

 

Now that CHERRY BOMB has been out for a few weeks, and my book tour has begun, I’ve been researching literary awards. That might sound egotistical, but if I had a literary agent or a publicist, submissions to these awards might be done for me. I look at this as marketing, not “bragging” or assuming my book could win. But it could.

The two I’ve just submitted CHERRY BOMB for are:

Willie Morris AwardThe Willie Morris Award for Southern Fiction. In the description, I read these words:

The selected book may contain violence and despair, and feature terrible events, but in the final analysis must be uplifting, and suggest hope and optimism.

CHERRY BOMB does all of that, and hopefully, does it well. I read on:

The winning book is chosen for the quality of its prose, its originality, its sense of place and period, and the authenticity and appeal of its characters.

Of course the quality of its prose will be judged against hundreds (or thousands?) of other entries, but it’s definitely original, has a strong sense of place and period, and its characters are authentic. Some of them are even real.

In 2015 Katherine Clark won for her wonderful novel THE HEADMASTER’S DARLINGS, which I loved. Katherine contributed an essay to the anthology I’m editing right now, SOUTHERN WRITERS ON WRITING (University Press of Mississippi 2018) and I’m very impressed with all of her work.

The Willie Morris Award carries a $10,000 prize—which would be wonderful of course—but I would be more excited to receive the recognition. No fee to enter, just a copy of your book, which I mailed off yesterday. May it be blessed!

PENfaulknerThe Pen/Faulkner Award for Fiction carries a $15,000 prize—again, I would be thrilled, but the award itself would be amazing. I think this one is a much longer shot, as it isn’t just for southern authors, and there was no description as to what kind of book they are interested in. When I looked at lists of past winners and those who placed, the names are big. But there’s no fee to enter, so I sent off four copies of CHERRY BOMB with a kiss and a prayer that the judges will love it!

These awards will be announced in 2018… with trips to New York City and Washington, DC involved. Again, I know these are long shots, but nothing ventured, nothing gained! Thanks, always, for reading.

© Copyright SusanCushman.com